In recent memory, there’s only one film franchise that seems to have unlocked the key to longevity after an extended break and that’s the Fast & Furious series. They found a way to revitalize the car drama by bringing back… Read More ›
comedy
“Knives Out” is more than a whodunit. It’s the most fun you’ll have at the cinema.
There’s been a lot of trash tossed around on writer/director Rian Johnson since his Star Wars film hit theaters in 2017. It’s wonderful that audiences feel such ownership for a film series, but there comes a point where the community… Read More ›
Peter Strickland’s Giallo-inspired “In Fabric” crafts an inspired modern tale out of vintage filmmaking. [Film Fest 919]
It’s no secret that Suspiria is one of my favorite films of all time, with the 2018 remake just ever so slightly edging out the 1977 original thanks to its expansion on the film’s themes and plot to make something… Read More ›
What you see is what you get in quirky dramedy “Love Is Blind”.
There’s nothing more frustrating as a cinephile than a film with great ideas that don’t seem to coalesce in execution, where you can see all the pieces of a clever, engaging, thoughtful story, yet, for some reason, in completion, the… Read More ›
Amid all the holiday rom-com trimmings, “Last Christmas” possesses unexpected layers.
The moment the clock hits midnight on the last day of October, the speed with which Halloween is tossed in the bin and Christmas pops up is enough to disorient. It shouldn’t surprise anyone that the first major studio Christmas… Read More ›
William Fichtner’s directorial debut “Cold Brook” plays like cinematic comfort food.
William Fichtner’s been working in television and film since 1989. He’s played a variety of characters in myriad of genres, but rarely does he get the kind of recognition that other actors working as hard as he and as talented… Read More ›
Taika Waititi’s period comedy “Jojo Rabbit” lacks the bite satire requires. [Film Fest 919]
It used to be that everyone agreed that the Nazis were bad. It was one of the world’s universal truths, but unfortunately, because everything today has to be terrible and awful at all times, we’ve re-entered the age of neo-Nazism… Read More ›
The special features make “Shaft” (2019) worth picking up on home video.
A social and cultural shift took place shortly after Shaft hit theaters in 1971. Inspired by Ernest Tidyman’s novel and with influence from director Gordon Parks and actor Richard Roundtree as the titular character, Shaft became more than a household… Read More ›
Writer/director Aaron Schimberg’s “Chained for Life” successful satirizes the cinematic tropes of the disabled with charm, grace, and humanity.
There’s much about writer/director Aaron Schimberg’s (Go Down Death) Chained for Life that is striking. It’s the languid storytelling; the direction which shifts between extended still long takes and listless, flowing movements; and the endless sensation of a persistent dream-like… Read More ›
Don’t Romjin Calm! Join the “Satanic Panic”!
Horror is one of those genres that never goes out of style. It draws inspiration from the things which we fear collectively and gives it form. 1978’s Halloween was born out of the move from city centers to suburbia. 1954’s… Read More ›