Life is a marathon. You don’t train for it, you probably don’t stretch enough, but it is a marathon. The mistake that most make is perceiving those around them as competition instead of rivals. Competitors are there to defeat you… Read More ›
comedy
Sci-fi satirical dark comedy “The Saviors” posits an inevitable destiny for all via humanity’s rush to cast heroes and villains. [SXSW]
Trigger Warning: The opening sequence features flashing lights and quick-cut imagery that may be triggering for photosensitive individuals. “DESTINY! DESTINY! NO ESCAPING THAT FOR ME!” – Dr. Frederick Frankenstein (Gene Wilder) in Young Frankenstein. In storytelling, there are two pretty… Read More ›
Gore Verbinski’s “Good Luck, Have Fun, Don’t Die” arrives on physical formats which means it’s game on at home.
Photosensitivity Warning: The climax of the film includes an extended sequence of flashing that may prove triggering for photosensitive individuals. Take precautions. Spoon boy: Do not try and bend the spoon. That’s impossible. Instead … only try to realize the… Read More ›
“Cramps! – A Period Piece” is the most fun you’ll have with endometriosis. [The Overlook Film Festival]
As a male, I’ve never had the misfortune of going through menstrual cramps, and for that I am incredibly grateful because it seems like absolute bloody (no pun intended) hell and I am going without experiencing that pain every month… Read More ›
“Drag” flips the home invasion horror genre on its back. [The Overlook Film Festival]
Horror movies are not meant to necessarily reflect our own fears and anxieties, but sometimes they do. I’m not entirely sure if first-time feature filmmakers Raviv Ullman and Greg Yagolnitzer, who both wrote and directed Drag, anticipated that someone would… Read More ›
A Conversation with “Over Your Dead Body” director Jorma Taccone.
During SXSW 2026, director Jorma Taccone premiered his latest feature, the action horror comedy Over Your Dead Body, starring the fantastic ensemble cast comprised of Samara Weaving, Jason Segel, Timothy Olyphant, Juliette Lewis, Paul Guilfoyle, and Keith Jardine. On this… Read More ›
Meet Me at the Movies: Time for a Samara Weaving Double Feature!
On a recent episode of Meet Me at the Movies, I joined Noel T. Manning to discuss a few of my favorite SXSW 2026 titles. Since you can only cover so many well in one episode, I returned to talk… Read More ›
Sam Raimi’s survival horror comedy battle of the sexes “Send Help” is now available to watch at home.
A recent report by the Economic Policy Institute shows that the gender wage gap has increased in the past year. On average, women are paid 18.6% less than men. In addition, protections meant to enforce equal employment and prevent discrimination… Read More ›
“Flush” is an entertaining comedy thriller for those who can stomach it. [The Overlook Film Festival]
There is something about potty humor and potty horror that, if done right, works, and if it misses it by the slightest of margins, it becomes something irredeemable. Somehow, director Grégory Morin (Ultimate Zombie Feast) and screenwriter David Neiss (Noir… Read More ›
Conjugate the verb to go and pickup The Criterion Collection’s 4K release of Monty Python’s “Life of Brian.”
Over the last few years, the comedy troupe known as Monty Python has made their 4K UHD debuts and every transfer thus far has looked incredible. Whether it be a standard amray for The Meaning of Life (1983) or a… Read More ›
Hot Contents: dark-tinged crime comedy “Chili Finger” may scald parents young and old. [The Overlook Film Festival]
There are many weird things regarding the rules of storytelling and one of them is tied to the concept of reality. Unless one is dealing with space wizards and laser swords, orcs and elves, a certain adherence to what is… Read More ›
Stephen Fung’s wuxia comedy “Tai Chi Zero” is the latest addition to Imprint Film’s Imprint Asia sublabel.
There’s something about an ensemble cast that can make a movie. We’re talking from the lead actor to the barely there scene-stealers, the right collection of actors can elevate even the dullest of tales while they can send a strong… Read More ›
A Conversation with “Mermaid” filmmaker Tyler Cornack.
Led by Johnny Pemberton and featuring Robert Patrick, Kevin Nealon, and Avery Potemri, writer/director Tyler Cornack’s horror comedy Mermaid is an ode to Florida Man. In a brief five-minute conversation for EoM Presents, EoM Contributor AJ Friar chats with Cornack… Read More ›
“Seekers of Infinite Love” provides little payoff for enduring a road trip with an estranged family of adults. [SXSW]
What were to happen if someone took the concept of losing a loved one, made it a road trip family drama comedy about deprogramming them, and applied it to a suicide cult? Well, for starters, it would be a cringe-inducing… Read More ›
“Watching Mr. Pearson” tenderly illustrates the struggles of living with dementia, while reminding us of the importance of finding joy in life.
Death is the inevitable end we’re all going to experience at some point. If you’re lucky, you will live to an old age and have the opportunity to live a longer and more fulfilling life. But with old age comes… Read More ›
“The Birthday” is a totally unhinged celebration of occult conspiracies, now on 4K UHD via Arrow Video.
If you were to take The Shining (1980) and replace the psychosis with a completely different trip of mental anguish, then you’d get Eugeino Mira’s The Birthday (2004). It focuses on Norman (Corey Feldman) who’s hopelessly in love with his… Read More ›
“Pizza Movie” satisfies as the next generational stoner comedy. [SXSW]
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
“Mallory’s Ghost” fails to take full form past the trope of a haunting past. [SXSW]
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
“Crash Land” embraces the messy improv of life. [SXSW]
Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›