Author Archives
UNC Charlotte '18 graduate | Film Intern at CLTure | North Carolina Film Critics Association member | Lover of bad teen horror movies and 90s pop music
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If you can stomach it, “Violation” from writing/directing team Dusty Mancinelli and Madeleine Sims-Fewer has something worth hearing.
**Trigger Warning: Discussion of topics surrounding sexual assault** There’s this strange sort of thought process that goes into the writing of the stereotypical rape-revenge film. Woman (always a woman, because that’s totally not something that ever happens to a man,… Read More ›
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Liberate tutemet ex inferis. “Event Horizon” Collector’s Edition coming from Shout! Factory.
Have you taken time to praise our lord and savior Paul W.S. Anderson today? For his truth and wisdom are great and mighty, and his camp polished and lively. For he…also made the Resident Evil movies, and that’s pretty cool,… Read More ›
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The unique benefits of “The Spine of Night” outweigh its sometimes impenetrable downsides. [SXSW Film Festival]
Of the nominations for Best Animated Film at this year’s Academy Awards, Onward, Over the Moon, Shaun The Sheep: Farmageddon, Soul, and Wolfwalkers, not a single one of them was made for anything but family audiences in mind. It’s a… Read More ›
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Riveting documentary “Introducing, Selma Blair” captures the spirit of a person unbroken. [SXSW Film Festival]
There’s a point about two-thirds of the way through Introducing, Selma Blair where the titular Selma Blair is recounting her career based on her magazine appearances, including an admittedly unfortunate Seventeen Magazine cover, a stunning Italian Vogue cover, and the… Read More ›
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Documentary “Alien on Stage” charms from lights down to the final curtain call. [SXSW Film Festival]
If you’re like me, you’ve been obsessed with the North Bergen High School’s production of Alien two years ago. The New Jersey high school, with the film and a dream as inspiration, crafted a unique and (by high school standards)… Read More ›
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Failing to live up to its promise, “Offseason” feels more like a pale imitation to other works. [SXSW Film Festival]
If you ever even mutter the words “silent” and “hill” within seven words of each other in a sentence within a 10-meter radius of me, buckle in because I’m going to tell you everything I know about the Silent Hill… Read More ›
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Megan Park’s “The Fallout” doesn’t sensationalize school violence, but explores the aftermath. [SXSW Film Festival]
Columbine, Sandy Hook, Parkland. These are words that have been burned into our collective minds as a nation as we struggle to deal with a society that puts gun rights over children’s lives. These are atrocities we’ve been forced to… Read More ›
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South African horror film “Gaia” is 100% risk, earning the audience’s respect. [SXSW Film Festival]
There really aren’t enough African films in the international film circuit. Nollywood (Nigerian Film Industry) is certainly getting its flowers, but rarely do those films ever make their way onto American shores. Even most films we see about South Africa… Read More ›
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Powered by Andrea Riseborough, “Here Before” will catch you completely off guard. [SXSW Film Festival]
Andrea Riseborough. That’s it; that’s the review. …okay fine, I’ll say more. If there’s anyone who has been a film festival genre darling in the past couple years, it’s been Andrea Riseborough. Her transformation from British prestige drama actress to… Read More ›
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Don’t confuse “Swan Song” for camp, it’s a loving tale with a heart of gold. [SXSW Film Festival]
Being gay is one of the biggest gifts life has granted me, and the fact I’m able to sit here and say that shows just how far we’ve come as a society to where I, and so many other people,… Read More ›
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Without a clear focus, this telling of “Disintegration Loops” falls on deaf ears. [SXSW Film Festival]
Ambient music is one of those things that pervades your life in the basest of forms, but when you learn the depths of the genre within the modern music scene, it kind of blows your mind. This was my experience… Read More ›
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By the time folk horror doc “Woodlands Dark and Days Bewitched: A History of Folk Horror” ends, you’ll want even more. [SXSW Film Festival]
Folk horror is something that, for a while, I didn’t know was genuinely one of my favorite forms in the horror genre. It’s difficult to categorize it as its own separate sub-genre as its products can be widespread and incredibly… Read More ›
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Director Paul W.S. Anderson’s video game adaptation “Monster Hunter” possesses the potential to be the start of something grand.
I’m a recent convert, but I love me some Monster Hunter videogames. They’re simple on the surface, but nearly impossible to truly master without pouring countless hours grinding and studying the habits and weaknesses of each bit of prey assigned… Read More ›
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Celebrate the 15th Anniversary of the Amanda Bynes/Channing Tatum Shakespeare adaptation “She’s The Man” with a brand-new Blu-ray release.
Everybody has a secret… Duke wants Olivia who likes Sebastian who is really Viola whose brother is dating Monique so she hates Olivia who’s with Duke to make Sebastian jealous who is really Viola who’s crushing on Duke who thinks… Read More ›
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Director Natasha Kermani’s new film is both “Lucky” and good.
A lot of critics like to proclaim that women filmmakers are “on the rise” in Hollywood, but I find that wording to often feel degrading and lack accountability in the system. It’s not that women are suddenly deciding to become… Read More ›
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Eco-disaster “Greenland” is a thrilling, emotionally engaging film that puts character over spectacle.
Every so often, Hollywood attempts to recreate the 1970s by releasing another high-concept disaster movie that vies to emulate the silly, yet thrilling fun of films like The Poseidon Adventure, The Towering Inferno, and Earthquake, putting high-profile, ensemble casts in… Read More ›
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Saban Films’s “Wrong Turn” is a thrilling and absolutely gnarly horror film.
Believe it or not, not including this reboot, there are six entries in the Wrong Turn series of films. Predictably, aside from its initial 2003 original, every film in the series was a casualty of the late-2000s boom of direct-to-DVD… Read More ›
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If “‘Wolfenstein’ in the Pacific Theater” meets “Overlord” sounds enticing, check out director Roseanne Liang’s “Shadow in the Cloud.”
It’s a tough conversation, but one that needs to be addressed head-on before jumping into actually talking about the film itself. Shadow in the Cloud, despite its best efforts, is written by Max Landis. Landis, the son of veteran filmmaker… Read More ›
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Prepare yourself to explore “The Dark & The Wicked” on home video.
The Dark and the Wicked is one of those films that has stuck with me long since I saw it for the first time back in August. I liked it in my first viewing, but it didn’t take long after… Read More ›
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For a period romance, “Ammonite” is too cold to generate heat.
Queer period romance films have had a bit of a kick as of late, and I have been very grateful for them thus far. Colette, The Handmaiden, Carol, The Favourite and Portrait of a Lady on Fire, among others, have… Read More ›