Author Archives
UNC Charlotte '18 graduate | Film Intern at CLTure | North Carolina Film Critics Association member | Lover of bad teen horror movies and 90s pop music
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“Spell” lacks that special something to conjure a proper incantation.
Horror films about religion and spirituality are not hard to find, with films like The Exorcist, Rosemary’s Baby, and The Omen being some of the highest-regarded horror films of all time. The issue with many of them is that they… Read More ›
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“The Craft: Legacy” breaches the generational divide with aplomb. Blessed be.
I’m not sure anyone has the patience to listen to my list of all the reasons that The Craft is one of the most iconic films of the 1990s, but if you know, you just know. Focusing more on the… Read More ›
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In the mood for something nasty? Discover an old-fashioned gore-fest in new home release “Haunt.”
I love horror movies. I love my subscription to Shudder. I love Halloween. However, in recent years, I can’t say that I haven’t been drawn to the realm of “elevated horror” more and more. The term “elevated horror” in and… Read More ›
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Joining the Paramount Presents collection is the peculiar, yet absolutely charming Jan de Bont film “The Haunting.”
I love me some Shirley Jackson, and, more specifically, I love her 1959 novel The Haunting of Hill House and have since I first started getting into horror early in my adolescence. Jackson’s novel was one of the first horror… Read More ›
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“Possessor” is a gruesome, ugly, and morally repugnant film and you’ll love every minute of it.
Hollywood nepotism can be frustrating at times. With so many burgeoning actors and filmmakers bursting onto the scene in their family member’s footsteps, it can sometimes feel unfair to the whole selective process that weeds so many quality filmmakers out… Read More ›
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Etheria Film Night comes back with a second season, streaming via Amazon.
Following the success of the first digital iterations of the Etheria Film Night, a genre festival focusing on horror, thriller, and sci-fi shorts directed by women, there has to be more sequels, right? Etheria Season II, a block of 10… Read More ›
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Pretty on the outside, ugly on the inside, there’s little to love in cruelly misguided Janelle Monáe horror vehicle “Antebellum.”
It’s no secret that I absolutely adore Janelle Monáe. I have since her first album, The Archandroid, all the way up the absolutely masterful Dirty Computer album of 2018. I genuinely believe that she is this generation’s Prince in her… Read More ›
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Expertly crafted in pieces, Korean mystery “Me and Me (사라진 시간)” does not combine to a satisfying whole. [Fantasia Film Festival]
When it comes to modern Korean horror (Parasite doesn’t count), there’s really a “before The Wailing” and “after The Wailing” period going on currently. Sure, there are still some fast-moving, breakneck horror being made in South Korea, but there has… Read More ›
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“Sanzaru” is an intriguing slow burn, yet crashes in the landing. [Fantasia Film Festival]
Sanzaru is a film that might look like a film along the lines of The Dark & The Wicked in its rural set-up for a horrific force haunting a house, but off the bat, there’s something much stranger at hand…. Read More ›
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French Western “Savage State (L’état Sauvage)” is a stark, quiet, introspective tale of survival. [Fantasia Film Festival]
Fantasia Festival has provided a bevy of opportunities to showcase some truly great genre films, primarily focusing into the sci-fi/horror route of things. The grisly, spooky, and downright weird have been on full display since the start of the festival,… Read More ›
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If you’re in the mood for something dark and gory, look no further than Bryan Bertino’s “The Dark & The Wicked.”
One of the first horror films I ever saw during its release time was Bryan Bertino’s 2008 home-invasion thriller, The Strangers. I will always have the distinct memory of watching it at my best friend’s house after a July 4th… Read More ›
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Despite an engaging aesthetic and good performances, “The Block Island Sound” doesn’t totally manifest. [Fantasia Film Festival]
Everyone has their favorite urban legends, mine typically revolve around abandoned places and towns that have no explanation in their abandonments. Others like bigfoot, the Loch Ness monster, or the Bermuda Triangle. It’s easy to see that the latter is… Read More ›
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Charlie Kaufman’s “i’m thinking of ending things” pulls off the seemingly impossible task of adapting Ian Reid’s book with ease and grace.
When I read a book, I feel accomplished. When I read a book based on a film, I feel elitist. When I read a book based on a film before its release, I feel completely untouchable. I know I shouldn’t,… Read More ›
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Documentary “Class Action Park” is incredibly riveting and oddly fun, despite it serious nature. [Fantasia Film Festival]
Ah, amusement parks; the sites of “controlled fun” that you either love or loathe. Whether you like the themes and characters of something like Disney World, the rides and thrills of Carowinds, or the wet-and-splashy water park fun of Wet… Read More ›
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The discomfort within “Centigrade” is more than a matter of degrees.
I hate snow. Perhaps it’s because my exposure to snow has been the rare snowstorms that hit North Carolina once or twice a year, leaving a wake of dirty black ice in its wake, but I’ve genuinely never enjoyed the… Read More ›
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Nobuhiko Ôbayashi’s “Labyrinth of Cinema” is a fitting final opus. [Fantasia Film Festival]
There is no film more indicative of “you either love it, or you don’t” than Nobuhiko Ôbayashi’s 1977 horror film, House. The surrealist and absurdist take on the typical haunted house story creates a film that defies all convention and… Read More ›
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Sabrina Mertens’s “Time of Moulting (Fellwechselzeit)” lacks urgency within its coming of age tale. [Fantasia Film Festival]
Teen angst. Everyone has had it; hell, I still have it and I’m 24 (today is my birthday when this is published). It’s generally an integral part of our shaping as adults by going through the hormonal and emotional rollercoaster… Read More ›
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“Random Acts of Violence” exists in a strange gray area where you lose much of the fantastic elements present.
The rise of the comic book movie has mainly accrued its time and money within the industry using big-budget superhero movie universes. While gritty graphic novel adaptions had their day in the mid-2000s with the hits of Sin City, V… Read More ›
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“Crazy Samurai Musashi” eschews bombast in favor of quiet restraint. [Fantasia Film Festival]
Long takes have become the new major flex a filmmaker can make in their films these days, from Alejandro González Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance), to Sam Mendes’s 1917, even making its way into video games like… Read More ›
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IFC Midnight’s “Sputnik” is the kind of slow-burn horror experience you long for theatrically.
I could name five French films that have released in the past year, the same with Korean, Chinese, German, Swedish, and Spanish films as well. However, despite being the largest country on Earth by landmass, I probably couldn’t name five… Read More ›