When looking at the legendary career of director John Boorman, we have films such as Point Blank (1967), Deliverance (1972), and Excalibur (1981), amongst a plethora of other films. But we also have the unlikely sequel that he was offered,… Read More ›
Trigger Warning: The opening sequence features flashing lights and quick-cut imagery that may be triggering for photosensitive individuals. “DESTINY! DESTINY! NO ESCAPING THAT FOR ME!” – Dr. Frederick Frankenstein (Gene Wilder) in Young Frankenstein. In storytelling, there are two pretty… Read More ›
As a male, I’ve never had the misfortune of going through menstrual cramps, and for that I am incredibly grateful because it seems like absolute bloody (no pun intended) hell and I am going without experiencing that pain every month… Read More ›
Horror movies are not meant to necessarily reflect our own fears and anxieties, but sometimes they do. I’m not entirely sure if first-time feature filmmakers Raviv Ullman and Greg Yagolnitzer, who both wrote and directed Drag, anticipated that someone would… Read More ›
Writer/actor/director Larry Fessenden has been a steady presence in filmmaking for several decades now. Whether appearing in other people’s projects (Bringing Out the Dead; Good Boy), writing them (Until Dawn), or making them himself (Wendigo; The ABCs of Death 2),… Read More ›
On a recent episode of Meet Me at the Movies, I joined Noel T. Manning to discuss a few of my favorite SXSW 2026 titles. Since you can only cover so many well in one episode, I returned to talk… Read More ›
No one knows the name BT Meza, but after his feature debut, which he wrote and directed, everyone is going to have some Affection for him. The film is an unsettling nightmare that no one ever wants to experience. Whenever… Read More ›
There is something about potty humor and potty horror that, if done right, works, and if it misses it by the slightest of margins, it becomes something irredeemable. Somehow, director Grégory Morin (Ultimate Zombie Feast) and screenwriter David Neiss (Noir… Read More ›
Muno (Yo, right), he’s tall and friendly Foofa (Oh, hehehehehe), she’s pink and happy Brobee (Woah), the little green one Toodee (Yeah, woo), she likes to have fun Plex (Woah), a magic robot Let’s all come and play with DJ… Read More ›
“Yea, and if some god shall wreck me in the wine-dark deep, even so I will endure… For already have I suffered full much, and much have I toiled in perils of waves and war. Let this be added to… Read More ›
There are many weird things regarding the rules of storytelling and one of them is tied to the concept of reality. Unless one is dealing with space wizards and laser swords, orcs and elves, a certain adherence to what is… Read More ›
SXSW 2026 ran from March 12th – 18th, 2026 and I had the pleasure of covering the festival once more. Accompanied by EoM Contributors Justin Waldman and AJ Friar, we screened 24 films and provided reviews for each. Out of… Read More ›
“Kia whakatōmuri te haere whakamua (I walk backwards into the future with my eyes fixed on the past).” – A Māori proverb. There’s this strange belief coursing through some in the United States that European culture is being threatened by… Read More ›
What were to happen if someone took the concept of losing a loved one, made it a road trip family drama comedy about deprogramming them, and applied it to a suicide cult? Well, for starters, it would be a cringe-inducing… Read More ›
Documentarian Austin Sayre’s The Man with the Big Hat reintroduces audiences to the independent legend of country music, Steven Fromholz, name that, for many, has lived just outside the mainstream despite a songwriting legacy that quietly shaped the genre. Having… Read More ›
“Victims; aren’t we all?” – Eric Draven (Brandon Lee) in The Crow (1990) The beauty and horror of life is that there’re many different ways to look at a situation. Because of this, whether it’s a massive life event or… Read More ›
For the fourth year in a row, Elements of Madness will officially be covering The Overlook Film Festival and, this year, am joined by EoM Contributor Justin Waldman. This year’s slate of titles includes several we’ve seen, so our recommendation… Read More ›
Trigger Warning: The subject matter within Dead Deer High centers on the aftermath of a school shooting. While a great deal of care is given to ensuring little feels melodramatic, the material may still be difficult for sensitive viewers. As… Read More ›
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›