After 10 years of blockbusters which all led to the box office-shattering Avengers: Endgame (2019), Marvel Studios had two major choices: go bigger or rebuild. In that rebuilding is an opportunity to start fresh and, for the most part, they… Read More ›
Director/co-writer Ryoo Seung-wan’s 16th film and South Korea’s submission for the 94th Academy Awards, Escape from Mogadishu, is a reconstruction of events during the Somali Civil War (currently still on-going). It’s a film which didn’t make the shortlist of nominees… Read More ›
There are some works of science fiction that never seem to let go once they get their grasp on society. William Gibson’s Neuromancer was published in 1984, but it still felt just as vital and prescient when I read it… Read More ›
In a career spanning over 20 years, writer/director Mamoru Hosoda has cultivated a filmography of works which communicate to the general masses (Digimon: The Movie (2000)) and to a specific niche audience (Summer Wars (2009); Mirai (2018)). Full disclosure: Mirai… Read More ›
2021 is over and I’ve caught up with the last few films I’ve missed, so I think it’s time for EoM to unveil its Sixth Annual Sticky List! If you’re unfamiliar with the Sticky List, these are the films which… Read More ›
Walt Disney Studio’s 60th animated film released in November with the same promise of any of its predecessors: 90-ish minutes of adventure, magic, and wonder. Directors Jared Bush and Byron Howard (Zootopia) and co-director Charise Castro Smith (who shares co-writing… Read More ›
At the end of every year, it seems, the theaters become flooded with awards-centric films, one after the other. It’s at this time that audiences are encouraged to set aside their popcorn fare and engage in something elevated and intellectual…. Read More ›
Chinese adventure hybrid Schemes in Antiques from director Derek Kwok (Immortal Demon Slayer) may feel, to American audiences, like a mash-up between National Treasure (2004) and Ocean’s Eleven (2001). It’s at times silly, serious, delicate, and violent, all while using… Read More ›
In 1999, a question was posed that would have an unexpected impact on cinema and my life as a cinema-goer for years to come: “What is the Matrix?” It’s little more than tagline, a simple query that also serves as… Read More ›
“The more things change, the more they stay the same.” No matter how much we rely on technology to do things for us, we often lose a little piece of ourselves in the process. Sure, we may remember things more… Read More ›
Allow me, first, to share a memory: November 2006. EoM editor Crystal Davidson and I journeyed to the Magic Johnson Capital Center 12 to see the latest James Bond film, Casino Royale. I was fan of the films (had even… Read More ›
In March 2020, Sony Animation released a trailer for Connected, a film centered on a family attempting to survive a robot apocalypse. It mostly focused on the relationship between the luddite dad and techno daughter before shifting gears to revealing… Read More ›
Across four films, Irish animation studio Cartoon Saloon has earned four Academy Award nominations, each time for Best Animated Feature. If you’ve seen even one of their films — The Secret of Kells (2009), Song of the Sea (2017), The… Read More ›
In September 2021, Warner Bros. dropped Malignant rather unceremoniously into theaters and on its streaming service HBO Max. I say “unceremoniously” because its story is co-developed by director James Wan who’s the co-writer of Saw (2004), who crafted the story… Read More ›
While there’s a vocal contingent online citing MCU fatigue, I’m getting excited after the last two films — Shang-Chi and the Legend of the Ten Rings and Eternals — as things feel like they’re starting anew. We don’t know if… Read More ›
Artist Charles Addams is most widely known for his cartoon series “The Addams Family” which ran in The New Yorker, which then became the even more popular ABC television program which ran for two seasons between 1964 and 1966. While… Read More ›
Your musical theater tastes are all but defined by when you were first introduced. It doesn’t mean that you can’t shift or grow in tastes, but there certainly comes a heavy influence or leaning based upon your start. While I,… Read More ›
In horror, there are far more stories of unrelenting evil than there are tales of vengeance. Look at the pantheon of horror elite and you’ve got Michael Myers, Freddy Krueger, Leatherface, and Pennywise. There are plenty more, for sure, but… Read More ›
Director Jane Campion’s (The Piano) latest project is an adaptation of author Thomas Savage’s 1967 novel The Power of the Dog. Her film, a taunt western-drama, chronicles the intersecting lives of two families across several months in Montana 1925. Each… Read More ›
If I’ve said it once, I’ve said it countless times: revisiting a film is always bound to reveal something new. We have to be willing — correction — open to that newness because, whether a film is a longtime favorite… Read More ›