Perfect people make for boring stories. The outcomes are expected because there’s no drama, no challenge, no antagonist. Imperfect people, however, are not only more interesting, they’re more accessible. So much so that it doesn’t matter how shitty their behavior,… Read More ›
horror
A Conversation with “A Cursed Man” writer/director Liam Le Guillou.
For Episode 66 of EoM Presents, EoM Contributor Joel Winstead sits down with documentary filmmaker Liam Le Guillou to discuss A Cursed Man. Premiering in L.A. on March 22nd ahead of its VOD release on March 25th, Guillou discusses his… Read More ›
You could bring the horror of possession tale “Devils Stay” home or ….. not.
A staple of cinema is the horror story: possession, corruption, soul-trading. You name it and horror is going to give it to you. For his first feature film, writer/director Hyun Moon-seop utilizes the well-worn path of demon possession in his… Read More ›
Capsule Review: Emilie Blichfeldt’s horror adaptation “The Ugly Stepsister.” [BUFF]
Trigger Warning: Be advised that The Ugly Stepsister includes significant elements of body torture and body-related horror. Emilie Blichfeldt’s The Ugly Stepsister, having its east coast premiere during the Boston Underground Film Festival 2025, is the most graphically disturbing version… Read More ›
DIY horror film “Head Like a Hole” astounds in every facet. [BUFF]
Writing and directing your first feature is not an easy task, no matter how many shorts have come before it. It gets especially harder when financial constraints come to play and you have to keep things from getting messy and… Read More ›
Capsule Review: Alexandre O. Philippe’s documentary “Chain Reactions.” [BUFF]
Alexandre O. Philippe has directed such projects as The People vs. George Lucas (2010), Doc of the Dead (2014), Lynch/Oz (2022), William Shatner: You Can Call Me Bill (2023), and now Chain Reactions, a documentary about the cultural and personal… Read More ›
“New Religion” gets the picture with Third Window Films release.
In Keishi Kondo’s 2022 directorial debut New Religion, communal memory and grief intertwine in photographs to illustrate a haunted post-COVID world. The surrealist Japanese art house thriller follows Kaho Seto (My Identity; Beyond the Blue) as Miyabi, a prostitute trying… Read More ›
Sci-fi thriller “Ash” struggles to rise above its composite of source materials. [SXSW]
When it comes to narrative mysteries, truth and reality are all a matter of perception. Some things can be argued or compromised on, others are indisputable, but they are all a matter of perception. It’s in this vein that multihyphenate… Read More ›
The Criterion restoration of “Godzilla vs. Biollante” in 4K Blu-ray is well worth a revisit.
Whether you’ve been a fan of the kaiju-destroying Godzilla from its initial creation in 1954 from Toho, or your first introduction to the gigantic destructive beast was Legendary’s Godzilla from 2014 or 2023’s spectacular Godzilla Minus One, there is one… Read More ›
The home release of disjointed “Wolf Man” brings enjoyable special features.
In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
Ben Leonberg’s “Good Boy” takes the horror tropes you know and revitalizes them via a new context that’s unpredictable and terrifying. [SXSW]
Photosensitivity Warning: Good Boy involves several night time sequences that occur during a storm, resulting in a great deal of lightning flashes. Those with light sensitivities should take precautions before viewing. Every genre has their tropes, but very few play… Read More ›
Give yourself up to Julia Max’s family horror drama feature debut “The Surrender” and become open to hard truths. [SXSW]
“What has four legs, then two, and then three?” – The Riddle of the Sphynx. Despite the machinations and designs of the rich, egocentric, and vain, each human life is finite and is designed as such. We can expand life… Read More ›
“Deep Blue Sea” lunges home in stunning 4K from Arrow Video.
All the way up to the late 1990s, there had not yet been a satisfactory successor to Jaws, Steven Spielberg’s iconic 1975 blockbuster hit about a marine biologist and shark hunter taking down a man-eating great white shark. In walks… Read More ›
New Eli Craig horror comedy “Clown in a Cornfield” builds a foundation of generational turnover on one statement: “Don’t f*@k with Frendo.” [SXSW]
“In every generation, there is a Chosen One …” – Buffy the Vampire Slayer (1997 – 2003) Writer/director Eli Craig is no stranger to comedic horror between 2010’s Tucker and Dale vs. Evil and 2017’s Little Evil. While the latter… Read More ›
The McManus Brothers’s “Redux Redux” explores grief as an ouroboros through a multiversal sci-fi thriller. [SXSW]
There was a time when the concept of a multiverse was left to modern philosophy and creative writing as the idea of worlds on top of worlds separated by frequency, many like our own except for the tiniest of differences,… Read More ›
“Night of the Zoopocalypse” is a scary-good midnight movie gateway for families looking to start their children on their horror journey.
One of the weird things about today’s entertainment landscape is the move away from event-programming of the cable era to the always-available aspect that streaming provides. This means that one is less likely to be channel surfing late at night,… Read More ›
Invite “Nosferatu” in and plunge into Robert Eggers’s gothic horror any time at home.
Ever since 2015’s The Witch, Director Robert Eggers has proved his genre supremacy. Whether it be the quirky horrors of The Lighthouse (2019) or the violent Viking delights in The Northman (2022), every movie in Egger’s catalog continues to showcase… Read More ›
Criterion’s 4K edition of “Cronos” offers nothing new past the restoration.
If anyone knows me, then you know I champion Criterion and their releases. They’re usually some of the best of the best, bar none to any other release in terms of quality of release (and quality control) and features. While… Read More ›
“The Monkey” is a blood-soaked laugh-riot.
Theo James, even when he’s good, such as in White Lotus season two (2022) or the ill-fated HBO adaption of The Time Traveler’s Wife (2022), has apparently been miscast his entire career until The Monkey (2025). Usually playing a George… Read More ›
You’ve waited 20 years for “Constantine” in 4K UHD. What’s another 20 seconds?
Angela Dodson: Well, this has been real educational, but … I don’t believe in the devil. John Constantine: You should. He believes in you. – Constantine (2005) Unlike now, comic book adaptations used to be far less prevalent and didn’t… Read More ›