Between the two Happy Death Day films and Freaky (2020), director Christopher Landon has developed a solid reputation for delivering frights in equal measure to the entertainment. After a premiere at SXSW 2025, Landon’s latest project, Drop, hit theaters in April and now… Read More ›
Content Warning: The following spoiler-free review will include descriptions of death, which may be difficult for sensitive individuals. There is going to be an ungodly amount of discourse so I want to preface this review with a few things. If… Read More ›
I first saw Presence at TIFF back in September 2024 and have already provided my spoiler-free thoughts. With that being said, this home review of Steven Soderbergh’s film is going to be incredibly spoiler heavy, talking about the film in… Read More ›
“I am an unfortunate and deserted creature; I look around and I have no relation or friend upon earth. These amiable people to whom I go have never seen me and know little of me. I am full of fears,… Read More ›
When someone, anyone, adapts a George A. Romero film, there is usually a deep amount of worry and concern because remaking something that a master has already done effortlessly and perfectly is never an easy task. While screenwriters Scott Kosar… Read More ›
Author H.P. Lovecraft can be recognized for producing some great stories in the horror genre while acknowledging his general terribleness as a human being. Thankfully, as his works have been replicated or adapted, they’ve found ways to be true to… Read More ›
We could sit here and discuss space nonsense for decades and decades ad nauseum about how horror franchises love to jump the proverbial shark and take their franchise to new and incredibly dumb heights. Hellraiser did it with their fourth… Read More ›
If you’re a completist then you most likely have seen Jason Goes to Hell, the ninth movie in the Friday the 13th franchise. It’s arguably not a *good* movie but is absolutely delightful, taking the series of films in a… Read More ›
Writer/director Karan Kandhari (Bye Bye Miss Goodnight) presents audiences with Sister Midnight, a dark comedy (slightly akin to Nightbitch (2024) while also being incredibly different) about the situations that arise from arranged marriages and what happens when you’re just not… Read More ›
Seventeen years ago, writer/director Lucky McKee’s May released and has since built up an ecstatic following. So much so that Lionsgate Limited, through their Vestron Video boutique label, has released a collector’s edition of the title on Blu-ray. Having found ourselves… Read More ›
Trigger Warning: The World Drops Dead involves both suicidal ideation and execution that may be difficult for sensitive viewers. Additionally, be advised that this will be discussed in the following review. God is Silence — this is the title of… Read More ›
There are some who will tell you that horror is having a resurgence right now, and they’d be misinformed at best, misunderstood at worst. Horror films have been a steady part of storytelling since before the advent of moving pictures… Read More ›
Compared to horror films with other themes, those focused on lore, especially folklore, evoke a different emotional knee-jerk reaction from their audiences with their eerie tales keeping the uneasy viewers interested and engaged. This is where Aislinn Clarke strives in… Read More ›
Trigger Warning: Be advised that The Ugly Stepsister includes significant elements of body torture and body-related horror. I am not going to sit back and pretend I am an expert on all things fairy tale related, as that is a… Read More ›
Trigger Warning: Though there is no rain, there’s a great deal of lightning in the film which may impact photosensitive viewers. If you’re a person of a certain age, one only needs to hear a few notes of Danny Elfman’s… Read More ›
First-date jitters take on a whole new meaning in Drop, a Blumhouse thriller from Happy Death Day director Christopher Landon. Drop stars Emmy-nominated Meghann Fahy (The White Lotus) as Violet, a single mom looking to re-enter the dating scene, alongside… Read More ›
In the featurette “I Feel, Therefore I Am,” writer/director Drew Hancock (Fred 3: Camp Fred) talks about how sometimes, in relationships, there are those who are more invested than another. Personally, in the right circumstances, imbalance in one area can… Read More ›
“Only the pursuit of happiness is guaranteed. The rest is up to you.” – David Fagan While there are things that are specific to culture, community, or time, other things are universal, like the overwhelming dread experienced by the young… Read More ›
Overall, Sister Midnight swings for the absolute fences which is bold and refreshing to see when it has a cast that supports it, but if the effort ends at the cast’s execution, it can become tiresome and messy. Kandhari throws… Read More ›
The key to a great slasher film, other than a great antagonist, is a situation where the stakes are high for one or both parties, an arena where both the hunter and the hunted have an equal playing field and… Read More ›