When a film releases a new addition to a franchise a decade or more after the last entry, there’s good reason to be skeptical about the quality. Often, what worked before doesn’t connect due to changes in the cultural landscape,… Read More ›
comedy
“Like A Boss” is a celebration of the bonds we share with the family we choose.
Originating from the mind of Danielle Sanchez-Witzel (My Name Is Earl, Whitney) and featuring the direction of Miquel Arteta (Beatriz at Dinner, Duck Butter) comes Like A Boss, a love story about friendship, loyalty, and faith centered around two lifelong… Read More ›
“Jumanji: The Next Level” remains solid holiday fun, even if it never advances past its premise.
In recent memory, there’s only one film franchise that seems to have unlocked the key to longevity after an extended break and that’s the Fast & Furious series. They found a way to revitalize the car drama by bringing back… Read More ›
“Knives Out” is more than a whodunit. It’s the most fun you’ll have at the cinema.
There’s been a lot of trash tossed around on writer/director Rian Johnson since his Star Wars film hit theaters in 2017. It’s wonderful that audiences feel such ownership for a film series, but there comes a point where the community… Read More ›
Peter Strickland’s Giallo-inspired “In Fabric” crafts an inspired modern tale out of vintage filmmaking. [Film Fest 919]
It’s no secret that Suspiria is one of my favorite films of all time, with the 2018 remake just ever so slightly edging out the 1977 original thanks to its expansion on the film’s themes and plot to make something… Read More ›
What you see is what you get in quirky dramedy “Love Is Blind”.
There’s nothing more frustrating as a cinephile than a film with great ideas that don’t seem to coalesce in execution, where you can see all the pieces of a clever, engaging, thoughtful story, yet, for some reason, in completion, the… Read More ›
Amid all the holiday rom-com trimmings, “Last Christmas” possesses unexpected layers.
The moment the clock hits midnight on the last day of October, the speed with which Halloween is tossed in the bin and Christmas pops up is enough to disorient. It shouldn’t surprise anyone that the first major studio Christmas… Read More ›
William Fichtner’s directorial debut “Cold Brook” plays like cinematic comfort food.
William Fichtner’s been working in television and film since 1989. He’s played a variety of characters in myriad of genres, but rarely does he get the kind of recognition that other actors working as hard as he and as talented… Read More ›
Taika Waititi’s period comedy “Jojo Rabbit” lacks the bite satire requires. [Film Fest 919]
It used to be that everyone agreed that the Nazis were bad. It was one of the world’s universal truths, but unfortunately, because everything today has to be terrible and awful at all times, we’ve re-entered the age of neo-Nazism… Read More ›
The special features make “Shaft” (2019) worth picking up on home video.
A social and cultural shift took place shortly after Shaft hit theaters in 1971. Inspired by Ernest Tidyman’s novel and with influence from director Gordon Parks and actor Richard Roundtree as the titular character, Shaft became more than a household… Read More ›