After a nine year break from directing, filmmaking partners Scott McGehee and David Seigel (What Maisie Knew) return with family drama Montana Story, screening during SFFILM Festival 2022 and releasing in select theaters on May 13th courtesy of Bleecker Street…. Read More ›
In Theaters
Strap in, Ghostrider. “Top Gun: Maverick” is a blockbuster film in every fiber of its being.
I would like to make an illicit confession to you, dear reader: I do not particularly care for Tony Scott’s 1986 film Top Gun. I don’t hate it, or even actively dislike it, but I certainly view the film in… Read More ›
“The Bob’s Burgers Movie” is a savory self-contained story, creating no onion-tended consequences for future episodes.
After 12 seasons to the tune of 237 episodes, the Loren Bouchard-created animated family comedy Bob’s Burgers jumps from the small screen to theaters worldwide (no one tell Bob). The long-running series has already released four-albums-worth of music from its… Read More ›
Discover the missing minutes of the Nixon tapes in historical fiction comedy/thriller “18 ½.”
18 and a half minutes. A lot can happen in that time. Depending on where you live, you can get to the store, purchase accoutrements, get home, and make a meal. Or perhaps you can work in some exercise, jogging… Read More ›
Remarkable performances and unique direction will wrap you up in Gaspar Noé’s “Vortex.”
Gaspar Noé is known for making films that sit with audiences for a very long time, and not in the conventional way one would think. His films are downright gruesome, disturbing, and, more often than not, hard to watch, almost… Read More ›
“Sylvie of the Sunshine State” highlights how struggles are universal even in isolation.
In the late months of 2019, there were rumblings of a virus with the potential to grow catastrophic. There had been instances like this previously with outbreaks of H1N1 in 2009 and Ebola from 2014-2016, but it always been contained… Read More ›
No matter the tools, this “Firestarter” won’t ignite.
Here’s the thing with making adaptations of Stephen King’s written works: there’re so many that haven’t been made yet! King is still at his apex of churning out quality genre content regularly, and to this day, he continues to write… Read More ›
Get a backstage pass to the inner workings of the theatre in “Tankhouse.”
It is very important to state that if you do not love the theatre, and no I don’t mean the movie theatre, then Tankhouse is absolutely not for you. However, if you love live theatre, everything from Broadway to your… Read More ›
The kids are so incredibly not alright in Eskil Vogt’s “The Innocents (De uskyldige).”
“I believe the children are our future Teach them well and let them lead the way” – Whitney Houston Is there anything more innocent than the joy of a child’s summer vacation? Playing with friends in the sun all day… Read More ›
With trademark winking humor amongst the terror, “Lux Æterna” is a Gaspar Noé vehicle through-and-through.
How does one describe Gaspar Noé and his films to the uninitiated? “Unconventional” barely scratches the surface of what covers the vast swath of aggressive, assaulting, psychedelic, hypersexual, ultra-violent, anxiety-ridden, nihilistic, and overwhelming trademarks that pervade Noé’s body of work…. Read More ›
Delightfully shocking and surprisingly gruesome, “Doctor Strange in the Multiverse of Madness” is decidedly a Sam Raimi MCU movie.
After 27 films, there exists roughly three factions of people: those who are stupid excited for any new Marvel project, those who are exhausted, and those who don’t particularly care. Some of the malaise stems from the fact that, like… Read More ›
With its intensity in storytelling and direction, Russell Owen’s “Shepherd” is not to be missed.
Relatively new director Russell Owen has managed to do something that very few directors can do even when they’re tenured, let alone at the beginning of their career. Only one other director comes to mind who can create this kind… Read More ›
Be transported back to the bittersweet moments of adolescence in Sophia Silver’s “Over/Under.” [SFFILM Festival]
Summer 1996 — I was 15 and spent several days with a childhood friend, Glen, his sister and her friend, and his father at a beach house on the Outer Banks. To this day, I remember the days we spent… Read More ›
Creating a near-first person perspective places audiences in the experiences of director Reid Davenport in “I Didn’t See You There.” [SFFILM Festival]
After directing a series of shorts, filmmaker Reid Davenport jumps to features with documentary I Didn’t See You There, an experimental film exploring identity, visibility, and the continued consequences of the circus freak show from his perspective as an individual… Read More ›
Sarah Jones’s docu-drama “Sell/Buy/Date” effectively blends the stage with the screen to create a challenging exploration of sex work. [SFFILM Festival]
Tony Award-winning playwright Sarah Jones (Bridge & Tunnel) has developed and performed in several one-person shows over her career. They’ve explored immigrants, prejudice, community, feminism, sex work, and more, tackling complex topics with humor without losing insight. Inspired by people… Read More ›
Animated comedy “Pompo: The Cinéphile” is powered by the magic of celluloid and freshly made popcorn.
If there’s one thing that all cinephiles share, it’s that excited feeling when the house lights turn down low, the screen lights up, and the possibilities are endless for the adventure to come. It doesn’t really matter if you’re in… Read More ›
Animated action caper “The Bad Guys” asks what makes a good being a good being.
July 15th, 2015, saw the release of Aaron Blabey’s kids book “The Bad Guys: Episode 1.” It introduced the world to Mr. Wolf, Mr. Piranha, Mr. Snake, and Mr. Shark and their quest to shift how the world sees them… Read More ›
Kate Tsang weaves magic and grief throughout “Marvelous and the Black Hole.”
**Trigger Warning: Brief scenes of self-harm.** When loss occurs, there is no single right way to grieve. There’s no time limit on how long, no requirement beyond what your community expects. For Jews, for instance, there’s a tradition of sitting… Read More ›
“We’re All Going to the World’s Fair” but should we?
Before anyone asks: no, this is not a spiritual musical successor to Rodgers and Hammerstein’s 1945 musical State Fair, so don’t get your hopes up like I did. The internet — a beacon of hope and knowledge in modern human… Read More ›
“Chariot” misses on almost all of its potential.
Sometimes what sounds good on paper does not necessarily translate well past that. What is worse than an idea that doesn’t fully flourish is when the plot description that is plastered over the internet gives away the entire movie itself… Read More ›