The official Girl Scouts of America website identifies Juliette “Daisy” Gordon Low as the individual responsible for creating the organization in 1912 in Savannah, Georgia, and to whom all the troops worldwide are connected. While all the efforts of the… Read More ›
film festival
“Mum, I’m Alien Pregnant” will have you laughing and crying while being arm-deep in goop, gore, and gunk. [Sundance]
Photosensitivity Warning: Several sequences in Mum, I’m Alien Pregnant feature flashing or sudden bursts of light. This may prove triggering for photosensitive individuals. Children are parasites. Yes, you read that correctly. After the sperm and egg connect and a zygote… Read More ›
“Infirmary” masterfully wields found footage to a terrifying degree. [DWFNY]
First time feature director Nicholas Pineda (Disquiet) and screenwriter Katy Krauland (A NoHo Heist) create an intense, eerie, horror drama, Infirmary. It utilizes found security camera and bodycam footage to infest its way into the brains of audiences and send… Read More ›
“Tuner” expertly uses all the right tools to fine-tune a pitch-perfect crime-thriller rom-com. [TIFF]
What does one expect when a documentarian partners with a co-writer to write and direct his first feature? If you guessed a riveting, pulse-setting, sensational thriller about a heist and love and the chaos that unfolds, then you’d be right… Read More ›
Samara Weaving and Kyle Gallner burn up the screen in the Bonnie and Clyde-inspired “Carolina Caroline.” [TIFF]
If you’ve never heard of Adam Rehmeier, you’re doing yourself a great disservice. The indie gem Dinner in America (2020) is a completely underrated, under-the-radar gem that deserves to be seen by all audiences. Rehmeier’s newest, Carolina Caroline, has him… Read More ›
Kenji Tanigaki’s “The Furious” delivers action, violence, chaos, story, and heart in well-balanced cinematic experience. [TIFF]
If you didn’t know who director Kenji Tanigaki (Enter the Fat Dragon) was before, then after you see his explosive newest feature, The Furious, you’ll know he is one to look out for if you’re a fan of movies like… Read More ›
“Dead Man’s Wire” is a well-rounded film that elevates the real-life event it’s based on. [TIFF]
If you were to say there was a new movie from Gus Van Sant (Good Will Hunting) about a real-life story of an armed kidnapping that is arguably justified with Colman Domingo (Sing Sing), an insane Al Pacino (Heat), and… Read More ›
“Obsession” takes the predictable trope and twists it to present new terrors into the genre. [TIFF]
Sometimes going into a movie without any sense of what to expect is the best way to experience a it, and knowing literally *nothing* about Curry Barker’s Obsession prior to seeing it other than knowing it was going to be… Read More ›
“Wake Up Dead Man: A Knives Out Mystery” hosts another stellar cast with a less luminous mystery. [TIFF]
Rian Johnson is back with Benoit Blanc for a new mystery that is coming for a short theatrical window before hitting Netflix. His third entry in his murder mystery franchise is arguably the worst one unfortunately. This is not to… Read More ›
Open Dialogue with “Color Book” writer/director David Fortune. [Nashville Film Festival]
EoM Senior Interviewer Thomas Manning recently attended the Nashville Film Festival on behalf of Meet Me at the Movies. While there, he sat down with filmmaker David Fortune to discuss his feature film directorial debut, Color Book. This interview capped… Read More ›
“Karmadonna” delivers dark delights, but that may not be enough. [TIFF]
Trigger Warning: The content of the film and supportive images within this review may be disturbing to sensitive individuals. Sometimes boasting about the director/writer’s previous work is a detriment to a film, and that is the biggest issue with Alexsandar… Read More ›
“Steal Away” with actors Mallori Johnson and Angourie Rice. [TIFF]
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
The inherent whimsy of “Egghead Republic” overshadows the narrative within. [TIFF]
Egghead Republic, the newest movie from the pair of writer/directors Pella Kågerman (Aniara) and Hugo Lilja (Aniara), teases an interesting premise that is excelled by some terrific performance, but ultimately suffocates from its own ideas and on-the-nose reveal. While failing… Read More ›
“Wasteman” squanders nothing in its 90-minute run time. [TIFF]
First-time feature screenwriters Hunter Andrews (short Sunny Life Farms) and Eoin Doran (short Perched) along with first-time-ever director Cal McMau pull off maybe the definition of an impossible feat — they craft a perfect film. It’s something that doesn’t get… Read More ›
Avalon Fast’s coming-of-age tale “CAMP” is either a lucid dream or a waking nightmare. [Fantastic Fest]
“We are the weirdos, mister.” – Nancy (Fairuza Balk) in The Craft (1996) These five lines are iconic for a number of reasons, many of them quite personal to the individuals who recall and restate them nearly 30 years later;… Read More ›
Bobby Farrelly’s “Driver’s Ed” forgets to disengage the brakes on the comedy. [TIFF]
The Farrelly brothers should be rather synonymous with crude, hilarious, and downright ingenious comedy, but something between the late ‘80s to early ‘00s and now has changed and that brand of sexualized, crude, frankly dumb comedy no longer is what… Read More ›
Mac Eldridge and Tom Dean’s “Charlie Harper” is a volatile romance that hits like a truck. [TIFF]
Tom Dean (writer for short Photo of the Day and Carolina Caroline, another TIFF 25 title) and Mac Eldridge co-direct their second project and first feature together, the heart-breaking, gut-punching young romance Charlie Harper. The film is a fly-on-the-wall story… Read More ›
Chandler Levack’s “Mile End Kicks” tangles with the struggles of early adulthood against the Montreal grunge scene of the 2010s. [TIFF]
Chandler Levack (I Like Movies) is back with her sophomore feature and Mile End Kicks makes one wonder what horrible tragedies and injustices Chandler went through herself or if there are a lot of creative liberties being taken in her… Read More ›
Bruno Martín’s crime thriller “Luger” is a lean mean machine with bone-crushing action. [Fantastic Fest]
Nothing is valuable until someone says it is. This may seem obvious, but entire systems are built around what society (locally or globally) deems as worthy of monetary value. It’s why everything from the obvious (gold and jewels) to the… Read More ›
A Conversation with “The Curse (咒死你)” writer/actor Ken’ichi Ugana. [Fantastic Fest]
EoM Senior Interviewer Thomas Manning recently spent time talking with writer and director Ken’ichi Ugana about his film The Curse, which screened at Fantastic Fest 2025. This gnarly, supernatural thriller comments on the increasingly dangerous potential of the digital world… Read More ›