If you need someone taken out and don’t care if your team comes back alive, you call in Task Force X. This time around, the team is pulled together under the supervision of writer/director James Gunn, an individual who knows… Read More ›
comedy
The earnestness of “Breaking Them Up” creates an opportunity for connection.
Relationships, whether platonic, romantic, or familial, are always going to be tested. Some last forever, even through the challenges, while others are cut short by complications. Some people stay in an unhealthy relationship forever, while on other occasions, both parties… Read More ›
We are all just “Bloody Oranges (Oranges sanguines)” and we’d be better served to remember it. [Nightstream]
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›
With “Free Guy” out on home video, you can change a good day into a great day.
How did your day go? Did you wake up, get out of bed, have some food, do some work, eat more food, do more work, eat even more food, engage in some mindless entertainment, and then go to bed? Does… Read More ›
Midnight movie “The Murder Podcast” may require a specific frame of mind to appreciate fully. [Nashville Film Festival]
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›
A road trip with the Addams Family shouldn’t be so unexpectedly disastrous.
They’re creepy, kooky, mysterious, spooky, and are back for a second animated film from returning directors Greg Tiernan (Sausage Party) and Conrad Vernon (Monsters vs. Aliens). Where the first film explored assimilation versus individuality, the second outing is more interested… Read More ›
“Baby Assassins” is a bubbly action crime comedy that’s not afraid to kick a lot of ass. [Fantastic Fest]
If you’ve ever sat absorbing something for the first time — a song, a book, a play, a movie — and thought to yourself, “I can’t wait to revisit this,” then you’ll have some sense of what will await you… Read More ›
Beloved Hong Kong director Johnnie To joins The Criterion Collection with 2004 genre-hybrid “Throw Down.”
If you’re well-versed in Hong Kong cinema, then the name Johnnie To will carry a great deal of weight. Among those who know, his films like A Hero Never Dies (1998), PTU (2003), and Election (2005) exemplify the Kong Kong… Read More ›
“Lady of the Manor” possesses the potential for a high-spirited comedy but tumbles in the execution.
Comedy is one of the most subjective forms of art. What one viewer finds to be right up their alley might completely turn another viewer off. When a film plays around with a blend of comedy subgenres, it is even… Read More ›
Go on a swashbuckling animated macabre adventure in the adaptation of “Petite Vampire.”
There are many things about cinema that The Cine-Men co-host Darryl Mansel laments, but the one that he laments the most is the lack of swashbuckler films. Disney’s recent Jungle Cruise possesses traits of these films, though mostly due to… Read More ›
Guy Noland’s “Stage Managed” offers a pilot that raises the kinds of questions only a full season can answer. [Dances With Films Festival]
Making a movie or television show in the style of a mockumentary can be very challenging. It takes the right combination of a sharp script, talent behind the camera, an editor who knows exactly what they’re doing, and pinpoint precision… Read More ›
“Holidays At All Cost (Vacances á Tout Prix)” has enough unique flourishes to make a well-worn journey worth the travel. [Dances With Films Festival]
Vacations are meant to be an enjoyable time of rest, relaxation, and quality time with one’s family. Of course, when you get to a certain age, odds are that you will find yourself having gone through your fair share of… Read More ›
“It Takes Three” adapts the story of “Cyrano de Bergerac” with an ‘80s rom-com swagger.
The biggest reason to stop telling people what films they should love or hate is primarily due to its icky gatekeeping factor, but, secondarily, there’s no telling what people will connect to and when. There are as many people out… Read More ›
Russian comedy “Sweetie, You Won’t Believe It” is a road trip horror comedy you’ve just gotta see. [Fantasia International Film Festival]
Everyone has a thing that they look for before deciding if they want to engage with a piece of art. It could be the cover of an album that lures them in, the style of brush strokes crafting a painting,… Read More ›
Zom-com “Brain Freeze” has its heart in the right place, yet still arrives DOA. [Fantasia International Film Festival]
Fine, let’s just get it out of the way: I am not a very big fan of zombie films on the base level. There are many other things that can make a zombie film good, that I can identify with… Read More ›
“Hitman’s Wife’s Bodyguard” comes home with nearly 30 minutes of bonus materials to extend the experience.
2017’s The Hitman’s Bodyguard is a solid action-comedy/road trip hybrid that uses the absolute best of its talented cast to craft a highly rewatchable story. Leads Ryan Reynolds (Free Guy) and Samuel L. Jackson (Basic) have the kind of chemistry… Read More ›
You’ll want to travel “Beyond the Infinite Two Minutes” more than once. [Fantasia International Film Festival]
Every now and then this gig, writing about movies, is an absolute godsend. It’s not that you get to travel the world from the safety of your couch, learning histories, seeing unimagined sights, but that there’s incredible opportunity to be… Read More ›
Though the home release is bare bones, “Midnight Diner” itself is a robust meal for the soul.
Doesn’t matter the time period or culture, there’s something about food that brings people together. It doesn’t just nourish the body, it possesses the capability of nourishing the soul. The best cinematic iteration of this is the scene in Ratatouille… Read More ›
Low stakes don’t prevent irreverent comedy “King Knight” from a thoughtful end. [Fantasia International Film Festival]
From a certain point of view, individualism is the same as conformity. They might clash in their mission, but are otherwise simply a uniform someone wears in order to identify themselves. Got green hair made into spikes? Listen to antiestablishment… Read More ›
A Conversation with “King Knight” actor Angela Sarafyan. [Fantasia International Film Festival]
EoM contributor Thomas Manning recently had the opportunity to interview Angela Sarafyan about her role in the official Fantasia Film Festival selection, King Knight. They discuss her performance as the character Willow, her interactions with co-star Matthew Gray Gubler, and… Read More ›