The edgy and tumultuous 1970s brought us dark and gritty films like The Godfather (1972), The French Connection (1971), and The Deer Hunter (1978). The war in Vietnam, feminism and women’s rights, and satanic panic all brushing up against the… Read More ›
Chris Skotchdopole’s very impressive directorial debut, Crumb Catcher, is a slow descent into absurdist thrills. The rare new entry in the honeymoon horror sub-genre of romantic thriller, home of RedBox classics like A Perfect Getaway (2009), Crumb Catcher trades the… Read More ›
Continuing their commitment to releasing high-definition editions of potentially forgotten cinema, Unearthed Classics released a brand-new physical format edition of the James Beshears-directed, Joan Collins-starring comedy Homework in June 2024. Thanks to MVD Entertainment Group, EoM is giving away one (1)… Read More ›
After an explosive premiere at SXSW 2024 and then dropping into theaters in May, filmmaker David Leitch‘s (Bullet Train) romantic action comedy The Fall Guy, a cinematic adaptation of the 1980s television show, is now out on digital formats. In… Read More ›
Amidst the insanity of 2023’s awards season, there were a lot of flicks that stood out ahead of the pack. From thoughtful dramedies about an American toy icon to the typical Oscar fair, there were clearly a lot of movies… Read More ›
Sometimes there are movies that are so niche you wonder how and why they ever got made. Not to say that there isn’t merit, but most of the time people don’t go out of their way to make a cult… Read More ›
Actor Eddie Murphy’s been experiencing a wonderful resurgence lately between exploring new stories (Dolemite Is My Name (2019)) and revisiting old ones (Coming 2 America (2021)), each time reminding audiences why we’ve loved being entertained by him for ages. Now,… Read More ›
If you don’t get your hands on the 4K of one of the greatest comedies about a team of newscasters to be released in the twentieth century, then I am afraid to report you might be trapped in a glass… Read More ›
There’s not enough whimsy in the world. Instead, we’ve got extremes. Something is either “the greatest,” “a masterpiece,” “the best it’s ever been,” or “it’s the worst,” “mediocre,” “a blight upon our collective existence.” There’s no space, it seems, for… Read More ›
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
I am not going to pretend I understand how licensing works, because I simply don’t. It would be an incredibly silly thing to pretend I know a singular thing about how movie licensing works and why X licenses out to… Read More ›
Sasquatch Sunset is a vulgar, trippy mockumentary. It’s full of sex, urine, feces, and engorged Bigfoot penis — but that’s just a disguise over a melancholic, soulful, and beautiful adult drama about life, growing, and loss, and one of the… Read More ›
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
“Remember what the MPAA says; Horrific, Deplorable violence is okay, as long as people don’t say any naughty words! That’s what this war is all about!” – Sheila Broflovski, South Park: Bigger, Longer & Uncut It’s been 25 years since… Read More ›
When I was in University, the buzzword we were told audiences would flock to was “authenticity,” but today, if you listen to industry talk, the word of the moment is “spectacle,” which the prevailing wisdom defines as “big and flashy… Read More ›
Sports films are often used as a metaphor for something else. The grit, the determination required to succeed either as a team or an individual being a symbol for some other kind of battle. In the feature film directorial debut… Read More ›
If you’ve ever lived somewhere that wasn’t remote farmland in the midst of nowhere, you’ve most likely hated a neighbor. I adamantly refuse to believe at some point in one’s life there hasn’t been a neighbor that hasn’t driven you… Read More ›
Two guys, a trunk full of drugs, and the open road leading to the place of sin itself. Not Hell … but close enough. Las Vegas. Add in some counterculture themes such as the Vietnam War and its relation to… Read More ›
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›