There’s nothing better than leaving a film having had expectations blown away. That surprise and elation are fantastic feelings which frequently bring about a lasting smile. Chances are, if you’re even checking out this review, that’s what’s going to happen… Read More ›
There are many ways to deal with the past. For some, it’s easier to move on and look to the future rather than process deeds done. For others, ignorance is a way of life, though it doesn’t excuse them from… Read More ›
The things we want out of life don’t often go the way we planned. Sometimes it feels like planning is just a way people go about trying to control an outcome. Even now, with apps, gadgets, and tech of all… Read More ›
After spending some time on the festival circuit in 2018, and providing a fan screening during 2019’s San Diego Comic-Con, genre-bending Freaks finally gets the theatrical treatment. Freaks relies far more on character work than action and writing/directing team Zack… Read More ›
There’re two ways to look at re-releases and remakes: the nihilist “cash grab” view or optimistic “opportunity for new audience” view. The chorus is rarely louder about this issue than when it comes to the live-action/photorealistic adaptions Walt Disney Studios… Read More ›
No matter how much we want it to, the past rarely stays behind. A song, a story, a face, anything which might elicit the slightly remembrance, and we’re right back in that moment like it’s yesterday. Of the many themes… Read More ›
Loneliness is a universal condition. It begins as a notion that tickles in the back of our minds before drilling deep into the bones, settling in our soul. The shame is that one does not need to be alone to… Read More ›
Audiences cultivate a certain expectation depending on the film distributor. With Warner Bros. Pictures, odds are you’re getting something fairly mainstream; whereas A24 almost always releases genre-pushing indies. In the middle lies Neon, where it handles mainstream documentaries like Apollo… Read More ›
Horror is one of those genres that never goes out of style. It draws inspiration from the things which we fear collectively and gives it form. 1978’s Halloween was born out of the move from city centers to suburbia. 1954’s… Read More ›
Marc Webb’s directorial debut, 500 Days of Summer, starring Joseph Gordon-Levitt and Zooey Deschanel in the titular roles, was lauded as one of the best films of 2009 and was almost unanimously praised by critics for its screenplay, lighthearted comedy,… Read More ›