In the brief and brand-new featurette “Physical Media Kicks Ass,” writer/director Matthew Vaughn (Layer Cake; Kingsman series) discusses his longtime love of physical media, referring to it at one point as “romantic,” the context being that owning a physical version… Read More ›
When one sits down to watch a Nicolas Cage, movie there is a certain expectation and mood that is set. You know you’re in for a ride of potentially ridiculous proportions that is simply insane or you’re getting a performance… Read More ›
For a film as cold and icy as Longlegs is, the world really ran a fever for it in the heat of a climate-change ridden summer. The crime horror film from Osgood Perkins (The Blackcoat’s Daughter), financed independently at C2… Read More ›
Photosensitivity Warning: Bringing Out the Dead contains multiple sequences of flashing lights either directly (scenes with or focused on ambulance lights) or indirectly (lights flashing on characters) which may disturb sensitivity viewers. A lot can happen in 25 years. For… Read More ›
When you think of the scariest films you’ve ever seen, what is it about them that truly scares you? Is it the immediate fear of being gutted by a silent, masked killer? Is it the ethereal impermanence of a ghostly… Read More ›
In the most Abed Nadir voice possible — “Nicolas Cage maaaaaaaaan” — and that alone should either have an audience immediately ready to dive into what absolute madness whether good, bad, or Cage, they’re about to get into. While the… Read More ›
There are few actors who can seamlessly blend into any genre so that when they pop up in a movie, there’s no disruption the flow of the film. Comedy, action, drama, horror, satire — he appears and your first thought… Read More ›
Despite being in development for years, the Warner Bros. Pictures release The Flash landed with more of a thud than most would have guessed. It centers a beloved DC Comics character in their first solo live action outing, utilizes a… Read More ›
There are few actors whose name recognition is tarnish-free whether appearing in a prestige picture or low-budget romp. In fact, among those few, Nicolas Cage is one where when his name is attached, audiences are aware that, whether good, bad,… Read More ›
No film in the summer of 2023 has the same level of anticipation as The Flash. Audiences are eager to see this “reset” of the DC universe as soon as possible. The addition of characters like Michael Keaton’s Batman and… Read More ›
In a not-so-distant time, when audiences heard the name “Nicolas Cage,” there was an automatic presumption of a performer who’s either doing something huge in the scene as a larger-than-life character or the project as a whole as being of… Read More ›
You think your job sucks? Imagine being Dracula’s bootheel. Thanks to Chris McKay’s Renfield, we no longer have to! If you happened to miss this horror comedy in theaters, it’s coming home on June 6th and Universal Pictures has kindly given… Read More ›
Few villains in any medium of storytelling are quite as iconic as Bram Stoker’s Count Dracula, also known as The Prince of Darkness, also known as Vlad the Impaler, also known as The Dark One, etc. (he has an Erykah… Read More ›
We should all be so lucky to have as wild and varied a career in whatever we do as actor Nicolas Cage does in his. He’s been in comedies (Valley Girl; Raising Arizona), romances (Moonstruck; Honeymoon in Vegas), action films… Read More ›
Nicholas Cage stars as Nick Cage in the crazily undefinable The Unbearable Weight of Massive Talent. Award-winning composer Mark Isham was tasked with bringing atmospheric life through music to this project. He did so by paying homage to composers of… Read More ›
EoM contributor Thomas Manning recently took part in a virtual roundtable Q&A with actor Alex Wolff to discuss his performance in the NEON production Pig, written and directed by Michael Sarnoski. Wolff talks about working with Nicolas Cage and Adam… Read More ›
If I’ve said it once, I’ve said it countless times: revisiting a film is always bound to reveal something new. We have to be willing — correction — open to that newness because, whether a film is a longtime favorite… Read More ›
There are some films that are so wild that once seen, cannot be forgotten. Such is the case with Sion Sono’s first English-language film, Prisoners of the Ghostland, which premiered at the 2021 Sundance Film Festival. It’s a wild mix of… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This time we’ll be taking a look at a pop culture milestone coming… Read More ›
Sometimes, the movie experience you need most is the one with the least number of hurdles to get over. There’s a comfort that comes from a film that’s so straight-forward and streamlined that you can just kick back and enjoy… Read More ›