Content Warning: The following home release review will include descriptions of child abuse and death, which may be difficult for sensitive individuals. Death is inevitable. At some point in our lives, we will all be touched by grief due to… Read More ›
horror
Morality comedy “Death of a Unicorn” charges onward to home video.
How much do you need? Not want, but need. The basics of living include food, water, and shelter. In the times we live in, it may be fair to extend that further to include medical care and internet access (can’t… Read More ›
“Exit 8” utilizes the video game adaptation genre to dive deep into humanity and individual choices. [TIFF]
To go into a movie without knowing anything about it is a rare experience, but sometimes something drops into your inbox and you decide to jump head first into it knowing nothing other than that it is a festival screening…. Read More ›
The robust performances within escape room horror thriller “Locked” can’t enhance its shallow philosophy.
What would you do to right a wrong? What wrong would you do to make something right? Where is the line by which a good person becomes bad and what rationale do they provide to defend themselves? In truth, from… Read More ›
The mop of justice returns with filmmaker Macon Blair’s “The Toxic Avenger” adaptation.
The tagline for Macon Blair’s 2023 adaptation of Lloyd Kaufman’s The Toxic Avenger is “The Hero We Need Now,” and this rings even more true upon its wider theatrical release in 2025. Environmental protections are down in favor of corporate… Read More ›
2006’s “The Texas Chainsaw Massacre: The Beginning” gets its gore a worthy upgrade to 4K UHD from Arrow Video.
I think there was a time where I saw, or at least saw parts of, The Texas Chainsaw Massacre: The Beginning (2006). My recollection of it is null, so when I visited (or maybe revisited) the 4K by Arrow after… Read More ›
2003’s “The Texas Chainsaw Massacre” comes to 4K UHD hunting for new fans via Arrow Video.
In the world of horror movies, there is always going to be debate as to which one is the greatest of all time; it’s going to vary from fan to fan, from opinion to opinion. But one seems to universally… Read More ›
Horror thriller “Burning” utilizes multiple perspectives to showcase how little we know about the people around us. [Fantasia]
In storytelling, the most obvious thing is that the narrative is based on perception, but it’s also the thing that we most take for granted as an audience. We presume that what we see, what we hear, is what happens;… Read More ›
“Mother of Flies” is a poetic and unsettling horror tale from one of indie cinema’s most distinctive filmmaking families. [Fantasia]
Mother of Flies is another remarkable entry from this year’s Fantasia International Film Festival, and a testament to the uniquely haunting and heartfelt filmmaking voice of The Adams Family — the indie horror power trio made up of Zelda Adams,… Read More ›
Sci-fi psychological thriller “Descendent” explores masculine insecurities via an extra-terrestrial encounter.
The best alien movies are rarely just about aliens. While Ridley Scott’s genre-defining classic explores themes like corporate corruption, class, and gender, other alien movies like E.T. (1982) and Arrival (2016) utilize extra-terrestrial characters and elements to explore deep and… Read More ›
Julie Pacino’s psychological thriller “I Live Here Now” draws you in and never lets you escape. [Fantasia]
Thinking you cannot get have a child conventionally due to something out of your control leads to making different choices, but when you’re proven wrong, everything turns your world upside down. However, in Julie Pacino’s feature debut, I Live Here… Read More ›
Bubblegum horror “Foreigner” is a pitch-perfect genre mashup where every emotional note sticks the landing. [Fantasia]
Foreigner is one of the standout films from this year’s Fantasia International Film Festival, offering a stylish and subversive take on teenage horror through the lens of the immigrant experience. Set during the early 2000s, a time of low-rise jeans,… Read More ›
Horror comedy “Hell of a Summer” receives a decent home release edition for a subpar cinematic experience.
If there’s anything that cinema has taught us, don’t be a camp counselor. Either they have to build morale for a rag-tag group of kids coming from disparate backgrounds in order to help defeat an opposing camp, have to play… Read More ›
“Final Destination: Bloodlines” breathes new Death into the franchise in a 4K Blu-ray home release.
I could spend hours ruminating on all of the ways the Final Destination franchise shaped me as a lover of film from childhood, but eventually I would bore you with my stories of being afraid of the Final Destination 3… Read More ›
Lo-fi punk comedy “The Gesuidouz” isn’t for everyone (and that’s alright). [Japan Cuts]
Art isn’t for everyone. It can be profitable for the artist if it is, striking the balance between personal vision and widespread appreciation, but it’s not a necessity. Sometimes art is entirely for the artist, the work so niche that… Read More ›
Pass the moonshine and man your battle stations: it’s time to “Hold the Fort.” [Fantasia]
I ain’t here for a long time, I’m here for a good time So bring on the sunshine, to hell with the red wine Pour me some moonshine When I’m gone, put it in stone, “He left nothing behind” I… Read More ›
“Abraham’s Boys: A Dracula Story” twists itself in knots.
There have been a slew of films hiding their true premises in their trailers this year — not spoiler-level twists, just selling the public a different idea. Abraham’s Boys is right there with Sinners, Materialists, 28 Years Later, and The… Read More ›
Ryan Coogler’s “Sinners” brings further enlightenment with glorious bonus features on its home release. Invite it in.
“See, white folks, they like the blues just fine. They just don’t like the people who make it.” – Delta Slim (Delroy Lindo) Xenophobes exhibit a strange cognitive dissonance. They own iPhones, but hate the people who make them. They… Read More ›
A Conversation with “Abraham’s Boys: A Dracula Story” writer/director Natasha Kermani.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›
A Conversation with “Abraham’s Boys” author Joe Hill.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›