For every smart little one-liner I wanted to inject into this intro about Santa Claus to describe this film, I realized it was already covered by Violent Night’s catchphrase-heavy screenplay, rendering my job nearly useless, as one can imagine the… Read More ›
I am a sucker when it comes to some people’s bodies of work and usually, when I’m made aware they’re in something that even vaguely catches my eye, I will watch it without any further knowledge as to what the… Read More ›
EoM Senior Interviewer Thomas Manning recently spoke with legendary character actor Peter Stormare about his role in the new film Food and Romance, a rom-com from Swedish filmmaker Annika Appelin. Stormare speaks about the film’s potent themes of finding love… Read More ›
For as long as someone thought themselves superior to another, for as long as someone believed themselves owed what belongs to another, there has been colonization. The roots likely go deeper than we know for sure, but, starting in February… Read More ›
There have been few first-part-of-a-series films released in 2022 that have made me want to dive straight into the follow-up as much as writer/director Choi Dong-hoon’s genre-hybrid Alienoid. This complex comedic fantasy actioner does a lot of wild things in Part… Read More ›
An observation about American cinema is made early into writer/actor/director Ahcitz Azcona’s The Inevitable Death of the Crab (La Inevitable Muerte del Cangrejo) that’s incredibly obvious yet startling once considered: whomever the latest “bad guy” is to the U.S., they… Read More ›
Satire is a sticky wicket requiring expert balance to nail. Films like Paul Verhoven’s RoboCop (1987) and Starship Troopers (1997) are as frequently misunderstood for their analysis of corporate greed and nationalism as Fight Club is (film (1999) or novel)… Read More ›
On this episode of Meet Me at the Movies, I join hosts Noel T. Manning and Thomas Manning to briefly discuss director Lila Neugebauer’s Causeway, now streaming on Apple TV+ and starring Jennifer Lawrence and Brian Tyree Henry. This beautiful character-driven… Read More ›
The Cine-Men co-host Darryl Mansel and myself continue our trend of weirdness. In this episode we discuss the various animated worlds in cinema that exist and identify the one’s we’d like to (or not) live in. (Mostly not.) Join us… Read More ›
As I type this intro, the verdict to the Darrell Brooks trial has just been read, ending a weeks-long shitshow of an abuse of a public system of representation for someone who was clearly guilty (I can say that now,… Read More ›
Released in theaters earlier this year, director Han Jae-rim’s Emergency Declaration, a story of terror in the air based on real events, now comes to home video. Thanks to the generosity of Well Go USA, EoM is giving away one (1)… Read More ›
2019’s surprise of the holiday season was writer/director Rian Johnson’s Knives Out, a whodunit that takes all the hallmarks of the great mystery writers and gave it his own spin. First, there’s the rich family where motive is everywhere and… Read More ›
If someone were asked to name a filmmaker whose had a massive impact on American cinema, writer/director John Hughes is easily one of the first to come to mind. He directed eight films, each with their own respective fandoms, almost… Read More ›
First there was Do the Right Thing (1989), then there was Bamboozled (2000), and now, for the third entry into the Criterion Collection, writer/director/actor Spike Lee’s Oscar-nominated Malcom X (1992) joins the illustrious physical format boutique distributor nearly 30 years… Read More ›
Parenthood changes you. It’s not for everyone and there’s good reason for people wanting to avoid it ever happening to them, but, for those who do become parents (by birth, by adoption, however), there’s a palatable shift in how one… Read More ›
There are a number of films that felt influential to my identity during my childhood. The Goonies (1985), Lethal Weapon (1987), The Terminator (1984), Spaceballs (1987) to name a few. These are films which, even now, with their various faults,… Read More ›
Produced by Blumhouse, Paramount Pictures, and Epix and released toward the start of October, Justin P. Lange’s The Visitor seeks to unsettle through a tale of stolen identity and psychological thrills. Just before it comes available via Epix, the kind folks… Read More ›
Movies have been around since the late 1800s and music has been around even longer, so to have someone want to create something to be classified in either medium that is original or even inspired is a difficult task. I… Read More ›
A lot of (not all, don’t swarm me) these new kids like to think everything is peachy keen and hunky dory in the world of queerness in the modern world. Unlike so many generations before them, there are actual chances… Read More ›
Empire of Light immediately had me on its side because I too work at an independent, two-screen cinema that features grand Beaux Arts architecture, an eclectic group of regulars, and perhaps an even more eclectic staff. Operating as a sort… Read More ›