When Stephen King published his novel The Running Man under the name Richard Bachman in 1982, the book must’ve been seen like a piece of cynical dystopian fiction. Instead, like Jules Verne with the submarine and space shuttles, it turned… Read More ›
Trigger Warning: The opening sequence features flashing lights and quick-cut imagery that may be triggering for photosensitive individuals. “DESTINY! DESTINY! NO ESCAPING THAT FOR ME!” – Dr. Frederick Frankenstein (Gene Wilder) in Young Frankenstein. In storytelling, there are two pretty… Read More ›
Photosensitivity Warning: The climax of the film includes an extended sequence of flashing that may prove triggering for photosensitive individuals. Take precautions. Spoon boy: Do not try and bend the spoon. That’s impossible. Instead … only try to realize the… Read More ›
“The day the world almost ended at 8 p.m., a tree fell down. No one heard it, but later I saw it.” – Andrew J. Eisenman No one knows what to do with the film spoken of as “Bi Gan’s… Read More ›
The insertion of artificial intelligence (A.I.) in storytelling used to be entirely science fiction in the same way that submersible technology (Twenty Thousand Leagues Under the Sea) or watch phones (Dick Tracy) were. Now, however, A.I. is being worked into… Read More ›
As a writer, my comfort zone is putting my thoughts on paper and hitting publish, but there’s truly nothing like having a conversation with a fellow film nerd. In this case, joining fellow NCFCA member Cameron Allison on his The… Read More ›
No one knows the name BT Meza, but after his feature debut, which he wrote and directed, everyone is going to have some Affection for him. The film is an unsettling nightmare that no one ever wants to experience. Whenever… Read More ›
Most folks know a dystopia when they see one. It’s not all Escape from New York (1991), Mad Max: Fury Road (2015), or The Hunger Games (2012); sometimes it looks exactly like your regular life does just with more distinct… Read More ›
“Victims; aren’t we all?” – Eric Draven (Brandon Lee) in The Crow (1990) The beauty and horror of life is that there’re many different ways to look at a situation. Because of this, whether it’s a massive life event or… Read More ›
Since the age of machines, horror stories have found various ways to incorporate them into our nightmares. Did the toaster become sentient? Is our relaxing trip to the local galleria about to turn into a chopping mall? Is that Furby… Read More ›
Last month, Cult Epics released another restoration from Japanese filmmaker Nobuhiko Ôbayashi’s catalogue of titles, the sci-fi romance The Girl Who Leapt Through Time. Courtesy of Cult Epics, we reviewed the standard edition of their new 4K UHD restoration and, now,… Read More ›
Originally made for television, Lynne Littman’s 1983 film Testament takes a human, grounded approach to the sensationalized topic of nuclear devastation. Based on the short story “The Last Testament” by Carol Amen, Testament is as prevalent today (given recent world… Read More ›
If you fell in love with the 2016 tv show Westworld and never saw the original movie that the show is based on, you’re definitely in for a wild wild west journey. Westworld (1973) is a mixed bag that mostly… Read More ›
Operation Taco Gary’s has all the ingredients of a modern cult comedy on paper: an absurd premise, a self-aware tone, and a cast filled with performers who understand how to toe the line between satire and sincerity. With Simon Rex… Read More ›
By the time of his passing in 2020, filmmaker Nobuhiko Ôbayashi had directed nearly 80 films, features and shorts, with his most recent, Labyrinth of Cinema, released in 2019. It would be his feature debut, House (1977), that would make… Read More ›
Writer/director Dan Trachtenberg’s feature film debut, 10 Cloverfield Lane (2016), not only helped reenergize the Cloverfield franchise, it established the filmmaker as one to watch. He’s since been handed the reigns to three different Predator-related projects and each one, unique… Read More ›
In this episode of Meet Me at the Movies, Thomas Manning is joined by Ugo Bienvenu, the writer, director, and producer behind the Oscar-nominated animated film Arco. Bienvenu opens up about the years-long creative journey behind this deeply personal project… Read More ›
Photosensitivity Warning: Several scenes in Scarlet may prove triggering for photosensitive viewers through the use of stylized lightning. It occurs a handful of times in the film and can often be predicted, enabling a viewer to shield oneself, but it’s… Read More ›
Photosensitivity Warning: The film takes place primarily in a storage facility which uses sensors to turn on lights, resulting in several moments of unexpected light activation that may prove triggering for photosensitive viewers. Stop me if you’ve heard this one:… Read More ›
Oscar-winning filmmaker Gore Verbinski joins EoM Senior Interviewer Thomas Manning for a discussion on Good Luck, Have Fun, Don’t Die. This is Verbinski’s first film as director since 2016, and his signature kinetic energy is back and better than ever…. Read More ›