“Never give up, never surrender!” — these are the words of the intrepid captain of the spaceship Protector, Commander Peter Quincy Taggart, a rally cry to remind his crew that in the face of insurmountable odds, one does not quit…. Read More ›
comedy
Andrew DeYoung’s cringe comedy “Friendship” provides endless joy. [TIFF]
In his first time writing and directing a feature, Andrew DeYoung manages to craft the quintessential perfectly unhinged cringe comedy of the 21st century, Friendship. It’s a movie that is so absolutely and unabashedly insane, it causes the audience to… Read More ›
The Farrelly Brothers take a swing and a miss at a holiday classic in “Dear Santa.”
The Farrelly brothers have brought us a range of works including There’s Something About Mary (1998), Osmosis Jones (2001), Shallow Hal (2001), Fever Pitch (2005), Dumb and Dumber (1994), and more. Their newest outing starring Jack Black (Shallow Hal; Kung… Read More ›
Q-Bits: Open Dialogue with “Deadpool & Wolverine” actor/co-writer Ryan Reynolds and director Shawn Levy.
Thomas Manning pitches a question to Ryan Reynolds and Shawn Levy in this special Meet Me at the Movies: Open Dialogue segment to discuss their highly engaging collaboration on Deadpool & Wolverine. Manning pitches a thoughtful question about one particular… Read More ›
Candy-gram! “Blazing Saddles” arrives on 4K UHD for its 50th anniversary.
Blazing Saddles (1974) is something so outstandingly outlandish and bold and still something that is wholly expected because it’s Mel Brooks. It is one of the most outlandish, hilarious, brilliant comedies of the 20th century and for it to be… Read More ›
A Conversation with “Don’t Tell Mom the Babysitter’s Dead” writer Chuck Hayward.
In this conversation, EoM Senior Interviewer Thomas Manning chats with writer Chuck Hayward about the remake of Don’t Tell Mom the Babysitter’s Dead. Hayward discusses director Wade Allain-Marcus’ reimagining of Stephen Herek’s 1991 film (written by Neil Landau and Tara… Read More ›
“The Day the Earth Blew Up: A Looney Tunes Movie” is a grade-A atomic-age blast.
Based on evidence over the last few years, it seems pretty clear that Warner Bros. Discovery Entertainment CEO David Zaslav either hates being a success, doesn’t understand the industry he’s involved in, or merely wants to ensure he gets a… Read More ›
“Funny Girl” arrives in her best look yet in 4K thanks to The Criterion Collection.
Near the tail end of his illustrious career, William Wyler (Roman Holiday) directed the debut of a true force of nature in a young and brilliant Barbra Streisand (What’s Up, Doc?) which launched her into the stratosphere and made her… Read More ›
The “Beetlejuice Beetlejuice” home release bonus features offer valuable insights into the horror comedy.
Can you ever really go home again? Nothing is ever as good as it was when you were younger, but that’s because you had the shield of adolescence to protect you. Luckily, when it comes to movies, as long as… Read More ›
Collective student Project “Mysterious Behaviors” utilizes sci-fi trappings to explore concepts of humanity. [NOFF]
The popular idiom “Many hands make light work,” first stated by John Heywood, is incredibly true, especially when working toward the same goal. Professional and large or amateur and small (or some combination), all film productions have some kind of… Read More ›
“Lavender Men” trips through history with Abraham Lincoln and Elmer E. Ellsworth. [Micheaux Film Festival]
In a year where most corners of the art form — horror, action blockbusters, dramas, comedies, etc. — have been uneven in the wake of the WGA-SAG-AFTRA strikes, it’s been a pretty great year for queer cinema. I Saw the… Read More ›
Sean Wang’s teen coming of age dramedy “Dìdi (弟弟)” receives an unceremoniously released home edition.
When done right and a movie captures the time period in which it’s set pitch-perfectly, it is a reflection of its audience and resonates so much deeper and more personally with those of that era. Some movies that come to… Read More ›
“A Real Pain” emotionally ensnares the audience due to sharpened talent in front of and behind the camera.
While his first directing/writing feature, When You Finish Saving the World (2022) met with some very mixed reception, Jesse Eisenberg’s latest, A Real Pain, is a hilarious, heartfelt, soul-touching 90 minutes exploring grief (past and present). It’s indicative of a… Read More ›
Irish hip hop underdog story “Kneecap” stays on-brand with a DVD-R home release.
If you haven’t heard of Rich Peppiatt’s newest feature, Kneecap, it’s because it flew so under the radar for everyone and its theatrical window was relatively short. However, it has now hit home release on DVD only, but don’t be… Read More ›
“Frankie Freako” has come to party at your place in Shout! Studios’s home release.
Frankie Freako and his freaks are ready to dominate your television sets, so don’t adjust the motion smoothing (actually turn it right off), kick your feet up and get ready to get lost in this absolute maddening blast-from-the-past nostalgia kick… Read More ›
4K release of “Trap” is absent satisfying trimmings.
Whether the films work for you or not, there’s no denying that an M. Night Shyamalan film is going to provoke a reaction; we’re not talking heavily divisive so much as generating conversation with audiences heralding the best parts and… Read More ›
The digital release of the 4K UHD version of Alexander Payne’s “Sideways” leaves audiences asking why.
Here is a very weird take for someone who loves physical media: not everything needs an upgrade. And, certainly, some things are more deserving (or better served) than others. I love everything I’ve seen of Alexander Payne (there are some… Read More ›
“Trick ‘r Treat” is chock full of eye and ear candy in Arrow’s 4K release.
I’ll be the first to admit, I wasn’t really into horror until my partner and I got together. I had seen some of the classics (the first Nightmare on Elm (1984), first Friday (1980), first Halloween (1978), etc.), but there… Read More ›
Family dramedy “Removal of the Eye” highlights the difficult of parenting, especially across generations. [NOFF]
It requires a specific dedication and abdication of self to become a guardian of another person. To that end, the truest lesson I’ve learned as a parent is that it’s not for the weak. In the days where a “village”… Read More ›
“Addams Family Values” dons the brightness of the Camp Chippewa veneers and sharpness of Debbie’s blades in 4K.
As though itself inhuman, cartoonist Charles Addams’s creation, The Addams Family, rises into popularity, disappears, and then rises again. It’s never far from fans’ memories, but the wider general populace occasionally needs a reminder that being macabre doesn’t mean being… Read More ›