One of the great things about boutique distributors like Criterion, Arrow, Vinegar Syndrome, and others is that whether a film is lost or beloved, they find new life via a new release. Even though the major studios are starting to… Read More ›
Welcome to Fistful of Features, a weekly column that celebrates film preservation through physical media and discusses cinematic treasures from every genre to maintain their relevance in the cultural lexicon. There are many great labels that are doing incredible work… Read More ›
Two years after the release of Man Push Cart (2005), writer/director Ramin Bahrani followed it with Chop Shop (2007), a thematic continuation of the immigrant story he began with Ahmad the Pakistani food cart owner. Though actor Ahmad Razvi does… Read More ›
It’s interesting how things rarely change with time. There are incremental changes, sure, shifts in the way people dress or the meanings of words, but, largely, there are some things which remain. A sadness, a true melancholy, shrouds our existence,… Read More ›
The deconstruction and evaluation of superheroes in cinema and television didn’t begin with Zack Snyder or Eric Kripke, though they are the ones most widely known for it at the moment. Their stories take a darker look at the notion… Read More ›
Originally slated for February 7th, 2020, the second-part of the Fengshen Cinematic Universe went into stasis until a brief theatrical rollout in October 2020. Now, though, nearly a year after it was to hit cinemaplexes, Jiang Ziya (also known as… Read More ›
Even in the Before Times, it was nearly impossible to see every film that was released in a given year. You can certainly try, but there’re bound to be a few that you miss either by choice or circumstance. This… Read More ›
The theatrical release of creative team Aaron Moorhead and Justin Benson’s Synchronic did not go exactly as either had hoped. Though it did receive a rollout via traditional and drive-in theaters, Moorhead, Benson, and producer David Lawson implored audiences to… Read More ›
Trends are entirely cyclical. What was once deemed out of date becomes retro, reabsorbed into the lexicon of society, often repurposed into something new. It’s not just clothes (ex. tie dye and bell bottoms), music (ex. vinyl and cassettes), or… Read More ›
Despite how things may look from a cinematic perspective, there have been a number of reputable films released this year. In fact, one of the best things to come out of reduced access to theaters is an increase in access… Read More ›
First created by artist Monkey Punch in 1967, the adventures of gentlemen thief Lupin III have generated multiple mangas, tv series, and films depicting a variety of escapades. During a press interview for Lupin III vs. Detective Conan: The Movie… Read More ›
At this point in Liam Neeson’s career, the frequency of Taken-like stories he headlines has got to be purposeful. For one, Neeson makes for a damn fine action hero. His characters tend to be believable in their strength and skill,… Read More ›
The Dark and the Wicked is one of those films that has stuck with me long since I saw it for the first time back in August. I liked it in my first viewing, but it didn’t take long after… Read More ›
Explore Alejandro Iñárritu’s first feature film, “Amores perros,” in a brand-new way thanks to its addition to the Criterion Collection.
Before The Revenant (2017), before Birdman or (The Unexpected Virtue of Ignorance) (2014), before Biutiful (2010), and before 21 Grams (2003), writer/director Alejandro Iñárritu made his feature debut with 2000’s hard-hitting Amores perros, a title translated to English as “Love’s… Read More ›
After revitalizing the superhero genre with his Dark Knight trilogy (2005-2012), taking on the heist thriller with Inception (2010), and exploring the sci-fi family drama with Interstellar (2014), writer/director Christopher Nolan has become somewhat of a pillar in modern filmmaking… Read More ›
16 years later, Michael Mann’s “Collateral” is as strong a neo-noir as ever. But does HDR improve or distract?
In the included commentary for Collateral, director Michael Mann comments that the film picks up in the third act of a standard film. He’s not wrong at all with this description as the audience is given a clue of location… Read More ›
In the ‘90s, you couldn’t take two steps without seeing Wesley Snipes projected somewhere. A gifted actor and martial artist, Snipes demanded audiences’ attention with a varied list of projects including White Men Can’t Jump (1992); Passenger 57 (1992); Rising… Read More ›
40 years later seems like a perfect time to revisit Robert Altman’s Broadway-esque “Popeye” in a special edition home release.
December 12th, 1980, isn’t that important to many people. Hanukkah had just ended, I wasn’t quite born yet, and Christmas was still just a glow in the distance. What it did bring is Robert Altman’s live-action ode to E.C. Segar’s… Read More ›
There’s something particularly wonderful about a film that challenges you, one which unnerves, unsettles, and burrows in, prompting contemplation past its clear end. This happens with joyful films like Over The Moon (2020), whose infectious songs linger, instilling a desire… Read More ›
Paramount Pictures releases four Eddie Murphy classics to help you get excited for “Coming 2 America.”
In preparation for the original December 2020 release of Coming 2 America, Paramount Pictures, with great anticipation, organized a wealth of home release material to celebrate Eddie Murphy. Even though audiences now have to wait until March 2021 for Coming… Read More ›