There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
film festival
Jonás Cuarón’s novel adaptation “Campeón Gabacho” exalts the power of hope and community at a time we need it most. [SXSW]
Despite all the arguments for America First ideology as a way to preserve the United States with the ideology formed on a basis of Christian Nationalism, it’s a belief system that cannot stand in the wake of actual data and… Read More ›
“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
“Heritage” utilizes creativity in the found-footage genre to create an atmospheric experience. [Unnamed Footage Festival]
Heritage is a strong example of how found-footage filmmaking can still feel fresh when handled with restraint and intention. From its opening moments, the film carries a quiet confidence that immediately recalls the tonal playbook of the Coen Brothers, not in… Read More ›
“Crash Land” embraces the messy improv of life. [SXSW]
Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
Jenna MacMillan’s feature directorial debut “The Snake” is powered by the charismatic performance of its lead. [SXSW]
Have you ever watched It’s Always Sunny in Philadelphia and wondered to yourself what would happen to the gang if they didn’t have each other? Well, if you have, and your particular interest laid with what would happen to Sweet… Read More ›
Horror dramedy “Bagworm” takes audiences into the perceptions of the infected and addled mind of a wayward man. [SXSW]
There are movies that try to bend reality and change the way we see the world, and director Oliver Bernsen (Connective Tissue) and writer Henry Bernsen (When We Get to Heaven) certainly try to hammer down that misconception and what… Read More ›
Meta thriller “And Her Body Was Never Found” is not #relationshipgoals, but it is a dynamic and cruel feature film directorial debut. [SXSW]
“L’enfer, c’est les autres.” – Jean-Paul Sartre in No Exit. Making movies is a large endeavor. Outside of the requirement for a creative idea, you also need the time to cultivate it, the financing to fund it, and the team… Read More ›
“Phoenix Jones: The Rise and Fall of a Real Life Superhero” is a timeline of a vigilante from concept to present day. [SXSW]
If you’ve never heard of Phoenix Jones, there’re possibly two reasons as to why: you weren’t chronically online during his rise to fame and the timeline of events that followed, and you don’t know every MMA fighter to ever compete…. Read More ›
Stella Markert’s tragicomic “Thanks for Nothing” invites audience to embrace anarchy and themselves. [SXSW]
“So many bright lights, they cast a shadow, but can I speak? Well, is it hard understanding, I’m incomplete? A life that’s so demanding I get so weak A love that’s so demanding I can’t speak …” – From “Famous… Read More ›
“Plantman & Blondie” commits fully to the absurdity for a wild and fun time. [SXSW]
Plantman & Blondie: A Dress Up Gang Film is destined to be one of this year’s breakout cult classics to emerge from the SXSW Film & TV Festival 2026. An offbeat comedy about friendship, purpose, and trying to grow something real… Read More ›
Horror comedy “Fifteen” proudly owns its full identity as its leads attempt to find theirs. [SXSW]
Growing up is hell. I can only fathom being a girl is that much more hellacious as that’s an entirely different game and strategy on how to fit in, be popular, and make friends. None of it is easy, all… Read More ›
“Beyond the Duplex Planet” examines the creative experiment zine known as The Duplex Planet. [SXSW]
Beyond the Duplex Planet is a slow and methodical documentary that explores art, aging, and human connection through the work of writer and interviewer David Greenberger. In 1979, Greenberger was a recent art school graduate searching for direction when he took a… Read More ›
Horror comedy adaptation “Over Your Dead Body” has legs thanks to a very game cast and is elevated by devastating stunt work. [SXSW]
“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›
“The Dads” is a moving and galvanizing feature that expands on Luchina Fisher’s original short. [SXSW]
8% of U.S. adults identify as lesbian, gay, bisexual, or transgender according to an Oct 2025 Pew Research Center article based on a summer 2024 survey. There are reportedly over 342 million people living in the United States, which means… Read More ›
Ghost procedural “Never After Dark” offers a fresh perspective on a well-worn genre. [SXSW]
When it comes to the occult, there are about as many famous fictional investigators as there are ways to approach a ghost story. There’s Daffy Duck (voiced by Mel Blanc) bringing the silly, while John Constantine is more serious. There’s… Read More ›
Skip out on Sunday Church and head straight for the punk rock hilarity of teen comedy “Edie Arnold is a Loser.” [SXSW]
“Teenage girls are like mysterious, dark, and dangerous …” – Keely Jones, Ted Lasso First films are not barometers by which all subsequent films must account, but they play a massive role in the expectations audiences create. If a first… Read More ›
Maya Annik Bedward’s “Black Zombie” is a strong piece in the restoration of dignity to Black and Vodou cultures criminalized by media representation. [SXSW]
Zombies are everywhere. They’re on your television set, in your movie theaters, in your comics, in your novels, in your video games, and, yes, even in Minecraft nerdcore tunes. Why? What’s the obsession with zombies and where did they come… Read More ›
Depression lies and Peter Warren’s directorial debut “Kill Me” might, too. [SXSW]
Trigger Warning: Kill Me features explorations of mental health and suicidal ideation, as well as depictions of attempted suicide that may be difficult for sensitive viewers. If you or someone you know is struggling with suicidal ideation (active or passive),… Read More ›
Comedic horror thriller “Ugly Cry” explores the drive to obtain the unobtainable. [SXSW]
Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›