Filmmaker Jesse V. Johnson returns to EoM Presents to discuss his latest directorial effort, the ocean survival thriller Above & Below. Johnson speaks about the technical and logistical challenges of underwater filmmaking, the performances of frequent collaborators Louis Mandylor and… Read More ›
horror
“The Arrival” 4K UHD Blu-ray Giveaway
While physical media production of films seems to be waning, there still remain those who champion cinema by re-releasing titles on brand-new formats with new art and features. In June, Lionsgate Limited did exactly this with their 4K UHD edition… Read More ›
“Big Break” has cult comedy group Simple Town leap from the stage onto the cinema screen, creating plenty of hysterics along the way. [Fantasia]
Comedy is subjective, but when it’s done right and done in a way that hasn’t been overdrawn and overdone, then it can be a wild success. In Ian Faria’s first feature, cult comedy group Simple Town (known to their fans,… Read More ›
A Conversation with “Time of Death” actor Michael Kelly.
Actor Michael Kelly joins this edition of EoM Presents to discuss his work on the indie horror film Time of Death, directed by Will Wernick. Filmed on location at a century-old abandoned penitentiary in West Virginia, the distinct Appalachian setting… Read More ›
When communication breaks down and anger seethes, “Evil Dead Burn.”
Trigger Warning: There’s a brief club sequence early in the film that features flashing lights that may be disturbing for photosensitive viewers. Additionally, the subject of familial abuse courses throughout. Be sure to take precautions before watching. Sheila: You found… Read More ›
Yeon Sang-ho’s “Colony” sees individuality and community collide in the filmmaker’s latest horror thriller.
Despite the well-worn nature of certain subgenres, there can be a magical configuration of approaches that result in a sensation of something new and special. This is the case with Yeon Sang-ho’s Train to Busan (2016), an action horror thriller… Read More ›
“Deep Water” crashes into a Blu-ray release without any special features.
Since his heyday in the 1990s, filmmaker Renny Harlin has had some ups and downs in terms of critical reception to his work. It’s been a while since the decade that brought us Die Hard 2, Cliffhanger, The Long Kiss… Read More ›
“Pitfall” Digital Code Giveaway
After a run in theaters in May, director James Kondelik’s horror thriller Pitfall is now available on VOD and digital to experience at home. Courtesy of Cineverse, EoM is giving away one (1) Apple TV digital code for one lucky individual…. Read More ›
“Audition” gets a 4K restoration with two new bonus features via Arrow Video.
Arrow Video’s new 4K restoration of Takashi Miike’s Audition in 4K is surely going to have fans, new and old, jumping at the chance to add it to their collection. Audition defined Miike’s style as a director and the adrenaline-filled… Read More ›
Filmmaker Kirill Sokolov makes his Hollywood debut with darkly comic actioner “They Will Kill You” on home video.
Writer/director Kirill Sokolov made the leap from shorts to features with the 2018 darkly comic actioner Why Don’t You Just Die! in which an idiot is convinced by his girlfriend to kill her police detective father. A spin on several… Read More ›
“Ponderosa” leaves audiences unsatiated. [Tribeca]
There is something to be said about a movie that swings for the fences but only ends up at first base. There is something admirable about going for something unnerving, uneasy, and straight-up weird, and just missing the mark. Having… Read More ›
Who needs friends when Wes Craven’s final “Scream” entry is available on 4K UHD?
It begins as it always does: someone alone receives a menacing phone call, has their life threatened, and then ends up on the wrong end of a blade held by a killer wearing a Ghostface mask. By the third entry… Read More ›
When nothing matters, who wants to save “Our Effed Up World.” [Frameline Film Festival]
Some would say that horror is having a moment — Obsession and Backrooms are both doing quite well with general audiences (as of the time of this writing), other high-quality works (I Saw The TV Glow; And Her Body Was… Read More ›
“Scream 7” seeks to give audiences what they think they want and fails to deliver anything new in the process.
“Burn it all down.” The tagline for the Kevin Williamson-directed seventh entry in the Scream series is apt both for what it seeks to accomplish thematically but also for the entry itself. Rather than make another film that continues the… Read More ›
“Turn It Up!” is the weird love child of “PG: Psycho Goreman” and “Scott Pilgrim vs. the World.” [Tribeca]
When we were younger, we all had those aspirations of “making it big.” Some of us wanted to be astronauts, some of us wanted to be movie stars, some of us wanted to be lawyers, and some of us wanted… Read More ›
Shark horror film “Chum” contributes to the on-going dilution of the genre.
Chum feels like one of those shark movies that crawled out of the direct-to-video section of the ‘90s and somehow made its way into the modern release calendar. It follows nearly every familiar beat that fans of bad B-horror have… Read More ›
“Ready or Not 2: Here I Come” finds its way into your home via Searchlight Pictures.
Ready or Not 2: Here I Come is an exceptional exercise in crafting a worthy horror sequel, something that has become increasingly difficult in a genre oversaturated with reboots and lifeless follow-ups. Much like the original film, this sequel understands exactly… Read More ›
Maiden, Mother, Crone, Whore — they are all “The Bride!”
Trigger Warning: The Bride! incorporates several instances of violence against women that may be triggering for individuals who’ve experienced sexual assault. Additionally, there’s a scene in a club that utilizes flashing lights which may induce a reaction for those with… Read More ›
Meet Me at the Movies: Into the Horrorverse – The Overlook Film Festival Highlights
2023 marked the first time that I covered The Overlook Film Festival, a horror-centric four-day festival that takes place in New Orleans, LA. Since then, I’ve covered it three times, viewing films from throughout the world – some having their… Read More ›
Disquieting and poignant amid beautifully grotesque scenes, Alberto Vázquez’s fantastical farce “Decorado” ponders the risk of questioning one’s reality and the reward of truth.
What matters more: that something *is* real or that it *feels* real? If we’re talking about art or a prosthetic, then the recreation may provide the satisfaction desired. Possessing mere artifice may be all that’s needed in order to achieve… Read More ›