In her 21-year career, director Dorothy Arzner directed 16 films, with three others uncredited, and one in which she served as a sequence director. In the history of filmmaking, a career like Arzner’s is largely forgotten between the capitalist and… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This time we’ll be taking a look at one of the greatest westerns… Read More ›
Death Has Blue Eyes (To koritsi vomva) is an easy film to summarize but a difficult one to describe. It’s a science fiction thriller in a sexploitation package. Beyond this, though, is where the film gets tricky due to a… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This edition will focus on three films: two from the great Mel Brooks… Read More ›
Welcome to this week’s edition of Fistful of Features, a weekly column that celebrates film preservation through physical media and discusses cinematic treasures from every genre to maintain their relevance in the cultural lexicon. There are some great releases that… Read More ›
Since its inception, The Criterion Collection has become both preservationist and distributor of arthouse cinema (with a few exceptions for more populist material (what’s up, Armageddon?)). In keeping with this, they’ve partnered with Martin Scorsese’s World Cinema Project on three… Read More ›
By director Ryûhei Kitamura’s own admission, labels are reductive and restrictive. Though they may help audiences to know where to look on the shelf for something or programmers to know where to schedule, labels imply as much the absence of… Read More ›