Author Archives
My escape has been a movie theatre for as long as I can quite frankly remember. My dad swears by the fact that I saw Aladdin in theatres (despite it being in theatres 13 months before I was born, but hey movie magic I guess?). Growing up I was incredibly fortunate to have a projector room in my childhood home with surround sound where I would spend my formative years, watching absolutely anything I could get my eyes on. There was never a movie that I didn't at least try to watch, as being young only certain things captured my attention. I would get lost in that room for hours, sometimes even days. As well I lived down the street from my local multiplex so anytime a new movie would come out whether it be the newest superhero movie, James Bond movie, Scary Movie or anything that captured my interest I was there Friday at 5pm seeing the newest thing and if it was good, most likely revisiting with friends that weekend. I grew up in front of the silver screen, graduated University from the film studies program, and have been writing for numerous publications for the past decade. I look forward to continuing to write, explore new films, and indulge in all the offerings the movies have to bring to us. As Vin Diesel said in the welcome back advertisement, "For more than a hundred years there's one place where we all came together to be entertained, to escape, to escape, to go somewhere new -- the movies"
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“Turn It Up!” is the weird love child of “PG: Psycho Goreman” and “Scott Pilgrim vs. the World.” [Tribeca]
When we were younger, we all had those aspirations of “making it big.” Some of us wanted to be astronauts, some of us wanted to be movie stars, some of us wanted to be lawyers, and some of us wanted… Read More ›
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Director Daniel Blake Schwartz’s dramatic thriller “Cotton Fever” use of interconnected stories is stronger in portions than the whole. [Tribeca]
In the past few years, there have been a lot of movies focusing on the rising epidemic of drugs in the United States and the way they affect everyone, ranging in terms of compelling to over-drawn dramatic exposition that loses… Read More ›
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Documentary “Lorne” offers a rare glimpse of his work from Lorne Michaels’s own perspective.
I like Saturday Night Live, but I wouldn’t say I’m a die-hard fan by any stretch. However, it is an enjoyable program and I do try to watch it as much as I can when the host and/or musical guest… Read More ›
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Dramatic thriller “The Leader” portrays the infamous Heaven’s Gate cult of the ‘90s and leaves no jaw unslacked. [Tribeca]
There is a delicacy and there is a purpose to making a movie that tells the story of a cult, especially when telling the story of Heaven’s Gate, the cult that is responsible for the highest casualty rate by mass… Read More ›
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“Disc” is an unforgettable one-night stand. [Tribeca]
A great time watching something can come in a 90-minute, 120-minute, 180-minute format, or any format in between. Sometimes you get really lucky and a hilarious, awkward, heartfelt great time comes in a 13-minute format. Thankfully, Blake Winston Rice’s DISC,… Read More ›
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“Nirvanna the Band the Show the Movie” the Blu-Ray Review.
When the early word out of SXSW 2025 was that the movie was one of the most insane things Matt has ever done, I never expected to be this infatuated with a piece of IP. I’ve been a fan of… Read More ›
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“Boorman and the Devil” tells many tales around the making of the sequel to one of the most successful movies of all time. [The Overlook Film Festival]
When looking at the legendary career of director John Boorman, we have films such as Point Blank (1967), Deliverance (1972), and Excalibur (1981), amongst a plethora of other films. But we also have the unlikely sequel that he was offered,… Read More ›
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“Cramps! – A Period Piece” is the most fun you’ll have with endometriosis. [The Overlook Film Festival]
As a male, I’ve never had the misfortune of going through menstrual cramps, and for that I am incredibly grateful because it seems like absolute bloody (no pun intended) hell and I am going without experiencing that pain every month… Read More ›
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“Drag” flips the home invasion horror genre on its back. [The Overlook Film Festival]
Horror movies are not meant to necessarily reflect our own fears and anxieties, but sometimes they do. I’m not entirely sure if first-time feature filmmakers Raviv Ullman and Greg Yagolnitzer, who both wrote and directed Drag, anticipated that someone would… Read More ›
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“Affection” keeps audiences off kilter and guessing during its entire runtime in the best way. [The Overlook Film Festival]
No one knows the name BT Meza, but after his feature debut, which he wrote and directed, everyone is going to have some Affection for him. The film is an unsettling nightmare that no one ever wants to experience. Whenever… Read More ›
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“Flush” is an entertaining comedy thriller for those who can stomach it. [The Overlook Film Festival]
There is something about potty humor and potty horror that, if done right, works, and if it misses it by the slightest of margins, it becomes something irredeemable. Somehow, director Grégory Morin (Ultimate Zombie Feast) and screenwriter David Neiss (Noir… Read More ›
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Conjugate the verb to go and pickup The Criterion Collection’s 4K release of Monty Python’s “Life of Brian.”
Over the last few years, the comedy troupe known as Monty Python has made their 4K UHD debuts and every transfer thus far has looked incredible. Whether it be a standard amray for The Meaning of Life (1983) or a… Read More ›
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“Seekers of Infinite Love” provides little payoff for enduring a road trip with an estranged family of adults. [SXSW]
What were to happen if someone took the concept of losing a loved one, made it a road trip family drama comedy about deprogramming them, and applied it to a suicide cult? Well, for starters, it would be a cringe-inducing… Read More ›
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“The Birthday” is a totally unhinged celebration of occult conspiracies, now on 4K UHD via Arrow Video.
If you were to take The Shining (1980) and replace the psychosis with a completely different trip of mental anguish, then you’d get Eugeino Mira’s The Birthday (2004). It focuses on Norman (Corey Feldman) who’s hopelessly in love with his… Read More ›
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Tobe Hooper’s Stephen King adaptation “Salem’s Lot” joins Arrow Video with a brand-new 4K UHD restoration.
Having *never* seen Tobe Hooper’s adaptation of Stephen King’s Salem’s Lot (1979) prior to the Arrow 4K UHD release, I was surprised to notice that disk 1 (disk A) featured the miniseries versus the movie itself, so I changed disks… Read More ›
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“Pizza Movie” satisfies as the next generational stoner comedy. [SXSW]
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
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“Mallory’s Ghost” fails to take full form past the trope of a haunting past. [SXSW]
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
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“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
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“Forbidden Fruits” tempts and delivers on thrills, comedy, and horror.
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
