The great thing about classic Looney Tunes is exactly that, they’re classics. There is no denying the longevity of these stories or their place in the cultural zeitgeist, and one of the best compilation movies that they made, Daffy Duck’s… Read More ›
Jean-Luc Goddard’s King Lear (1987) is a great movie for nobody and is available on Blu-ray through Criterion on February 11th, 2025. Almost nobody, actually. It’s certainly a film for me, and for legendary film critic Richard Brody of the… Read More ›
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
For audiences of a certain age, writer Shane Black is an instrumental figure in their cinematic development. In the same year (1987) that taught us that “Wolfman’s got nards” (Monster Squad), he let us know that it’s ok to say… Read More ›
“Tell someone you love them today, because life is short. But shout it at them in German, because life is also terrifying.” – anonymous meme With a career filled with critical highs and lows, writer/director Paul Thomas Anderson has wowed… Read More ›
Trigger Warning: The narrative of Touch Me grapples with difficult topics involving sexual abuse and addiction. Additionally, there are a few brief sequences of light-strobing that might be difficult for photosensitive viewers. “And crawling on the planet’s face, some insects,… Read More ›
“You can’t take anything with you when you die, except your deeds.” – Lee Fun Yee (Cecilla Cheung) in Running on Karma Established in 1996 by director Johnnie To and frequent collaborator Wai Ka-Fai, production house Milkyway Image Ltd. would… Read More ›
January is often viewed by those who track film releases as a doldrums period. Either theaters are filled with awards-hopefuls or the titles that studios/distributors dump in hopes of recouping some of their investment. Yes, this even applies to digital… Read More ›
For better or worse, beloved comedian Richard Pryor’s semi-autobiographical film Jo Jo Dancer, Your Life Is Calling is an ‘80s film, through and through. From the start, we have the classic neon glow of the film’s title backed up by… Read More ›
Last week I got an admittedly excessive 4K UHD Blu-ray in the mail. Normally $75.99, I caught it at 48% off at $39.20. It was the 40th Anniversary Edition of Close Encounters of the Third Kind (1977), and it came… Read More ›
Satire of any sort is a difficult storytelling genre to nail. Go too far in one direction, people dismiss the ideas as far-fetched and implausible (ex. the revelation of Sorry to Bother You (2018)); go too far in the other,… Read More ›
For 49 years and 50 seasons, the Not Ready for Primetime Players have entertained audiences with positively insane sketches, zeitgeist-hijacking music videos, and musical moments that have shifted entire industries in the live sketch program Saturday Night Live. It’s a… Read More ›
There is a lot to love about movies that just hit the right notes and usually it is a difficult task for a feature-length directorial debut, but its not totally unheard of. Tim and Cody’s The Last Video Store is… Read More ›
Over the last few years, reality has pushed the bounds of what anyone every presumed acceptable so greatly that satire struggles to maintain its edge in the execution. For instance, if someone were to tell you that you’d be required… Read More ›
In our new world where big budget blockbusters dominate the theatrical landscape, Crust, the 2024 indie horror-comedy written and directed by Sean Whalen (Twister), stands out as a delightful anomaly. Featuring a cast of relatively unknown actors and a limited… Read More ›
In the world of animation, most know names like Walt Disney, DreamWorks, Illumination, and Studio Ghibli. Either in hand-drawn or CG animation, they have created stories that move audiences by stirring their emotion. But there’re also studios like LAIKA and… Read More ›
Join Thomas Manning in this special Meet Me at the Movies: Open Dialogue segment as he interviews director Jason Reitman and casting director John Papsidera on the red carpet for based on a true story film, Saturday Night. Manning dives… Read More ›
The Invisible Raptor is absolutely absurd, completely outlandish, and an undying love letter to Steven Spielberg. If you were of a certain age in 1993 like me, then Spielberg’s Jurassic Park probably was a major paradigm shift in your developing… Read More ›
As we approach the holidays of giving (Christmas and Hanukkah overlap this year), it’s also a time when studios try to remind audiences of films they might’ve enjoyed once by re-releasing them in a new edition or format. Nearly five… Read More ›
In an always-on world, there’s something beautiful about traveling somewhere without easy access to tech. It helps one recenter and, if with others, reconnect. Traveling is, of course, a privilege and should be treated as deferential to the place one… Read More ›