Sometimes there are movies that are so niche you wonder how and why they ever got made. Not to say that there isn’t merit, but most of the time people don’t go out of their way to make a cult… Read More ›
comedy
HERE WE GO! Detroit’s favorite detective returns to Beverly Hills in “Axel F.”
Actor Eddie Murphy’s been experiencing a wonderful resurgence lately between exploring new stories (Dolemite Is My Name (2019)) and revisiting old ones (Coming 2 America (2021)), each time reminding audiences why we’ve loved being entertained by him for ages. Now,… Read More ›
Great Knights of Columbus, the “Anchorman: The Legend of Ron Burgundy” 4K UHD release is bursting with manly bonus features.
If you don’t get your hands on the 4K of one of the greatest comedies about a team of newscasters to be released in the twentieth century, then I am afraid to report you might be trapped in a glass… Read More ›
With “Chicken for Linda!” arriving on digital, you can serve your whole family a delicious bite of whimsy.
There’s not enough whimsy in the world. Instead, we’ve got extremes. Something is either “the greatest,” “a masterpiece,” “the best it’s ever been,” or “it’s the worst,” “mediocre,” “a blight upon our collective existence.” There’s no space, it seems, for… Read More ›
Short film “A Family Guide to Hunting” bags its prize with its talent on and off screen. [Tribeca Film Festival]
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
Dramedy “All That We Love” is a tender story of self-reclamation. [Tribeca Film Festival]
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
Know what you’re getting into before you say “America, F&%k yeah!” to a first-time 4K UHD anniversary edition of “Team America: World Police.”
I am not going to pretend I understand how licensing works, because I simply don’t. It would be an incredibly silly thing to pretend I know a singular thing about how movie licensing works and why X licenses out to… Read More ›
DECAL Releasing makes it easy to capture your own “Sasquatch Sunset” and bring it home.
Sasquatch Sunset is a vulgar, trippy mockumentary. It’s full of sex, urine, feces, and engorged Bigfoot penis — but that’s just a disguise over a melancholic, soulful, and beautiful adult drama about life, growing, and loss, and one of the… Read More ›
Beat the summer heat with the latest “Ghostbusters” adventure, “Frozen Empire,” now on home video.
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
What Would Brian Boitano Do? He’d celebrate 25 years of “South Park: Bigger, Longer & Uncut” with a first-time 4K UHD edition.
“Remember what the MPAA says; Horrific, Deplorable violence is okay, as long as people don’t say any naughty words! That’s what this war is all about!” – Sheila Broflovski, South Park: Bigger, Longer & Uncut It’s been 25 years since… Read More ›
“Ghostlight” reminds us why a light remains on in theaters.
When I was in University, the buzzword we were told audiences would flock to was “authenticity,” but today, if you listen to industry talk, the word of the moment is “spectacle,” which the prevailing wisdom defines as “big and flashy… Read More ›
Shout! Studios and GKIDS Films release a HD home edition of Takehiko Inoue’s “The First Slam Dunk” that’ll have you out of your seat until the shot clock stops.
Sports films are often used as a metaphor for something else. The grit, the determination required to succeed either as a team or an individual being a symbol for some other kind of battle. In the feature film directorial debut… Read More ›
“Restless” does not let the characters or audience know a moment of peace. [Tribeca Film Festival]
If you’ve ever lived somewhere that wasn’t remote farmland in the midst of nowhere, you’ve most likely hated a neighbor. I adamantly refuse to believe at some point in one’s life there hasn’t been a neighbor that hasn’t driven you… Read More ›
Buy a ticket and take the ride as The Criterion Collection brings the polarizing cult classic “Fear and Loathing in Las Vegas” home in stunning 4K.
Two guys, a trunk full of drugs, and the open road leading to the place of sin itself. Not Hell … but close enough. Las Vegas. Add in some counterculture themes such as the Vietnam War and its relation to… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
Dramedy “Griffin in Summer” is a story of first love that stands out by being ordinary. [Tribeca Film Festival]
Coming-of-age stories come in all shapes and sizes. The term refers to a story of someone going through a particularly age-specific moment of growing up, but it doesn’t always lean toward the light-hearted. Films like The Young Arsonists (2023) or… Read More ›
Romantic dramedy “The Everything Pot” is a bunch of mishegaas with a thoughtful center. [Tribeca Film Festival]
Social mores dictate that a person is born, grows up, pairs off, has children, and then dies. In between is a life-lived that can be often defined by the stage one is in rather than the person they are. If… Read More ›
“Adult Best Friends” utilizes real-life best friends for an authentic look at growing apart. [Tribeca Film Festival]
There is always something daunting about writing or directing one’s first feature, but Delaney Buffett decided to write, direct, and star in her feature debut. Adult Best Friends stems from her real life and also stars her real-life best friend,… Read More ›
Director Neil Berkeley’s comedy doc “Group Therapy” declares that we’re all in this life together. [Tribeca Film Festival]
Comedy is tragedy plus time. – Samuel Clemens Early into Gilbert/Harmantown director Neil Berkeley’s new film Group Therapy, one of the central cast members, comedian Mike Birbiglia, comments that comedy is similar to therapy in that the comedian opens themselves… Read More ›
Grab your Tropical Fruit Bubblicious and Skittles buckle up for another ride with Mike and Marcus in “Bad Boys: Ride or Die.”
The Bad Boys franchise has become a staple in the “buddy cop” genre. The film delivered the expected goods, thanks to the banter of Martin Lawrence (Life) and Will Smith (Men in Black). Add in director Michael Bay (Armageddon) (the… Read More ›