Oscar hopeful I’m Still Here (2024) opens with where, when, who, and what’s it like. Rio de Janeiro, Brazil. 1970. Eunice Paiva, the wife of a retired left-wing senator is on a beach as armored personnel carriers drive down the… Read More ›
France
The Criterion Collection’s Blu-ray release of 1973’s “The Mother and the Whore” exceeds the 4K release in quality and value.
Last week I got an admittedly excessive 4K UHD Blu-ray in the mail. Normally $75.99, I caught it at 48% off at $39.20. It was the 40th Anniversary Edition of Close Encounters of the Third Kind (1977), and it came… Read More ›
Crime drama “Eat the Night” seeks to explore real versus digital existance.
The real world is a mess. Just about everywhere you look there’s something to be despondent about, whether it’s the state of the global climate, the power grab by nationalist parties within global governments, or the general vibe of “get… Read More ›
Parental thriller “Endless Summer Syndrome” seeks deep philosophical examination yet undercuts itself with a telegraphed conclusion.
Wherever we are in our lives, all of it — our successes, our failures — begins at home. Someone born into a home with extensive resources can achieve absolutely nothing of their own while someone with scant resources can achieve… Read More ›
“The Beast” appears … on shelves thanks to Janus Contemporaries.
Janus Contemporaries’s newest unnumbered entry into the Criterion Collection is priced just right at $20.99. The Beast, the latest film from Bertrand Bonello (House of Tolerance; Saint Laurent), is a surreal tale starring two of the best actors working today,… Read More ›
The betrayal and revenge of “The Count of Monte Cristo” gets the Matthieu Delaporte and Alexandre De La Patellière treatment.
“He who seeks revenge digs two graves.” – Confucius In December 2023, director Martin Bourboulon’s The Three Musketeers – Part I: D’Artagnan released into U.S. theaters, kicking off a brand-new adaptation of author Alexandre Dumas’s classic novel. It currently remains… Read More ›
Animated adventure fable “Sirocco and the Kingdom of Winds” envelopes for a pleasant sensory experience.
There are fables that challenge children (The NeverEnding Story), that push children (Labyrinth), and that are not safe for children (Pan’s Labyrinth). In each instance, no matter their differences, the perspective of the child is the focal point through their… Read More ›
“Emilia Pérez” dazzles with its operatic style and frustrates with its masked hollowness.
Redemption stories come in a great many forms. Time loops stories utilize the constriction created by a repeated day(s) to force introspection and change, the loop broken in comedies (Groundhog Day), dramas (The Map of Tiny Perfect Things), and horror… Read More ›
David Cronenberg’s “The Shrouds” is an ambitious personal project from a master of body horror that crumples under confusing messaging. [TIFF]
When we think of directors who are famous for what they’ve done in a specific genre, it’s weird to see a movie from them that is so enriched by their personal life and feels like an incredibly personable film. That… Read More ›
Coming-of-age film “Bird” captures the drama of needing to grow up too soon. [TIFF]
In what could be described as a movie that lives in the same spiritual world as Daina Oniunas-Pusić’s Tuesday (2023), Andrea Arnold’s Bird, similar in vibes and tonal elements in storytelling, focuses on coming-of-age and growing up faster than needed… Read More ›
Claude Schmitz’s “The Other Laurens (L’autre Laurens)” offers a stunning visual genre mashup, but sacrifices plot for tone and style.
The Other Laurens is a movie that’s all dressed up with everywhere to go. But after it gets one foot out the door, it can’t seem to go any further. With a nostalgic neo-noir/grunge visual style that’s sprinkled with touches… Read More ›
All the leverage in action comedy “Kidnapping Inc.” is in the performances of the cast. [Fantasia International Film Festival]
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
Within the weird and zany world of “Ghost Cat Anzu” lies a bittersweet story of broken hearts searching for healing. [Fantasia International Film Festival]
In Japanese folklore, there exists what’s known as “kaibyō,” a cat that possesses supernatural properties. Of the three types within kaibyō — bakeneko, maneki-neko, and nekomata — manga creator Imashiro Takashi took inspiration from the bakeneko type for his series… Read More ›
With “Chicken for Linda!” arriving on digital, you can serve your whole family a delicious bite of whimsy.
There’s not enough whimsy in the world. Instead, we’ve got extremes. Something is either “the greatest,” “a masterpiece,” “the best it’s ever been,” or “it’s the worst,” “mediocre,” “a blight upon our collective existence.” There’s no space, it seems, for… Read More ›
“The Vourdalak” sets a new standard for the genre with Adrien Beau’s fresh take on vampire movies.
If you watched The Vourdalak with no background information, you might think you’d discovered a lost made-for-TV gem from 1980-something. With its grainy appearance, humble sets, and Jim-Henson-esque puppet villain, how could this dark yet charming vampire fantasy not be… Read More ›
Schedule your own journey on Jérémie Périn’s “Mars Express” anytime via the Shout! Studios/GKIDS Films home release.
A vicious murder, a private detective, a thread-pull revealing a larger conspiracy, and a question of robotic sentience — all the makings of a cyberpunk neo-noir. We’ve seen it before with the Blade Runner and The Matrix series, as well… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
“Anatomy of a Fall (Anatomie d’une chute)” releases a beautiful Criterion Blu-ray with special features.
Awards season has come and gone once again, like another overblown, overwrought, overlong thief in the night, spanning an impressive seven months from the beginning of the Venice Film Festival to that of the Academy Awards. Though, unlike other years,… Read More ›
Macabre fantasy “Pandemonium” makes its streaming debut on Arrow Player, offering a mixed bag of dark delights and dreadful disappointments.
The cult cinema streaming service Arrow Player is no stranger to the grotesque, the bizarre, and the gloriously macabre, making it the perfect home for the French dark fantasy film, Pandemonium. This visceral and nightmarish flick, which made the rounds… Read More ›
Bertrand Mandico’s “She Is Conann” questions whether or not crushing your enemies is truly what’s best in life.
Photosensitivity Warning: There are multiple scenes in which either a character is using a camera with flash or a strobe is used (often at length). Proceed with absolute caution. In the realm of action fantasy, John Milius’s 1982 sword and… Read More ›