Rian Johnson is back with Benoit Blanc for a new mystery that is coming for a short theatrical window before hitting Netflix. His third entry in his murder mystery franchise is arguably the worst one unfortunately. This is not to… Read More ›
film festival
Open Dialogue with “Color Book” writer/director David Fortune. [Nashville Film Festival]
EoM Senior Interviewer Thomas Manning recently attended the Nashville Film Festival on behalf of Meet Me at the Movies. While there, he sat down with filmmaker David Fortune to discuss his feature film directorial debut, Color Book. This interview capped… Read More ›
“Karmadonna” delivers dark delights, but that may not be enough. [TIFF]
Trigger Warning: The content of the film and supportive images within this review may be disturbing to sensitive individuals. Sometimes boasting about the director/writer’s previous work is a detriment to a film, and that is the biggest issue with Alexsandar… Read More ›
“Steal Away” with actors Mallori Johnson and Angourie Rice. [TIFF]
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
The inherent whimsy of “Egghead Republic” overshadows the narrative within. [TIFF]
Egghead Republic, the newest movie from the pair of writer/directors Pella Kågerman (Aniara) and Hugo Lilja (Aniara), teases an interesting premise that is excelled by some terrific performance, but ultimately suffocates from its own ideas and on-the-nose reveal. While failing… Read More ›
“Wasteman” squanders nothing in its 90-minute run time. [TIFF]
First-time feature screenwriters Hunter Andrews (short Sunny Life Farms) and Eoin Doran (short Perched) along with first-time-ever director Cal McMau pull off maybe the definition of an impossible feat — they craft a perfect film. It’s something that doesn’t get… Read More ›
Avalon Fast’s coming-of-age tale “CAMP” is either a lucid dream or a waking nightmare. [Fantastic Fest]
“We are the weirdos, mister.” – Nancy (Fairuza Balk) in The Craft (1996) These five lines are iconic for a number of reasons, many of them quite personal to the individuals who recall and restate them nearly 30 years later;… Read More ›
Bobby Farrelly’s “Driver’s Ed” forgets to disengage the brakes on the comedy. [TIFF]
The Farrelly brothers should be rather synonymous with crude, hilarious, and downright ingenious comedy, but something between the late ‘80s to early ‘00s and now has changed and that brand of sexualized, crude, frankly dumb comedy no longer is what… Read More ›
Mac Eldridge and Tom Dean’s “Charlie Harper” is a volatile romance that hits like a truck. [TIFF]
Tom Dean (writer for short Photo of the Day and Carolina Caroline, another TIFF 25 title) and Mac Eldridge co-direct their second project and first feature together, the heart-breaking, gut-punching young romance Charlie Harper. The film is a fly-on-the-wall story… Read More ›
Chandler Levack’s “Mile End Kicks” tangles with the struggles of early adulthood against the Montreal grunge scene of the 2010s. [TIFF]
Chandler Levack (I Like Movies) is back with her sophomore feature and Mile End Kicks makes one wonder what horrible tragedies and injustices Chandler went through herself or if there are a lot of creative liberties being taken in her… Read More ›
Bruno Martín’s crime thriller “Luger” is a lean mean machine with bone-crushing action. [Fantastic Fest]
Nothing is valuable until someone says it is. This may seem obvious, but entire systems are built around what society (locally or globally) deems as worthy of monetary value. It’s why everything from the obvious (gold and jewels) to the… Read More ›
A Conversation with “The Curse (咒死你)” writer/actor Ken’ichi Ugana. [Fantastic Fest]
EoM Senior Interviewer Thomas Manning recently spent time talking with writer and director Ken’ichi Ugana about his film The Curse, which screened at Fantastic Fest 2025. This gnarly, supernatural thriller comments on the increasingly dangerous potential of the digital world… Read More ›
Sean Cisterna’s “Silver Screamers” is a charming, warm-hug of a film that highlights how we all have something to give back to our community. [Fantastic Fest]
There’s a school of thought that implies a person’s value only exists if they are a productive member of society. This, of course, correlates one’s existence to what they can produce versus what they can contribute, which are two drastically… Read More ›
Filmmakers Dusty Mancinelli and Madeleine Sims-Fewer invite audiences to experience psychotic drama “Honey Bunch.” [TIFF]
Writers and directors Dusty Mancinelli and Madeline Sims-Fewer are back with another movie entrenched in trauma and decision-making. After their last outing, Violation (2020), which is a much more difficult watch content-wise, they deliver Honey Bunch which focuses on the… Read More ›
Wagner Moura gives an outstanding performance in “The Secret Agent,” an otherwise bogged-down thriller. [TIFF]
Writer/director Kleber Mendonça Filho (Bacurau) is back with The Secret Agent (O Agente Secreto) starring Wagner Moura (Civil War). A harrowing story of escape and refugee sanctuary, it feels more like a less comedic version of a serious take on… Read More ›
Gail Maurice, Dana Solomon, and Derica Lafrance make their marks with “Blood Lines.” [TIFF]
Family dramas are always difficult subjects and can either be rewarding or miss the mark entirely. Thankfully, Gail Maurice (Rosie) pulls off quadruple duty as writer, director, producer, and actor well, and leads Dana Solomon and Derica Lafrance (in their… Read More ›
Glenn McQuaid’s “The Restoration at Grayson Manor” is an alchemical mixture of melodrama and body horror which asserts some rehabs are best treated with napalm. [Fantastic Fest]
Names mean something. They hold power. Names withheld can create mystery and names known can open doors. They are the things that can be passed down from generation to generation — be it a surname, a given name, a middle… Read More ›
Make it weird, make it big, make it bloody – make it “Deathstalker.” [Fantastic Fest]
Photosensitivity Warning: There is a brief flashback sequence near the start of the film and a longer sequence during the climax wherein lights flash quite frequently. There’s no strobing and it’s somewhat predictable, but may still be triggering for photosensitive… Read More ›
Surviving horror comedy “Coyotes” is simple: stay with your pack. [Fantastic Fest]
“Il meglio è l’inimico del bene. (Perfect is the enemy of good.)” – Attributed to Voltaire in 1770. If we spend our time pursuing perfect, we’ll miss out on a great deal. What ideal we set up for ourselves —… Read More ›
“The Man in My Basement” walks a delicate moral and ethical line. [TIFF]
Co-writer/director Nadia Latif takes on double duty in their first feature while adapting Walter Mosley’s novel The Man in My Basement. While Mosley’s material has yielded something interesting in an adaptation before (Devil in a Blue Dress) and this adaptation… Read More ›