Actions have consequences. We may not know what they are in the instant that we make a choice, but they come eventually. Sometimes the consequence is something joyful, bringing light and life to you and those around you. Other times,… Read More ›
horror
Sandra Oh-led horror film, “Umma (엄마),” is available on home video now.
In a world of more opportunity for those who don’t all fit the same straight white male checklist, there are a plethora of new and exciting perspectives being shown by budding new filmmakers, making the film world a more interesting… Read More ›
“X” Blu-ray Giveaway
SXSW 2022 saw a number of A24 films premiere, including the Ti West-directed X. This horror/slasher throwback to the Seventies put a group of young filmmakers (and the audience) through a ringer, leaving everyone feeling frightful but ready for West’s upcoming X… Read More ›
“Night Caller” has anything and everything for horror fans.
There is something so deeply satisfying about a film that defies all expectations and becomes something more than ever anticipated. While watching the trailer for Chad Ferrin’s Night Caller (don’t watch the trailer, go in as blind as possible, it… Read More ›
The kids are so incredibly not alright in Eskil Vogt’s “The Innocents (De uskyldige).”
“I believe the children are our future Teach them well and let them lead the way” – Whitney Houston Is there anything more innocent than the joy of a child’s summer vacation? Playing with friends in the sun all day… Read More ›
Paranoia seeps through every frame of surrealist, absurdist sci-fi thriller “Friend of the World.”
These are wild times we’re living in. We’ve got wars for land in Ukraine and Israel bordering on genocide, racial strife and religion tied too closely with politics in the U.S. and U.K., a cult of personality seizing the good… Read More ›
Delightfully shocking and surprisingly gruesome, “Doctor Strange in the Multiverse of Madness” is decidedly a Sam Raimi MCU movie.
After 27 films, there exists roughly three factions of people: those who are stupid excited for any new Marvel project, those who are exhausted, and those who don’t particularly care. Some of the malaise stems from the fact that, like… Read More ›
With its intensity in storytelling and direction, Russell Owen’s “Shepherd” is not to be missed.
Relatively new director Russell Owen has managed to do something that very few directors can do even when they’re tenured, let alone at the beginning of their career. Only one other director comes to mind who can create this kind… Read More ›
A heavy-handed atmosphere hampers “The Long Night.”
For many, the search for self is the hardest journey one can engage in. Maybe you don’t feel like you belong with your blood relations, maybe you don’t feel like you belong among the general public, heck, maybe you don’t… Read More ›
Return to Woodsboro in the latest entry of the beloved “Scream” franchise, now on home video.
Legacy — those who create it rarely live to see it last. Lin-Manuel Miranda’s Hamilton has a line in which legacy is described as “planting seeds in a garden you never get to see grow.” In 1996, master filmmaker Wes… Read More ›
Addison Heimann’s “Hypochondriac” is horror as therapy. [SXSW Film Festival]
Addison Heimann deals with the ghosts in his past by bringing them to light, inviting scrutiny from whoever chooses to open the Pandora’s box that is Hypochondriac. While few directors probably choose to enter the game with an exposé into… Read More ›
Korean thriller “Midnight” weaponizes perception, creating a deceptively devious night of horror.
There are some films that come along and you think to yourself “I need to see this.” It’s how I felt with the announcement of Everything Everywhere All At Once (2022) and The Unbearable Weight of Massive Talent (2022), but… Read More ›
“6:45” plays with time to generate horror, but actually just creates tedium and celebrates misogyny.
I love a film that plays with conventions. It can be a rom-com that positions itself as a traditional romance involving the ability to time travel but it’s really a story of fathers, sons, and family (About Time). It can… Read More ›
Pete Ohs’s “Jethica” offers an approach to forgiveness and grief we’d all be better to consider. [SXSW Film Festival]
Jethica is a film that wastes no time in laying its narrative out on the table with a refreshing efficiency. No padding, no filler, no three hour runtime, just a film that has a statement to make, makes it, and… Read More ›
Aisha Dee slays in Australian horror comedy “Sissy.” [SXSW Film Festival]
We’ve all had our experiences with bullies. Some more than others, certainly, but looking back on the pitfalls of adolescence in the light of adulthood, there’s always that nagging voice in the back of your head telling you “If you… Read More ›
Regina Hall and Zoë Renee bring the damn house down with their performances in “Master.” [SXSW Film Festival]
One of the larger debates during my senior year of high school was the rift between my Black friends debating the merits of attending a Historically Black College & University (HBCU) or that of a Primarily White Institute (PWI), and… Read More ›
A Conversation with “Hypochondriac” director Addison Heimann and actor Zach Villa. [SXSW Film Festival]
EoM contributor Lindsey Dunn speaks with Addison Heimann and Zach Villa, the director/writer and star of Hypochondriac. Heimann speaks frankly about the events in his life that inspired the movie and why he decided to detour from comedy for his… Read More ›
Lovecraftian “The Cellar” wastes an interesting concept on a poorly constructed foundation. [SXSW Film Festival]
At some point in your life you’ve had the hair on your neck stand on end with the feeling of not being alone. It could be in the comfort of your living room, full lights on, or on a midnight… Read More ›
Nyla Innuksuk’s humorous action horror “Slash/Back” tackles colonialization armed with heritage and the strength of community. [SXSW Film Festival]
Nyla Innuksuk tells a coming-of-age alien invasion story rooted in Inuit culture and legends in her debut feature film, Slash/Back. In Slash/Back, Innuksuk manages to knit together a movie that both pays homage to the “kids on bikes” movies she… Read More ›
Make room on your annual October watchlist for Bill Posley’s “Bitch Ass.” [SXSW Film Festival]
There are very few movies instantly recognized as a crowd favorite, but when they’re discovered in that sweet spot of magic, one would do quite literally anything to witness said film with a packed audience. Bitch Ass, the new horror… Read More ›