Before co-directors John Francis Daley and Jonathan Goldstein had us roll for initiative (Dungeons & Dragons: Honor Among Thieves), they showed us that there’s another way to interpret the call for somewhat structured social play in the comedic thriller Game… Read More ›
Those not used to extreme tonal shifts, a mixture of martial arts, comedy, and fantasy in one may be in for a shock watching Yuen Woo-ping’s cult hit The Miracle Fighters (1982). Within the first 10 minutes, we witness a… Read More ›
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
No one really knows when from where inspiration will strike. An innocuous action, a stray thought, a random observation — anything is ripe for seeding a new concept or approach. For writer/director/actor John Krasinski (A Quiet Place), inspiration for his… Read More ›
Anthology stories come in all shapes and sizes. They can be horror-based, like Satanic Hispanics (2022) or Tiny Cinema (2022); offer a western twang, like The Ballad of Buster Scruggs (2018); or they can be mission-oriented, like Give Me an… Read More ›
Comedies are always subjective. Sometimes we discover that the films we’re used to are not as good as we thought as we get exposed to so many different cultures bringing their own unique looks and flare to films. Pratul Gaikwad’s… Read More ›
In Japanese folklore, there exists what’s known as “kaibyō,” a cat that possesses supernatural properties. Of the three types within kaibyō — bakeneko, maneki-neko, and nekomata — manga creator Imashiro Takashi took inspiration from the bakeneko type for his series… Read More ›
“The blood of the covenant is thicker than the water of the womb.” – Proverb of unclear origin. In our lives, there are those who are family by DNA and those by relationships. When those who sired us, grew up… Read More ›
Over the last few years, writer/director Yûgo Sakamoto’s (A Janitor) created a very specific cinematic world in which low-stakes slacker comedy meets high-stakes wet work via his Baby Assassins series. Returning for a third outing in Baby Assassins Nice Days,… Read More ›
August 2022 saw the U.S. release of writer/director Choi Dong-hoon’s cinematic hybrid Alienoid (외계+인 1부) into theaters. A mixture of martial arts, comedy, drama, and science fiction that takes place in 2022 Korea *and* the Goryeo Dynasty, Choi’s work may… Read More ›
“To have never gone to war is something to be proud of.” – Seiji Akitsu (Kuranosuke Sasaki) in Godzilla Minus One (2023) There’s this belief that the old ways are better than new. They’re tried, they’re true, and they meet… Read More ›
When a movie is pitched as “The Texas Chain Saw Massacre (1974) meets Monty Python and the Holy Grail (1975) meets Les Misérables (2012),” there is something that immediately grabs my attention because a musical that is zany and over-the-top… Read More ›
Having never seen Hwang Wook’s previous movies (Dog Eat Dog; Live Hard), I did not know what to expect when watching the latest, Mash Ville, and what was delivered was a combination of some of the zaniest wackiest things ever… Read More ›
“If you do nothing, nothing will happen.” This quote is spoken by the character So Si-Min, portrayed by Shin Hye-sun (See You in My 19th Life), as part of a class on ethics. It’s one of several concepts that particular… Read More ›
There will be no spoilers in this review as there are plenty of surprises that will be used to great effect for those who care. Basic plot points will be covered, but nothing that wasn’t in the trailers. When the… Read More ›
In filmmaking, there are original stories and there’re adaptations. While audiences clamor for original stories, the system *needs* adaptations to help fund the originals. Sure, it’s getting hard for some audiences to get excited for Super Cape 58 (not me,… Read More ›
Choi Dong-hoon’s Alienoid (2022) kicked off a time-travel sci-fi adventure in which the present is saved by going to the past. However, in Return to the Future, released in U.S. theaters in January 2024, in order to keep things safe, they had… Read More ›
A slow burn — something that either turns out great or, on occasion, as something audiences despise and generally hate in films. There is no real winning ground when it comes to films as there are things about traditional movies… Read More ›
Every day, someone picks up a camera — 8 mm, 16 mm, 35 mm, iPhone, iPad, Android, whatever they can find — and they tell a story with it. They combine image with sound to inspire, delight, terrify, or simply… Read More ›
On this latest episode of EoM Presents, EoM Contributor Joel Winstead sits down with director Robert Schwartzman to discuss his latest project, The Good Half. They talked about finding a tonal balance in a film about grief with many comedic… Read More ›