Horror movies usually tend to fixate on fears to engage their audience or do something truly horrifying and disturbing. The latter are typically easier to digest since they’re easier to shake off as they’re not exploiting something the audience may… Read More ›
With the Oscars now firmly behind us, for better or for worse, one might technically believe that the season of awards films are also behind us, too, at least for the next few months before Cannes gives us some early… Read More ›
In this edition of Meet Me at the Movies: Open Dialogue, Thomas Manning talks with filmmaker Tran Anh Hung about The Taste of Things. Hung was recognized with the Best Director honor at the 76th Cannes Film Festival for his… Read More ›
In this edition of Meet Me at the Movies: Open Dialogue, Thomas Manning talks with writer and director Pawo Choyning Dorji about The Monk and The Gun, Bhutan’s submission for the Best International Feature category at the 96th Academy Awards…. Read More ›
It was December 16th, 2023, when I received the text “Do u want soup tonight?” to which I replied, “Yeah I can do a soup.” The dinner invitation came from fellow film buff Scott Rogers, who, along with his partner… Read More ›
Albert Lamorisse’s The Red Balloon (1956) is a contender for the greatest short film of all time. Lamorisse is often overlooked in discussions of the French New Wave, including by his peers, and his other, sparse works, Bim, the Little… Read More ›
After premiering in France in June 2023 and screening at a variety of genre film festivals like Fantasia International Film Festival, Slash Film Festival, and FrightFest under the name Farang (a Thai term meaning “foreigner”), IFC Films snagged director Xavier… Read More ›
Movies are designed to teach audiences about themselves and each other. In certain cases, that could be about something as simple as common interests. For others, it could be something more interpersonal, like relationships, or being able to find your… Read More ›
When we think of coming-of-age tales, there are certain staples that come to mind: youth, love, introspection, heartbreak, and maybe a little absolution. Writer/director Pierre Creton (A Beautiful Summer (Le bel été)) disregards almost all of these in his recent… Read More ›
In 2023, The Academy is still struggling to rock with horror in any major sense beyond a few lucky takers in titles like Misery (1990), Rosemary’s Baby (1968), Get Out (2017), and The Silence of the Lambs (1991), but rarely… Read More ›
Of the complaints from audiences swirling around regarding Hollywood, the big ones usually refer to the lack of original ideas and the reliance on remakes, reboots, and sequels. Yes, movie-making is a business, so studios look for reliable intellectual property… Read More ›
Created by Belgian author Gabrielle Vincent, the characters of Ernest the bear and Celestine the mouse have been the center of several books, adapted into an award-winning 2012 film, Ernest & Celestine, and a 52-episode television series called Ernest &… Read More ›
As the ocean rises and falls, and the tide is the guarantor of its own return, so too does the astonishing black and white photography of Mami Wata step return a bygone style to modern folklore for a modern moment…. Read More ›
Despite all my rage, I am still just a rat in a cage… “Butter with Butterfly Wings,” The Smashing Pumpkins There are terms and conditions within a society that we all agree to, whether consciously or not. This social contract… Read More ›
Originally premiering at this year’s Canne Film Festival, the new 4k restoration of Jean Grémillon’s Lady Killer (1937), aka Gueule d’amour (1937), is headed for the US, opening August 4th at Metrograph NYC where it will screen for a one-week… Read More ›
When a movie comes out that somehow brings something new and different to the genre and gets hailed as something interesting and innovative, of course there are going to be copycats and remakes and the like. That is exactly what… Read More ›
There is something to be noted about Criterion and Janus films; while some of their slate of films and releases can be defined as questionable, they certainly release undeniably important films and always have. Especially as someone who went to… Read More ›
The hope found in love is the only hope we have, or at least, that’s what Pietro Marcello‘s Scarlet (2023) seems to be saying. This French period piece is firmly rooted in the cynical positivity of the meta-modernist era. Everything… Read More ›
One never knows the gems they’ll find at film festivals. Sometimes they’ll be greeted by low-stakes lo-fi supernatural chillers that don’t match your vibe, other times you get to know an action comedy that delights all the same on subsequent… Read More ›
Who are you? This is a simple question that precedes an overly complex answer. You are not merely your thoughts, your feelings, your experiences, the sum total of everything you have encountered up until this moment, you are also everything… Read More ›