There is something that is truly horrifying about exorcisms and it usually is the horrors behind them. Something about being possessed by an entity is just something that makes my skin personally crawl, and seeing the more modern versions and… Read More ›
horror
“Capsules” suffers from being a great short stretched too thin into a full feature.
When you’re breaking into feature development, there are, of course, some bumps along the road because nothing in life could possibly be that easy. This is certainly what director and co-writer Luke Momo (The Stamp Collector) and additional co-writer and… Read More ›
Shake hands with Anna Zlokovic’s feature debut “Appendage.” [SXSW]
As I get older, I am finding more things about my body that make me feel genuinely decrepit and gross. Whether it’s my newfound back pain, a new mole somewhere unexpected, or simply coming to the conclusion that my acne… Read More ›
Find out what makes “M3GAN” tick when you bring home Gerard Johnstone’s film.
This new absurdity from studios that don’t release monster hits in 4K is getting a little out of hand. There are so many great horror movies that are getting just Blu-ray releases as the highest quality of release or not… Read More ›
Synapse Films offers up Dario Argento’s “Phenomena” in a special edition 2-Disc 4K UHD edition.
When it comes to Dario Argento, the highs are high and the lows are cavernous pits leading straight to hell. The Italian filmmaker, known for helping further define the later era of the giallo film, has made some of the… Read More ›
“Brooklyn 45” is a wonderful hybrid-genre film that brings war and trauma full circle. [SXSW]
The shadow of war, from the prehistoric days to the ultra-modern, technologically-advanced warfare of the present, has loomed large over the entirety of humanity. One could argue that war is the one thing seen consistently throughout history, seemingly touching every… Read More ›
To destroy the systems that keep us in place, we may need “The Angry Black Girl and Her Monster.” [SXSW]
Content Warning: The Angry Black Girl and Her Monster feature several scenes involving flashing lights. Photosensitive audiences should take precautions before viewing. Those who proclaim that America isn’t racist or isn’t built upon racist structures is either profiting from it… Read More ›
Radio Silence’s “Scream VI” moves the thrills and bodybags away from Woodsboro and onto an exciting new path.
Caution: I will obviously not be discussing spoilers to this film, because I’m not cruel and the whole point of these films is the fun “whodunnit” of it all, but I am somewhat forced to discuss some spoilers from Scream… Read More ›
Director Elizabeth Banks’s “Cocaine Bear” is high on its own supply in this animal attack horror entry.
If I were a basic gay, I would start this review with “A Cocaine Bear? You just mean West Hollywood at 3 a.m.?” and move on with my day…but I’m not, and I won’t…but you get the picture. Despite my… Read More ›
Restoration of extreme film “Calvaire” offers little more than access to the film.
Fabrice du Welz’s Calvaire (titled The Ordeal in some English-speaking regions, but not here), premiering at Cannes in 2004, is a strange, but valid entry into the canon of “New French Extremity” that gripped French-language horror/thrillers from the mid-‘90s to… Read More ›
Steelbook of “Warm Bodies” may have you dragging your feet unless you’re a collector.
I for one have never been an avid reader. I know, shocking. But sometimes a book will take me by surprise and really engross me in its story and I will finish the book. That was Isaac Marion’s fourth work,… Read More ›
Revisit the gore of “Project Wolf Hunting” in all it’s high-definition glory at home.
If you didn’t catch Kim Hong-Sun’s latest work on the festival circuit or when it played theatres, I don’t think there is a single thing I can say that would possibly prepare you for the absolute madness that is Project… Read More ›
“Attachment” boasts engaging performances over a less engaging script.
Anyone who knows me knows that I am an advocate for directors who want to express their vision and take a swing for the fences. Gabriel Bier Gislason has jumped ship from shorts to features with Attachment, and while exploring… Read More ›
Come for the blood, stay for the sinister humor in “Consecration.”
Consecration is following in the footsteps of Watcher, Resurrection, and Skinamarink with IFC Films’s and Shudder’s distribution partnership, putting indie horror that would usually not get a chance for theatrical distribution out to the masses. Particularly with Skinamarink’s recent success… Read More ›
Takeish Kushida’s “Woman of the Photographs” explores the warped nature of self perspectives.
Whenever I see a film that is on a subject that I know is controversial, I try to place myself in at least the headspace of the main character (when able to) to see if I can connect and resonate… Read More ›
EoM Presents: A Conversation with “Mean Spirited” director/co-writer/actor Jeff Ryan and producer Owen Williams.
In this interview, EoM contributor Joel Winstead speaks with actor, writer, director Jeff Ryan and producer Owen Williams about their film Mean Spirited. They chat about the origins of the film, the difficulties of wearing three different hats and directing… Read More ›
“Mean Spirited” delivers on horror and comedy.
It’s all fun and games until demon possession ruins the party. So goes Jeff Ryan’s newest horror/comedy Mean Spirited, or maybe its comedy/horror…either way, if you’re a fan of either genre, this little indie may be exactly what the witch… Read More ›
M. Night Shyamalan’s “Knock at the Cabin” is one you’ll want to answer.
Right before the pandemic really kicked off, I read Paul Tremblay’s The Cabin at the End of the World. It had been the hot new horror novel on the block a little while back and I figured it to be… Read More ›
“Project Wolf Hunting” Blu-ray Giveaway
Director Kim Hong-Sun’s Project Wolf Hunting had a simultaneous North American premiere at Fantastic Fest 2022 and in select theaters October 2022. EoM senior interviewer Thomas Manning covered the film, calling it “…undeniably gutsy…”. Months later, Hong-Sun’s horror action-slugfest is… Read More ›
The home release supplemental materials may underwhelm, but feature “Bones and All” remains a meal.
I have a complicated relationship with Luca Guadagnino. I love his work, sans one film of his, and even consider his 2018 remake of Suspiria to be in my top 5 films of all time (sidenote: someone please take the… Read More ›