Theatrical adaptations of comic books can vary in quality and levels of audience enjoyment. Fans always seem to be looking for a fantastic adaptation of the material and representation of the characters — the Marvel Cinematic Universe and Nolan’s Dark… Read More ›
EoM Senior Interviewer Thomas Manning recently had a conversation with filmmaker Ben Leonberg, co-writer and director of Good Boy from Independent Film Company. This story is told entirely from the emotional perspective of Indy, Leonberg’s real-life canine companion in his… Read More ›
EoM Senior Interviewer Thomas Manning recently spent time talking with writer and director Ken’ichi Ugana about his film The Curse, which screened at Fantastic Fest 2025. This gnarly, supernatural thriller comments on the increasingly dangerous potential of the digital world… Read More ›
There’s a school of thought that implies a person’s value only exists if they are a productive member of society. This, of course, correlates one’s existence to what they can produce versus what they can contribute, which are two drastically… Read More ›
Being a woman in this world is hard. From a young age, we’re taught to be polite, stand up straight with our shoulders back, and most of all, be pretty. Put on makeup, style your hair. Women are continuously held… Read More ›
The gothic ghost story subgenre explores new avenues in Went Up the Hill, a meditative and moody drama from director Samuel Van Grinsven. Set in New Zealand’s South Island, Went Up the Hill takes after its gothic predecessors by setting… Read More ›
Names mean something. They hold power. Names withheld can create mystery and names known can open doors. They are the things that can be passed down from generation to generation — be it a surname, a given name, a middle… Read More ›
“Il meglio è l’inimico del bene. (Perfect is the enemy of good.)” – Attributed to Voltaire in 1770. If we spend our time pursuing perfect, we’ll miss out on a great deal. What ideal we set up for ourselves —… Read More ›
Co-writer/director Nadia Latif takes on double duty in their first feature while adapting Walter Mosley’s novel The Man in My Basement. While Mosley’s material has yielded something interesting in an adaptation before (Devil in a Blue Dress) and this adaptation… Read More ›
It’s not an uncommon practice for a filmmaker to release two films in a year. John Huston released The Treasure of the Sierra Madre the same year as Key Largo (1948), Akira Kurosawa released Scandal in the same year as… Read More ›
If you’re a fan of the cultural zeitgeist documentaries, then the name Alexandre O. Philippe should mean something to you. Philippe has directed such projects as The People vs. George Lucas (2010), Doc of the Dead (2014), Lynch/Oz (2022), William… Read More ›
Content Warning: The following home release review will include descriptions of child abuse and death, which may be difficult for sensitive individuals. Death is inevitable. At some point in our lives, we will all be touched by grief due to… Read More ›
How much do you need? Not want, but need. The basics of living include food, water, and shelter. In the times we live in, it may be fair to extend that further to include medical care and internet access (can’t… Read More ›
To go into a movie without knowing anything about it is a rare experience, but sometimes something drops into your inbox and you decide to jump head first into it knowing nothing other than that it is a festival screening…. Read More ›
What would you do to right a wrong? What wrong would you do to make something right? Where is the line by which a good person becomes bad and what rationale do they provide to defend themselves? In truth, from… Read More ›
The tagline for Macon Blair’s 2023 adaptation of Lloyd Kaufman’s The Toxic Avenger is “The Hero We Need Now,” and this rings even more true upon its wider theatrical release in 2025. Environmental protections are down in favor of corporate… Read More ›
I think there was a time where I saw, or at least saw parts of, The Texas Chainsaw Massacre: The Beginning (2006). My recollection of it is null, so when I visited (or maybe revisited) the 4K by Arrow after… Read More ›
In the world of horror movies, there is always going to be debate as to which one is the greatest of all time; it’s going to vary from fan to fan, from opinion to opinion. But one seems to universally… Read More ›
In storytelling, the most obvious thing is that the narrative is based on perception, but it’s also the thing that we most take for granted as an audience. We presume that what we see, what we hear, is what happens;… Read More ›
Mother of Flies is another remarkable entry from this year’s Fantasia International Film Festival, and a testament to the uniquely haunting and heartfelt filmmaking voice of The Adams Family — the indie horror power trio made up of Zelda Adams,… Read More ›