Sailor Suit and Machine Gun is a film built on dichotomy. The lead character, Izumi (Hiroko Yakushimaru), is a high school teen, suggesting innocence or, at the least, a touch of naiveté. She’s not old enough to have been touched… Read More ›
foreign film
“The Emperor’s Sword” seeks to immortalize the legends of Chinese lore, but fails on just about every level in its attempts to do so.
Ideas are often one thing, whereas execution is entirely another. There are plenty of films which sound incredible, but the finished product seems entirely devoid of the potential. This is the best way to describe the frustration that comes from… Read More ›
Come for Italian drama, stay for Swamy Rotolo’s scene-stealing performance in “A Chiara.” [Film Fest 919]
Quickly think of a gangster movie…what’s the first thing that comes to your head? The Godfather? Goodfellas? Scarface? Maybe even Boyz n the Hood? It’s a widely diverse genre, but the missions are generally all pretty similar, focusing on the… Read More ›
GKIDS’s complete series Blu-ray release for “Neon Genesis Evangelion” is a strong way to kickstart a new fandom obsession.
Somehow, in one way or another, stories transcend times and locations, growing to become global phenomena. We’ve seen it with the characters of DC Comics and Marvel Comics, the Transformers series (based on the run of Hasbro toys), and, of… Read More ›
Using the natural world as a fantasy playground, “Petite Maman” is able to explore loss and grief with tenderness. [Film Fest 919]
Two years ago, even during the height of Parasite-mania, there was one film that stole the entirety of Film Fest 919 for me: that being Céline Sciamma’s Portrait of a Lady on Fire by a country mile. Presenting truly one… Read More ›
Thriller/dramedy “Nightshooters” brings the action amid laughs and horror.
For all the talk of major releases like Dune (2021) or Eternals (2021) or the bemoaning of limited access of films like Last Night in Soho (2021) or Antlers (2021), all films which were released by large studios, it’s easy… Read More ›
Joachim Trier’s “The Worst Person in the World (Verdens verste menneske)” is a beautifully nuanced love letter to those who have yet to get their shit together. [Film Fest 919]
My name is Hunter, I am 25 years old, and I don’t need a governess…I also am having a severe quarter life crisis right now and am struggling. I’ve been having trouble as of late deciding what I want my… Read More ›
Large in scope but small in focus, “My Hero Academia: World Heroes’ Mission” is everything and nothing like you’d expect from the long-running series.
Just after season five of popular anime My Hero Academia ends its run in the U.S. and before the sadness of no new episodes can set in, fans of Class 1-A may rejoice in a new adventure featuring their favorite… Read More ›
Writer/director’s Kaneto Shindo’s “Onibaba” joins the Criterion Collection in two different editions.
There are many proverbs or common phrases that have worked their way into the moral fabric of society. “It’s better to be safe than sorry.” “Don’t judge a book by its cover.” “Treat others the way you’d like to be… Read More ›
“Knocking” takes its time building suspense, but Cecilia Milocco’s steady performance will keep you hooked.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
Documentary “Satoshi Kon, The Illusionist” invites all to learn about the animation auteur and the legacy he left behind. [Nightstream]
Do you know what Requiem for a Dream (2000) and Spider-Man: Into the Spider-Verse (2018) have in common? It’s ok if you struggle to work this out. Directed by Darren Aronofsky, Requiem is an exploration of addiction that stares, unblinking,… Read More ›
We are all just “Bloody Oranges (Oranges sanguines)” and we’d be better served to remember it. [Nightstream]
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›
Writer/director Carlos Conceição’s “Name Above Title (Um Fio de Baba Escarlate)” explores the symbiotic duality of celebrity through the lens of a serial killer. [Nightstream]
The spotlight isn’t for everyone. Some people thrive in it, while others freeze up. Others are a mixture of the two. You might not know which one you are until opportunity knocks. In an always-on world where anyone can post… Read More ›
The unique atmosphere of video game adaptation “Detention (返校)” evokes that helpless feeling of a good survival horror game.
When you think of a movie based on a video game, do pleasant thoughts come to mind? Despite some genuinely great films based on video games (Silent Hill’s 32% on Rotten Tomatoes is a homophobic microaggression; Silent Hill: Revelation’s 6%… Read More ›
Enigmatic fairytale “Lamb” contains a warning for how far you should allow grief to carry you.
Despite all intents and purposes, director Valdimar Jóhannsson’s Lamb is not a horror film. Not in any kind of traditional sense. On the surface, it’s barely unsettling and this is both a benefit and a detriment to its overall reception…. Read More ›
Strange and bittersweet, Alex Piperno’s “Window Boy Would Also Like to Have a Submarine” ponders humanity’s need for connection. [Nashville Film Festival]
Writer/director Alex Piperno’s first feature-length film, Window Boy Would Also Like to Have a Submarine, debuted in 2020 and is now screening during the 52nd Nashville Film Festival. Piperno’s tale is one of the most unique cinematic experiences I’ve had… Read More ›
“a-ha: The Movie” makes it clear that it’s no better to be safe than sorry. [Nashville Film Festival]
Music is absolutely a paradox when it comes to its tether to time. It’s at once a product of when it was made, but it can feel entirely free of that period, being discovered or rediscovered over and over again…. Read More ›
Writer/director Jean Luc Herbulot’s “Saloum” will make you believe in legends. [Fantastic Fest]
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
“Baby Assassins” is a bubbly action crime comedy that’s not afraid to kick a lot of ass. [Fantastic Fest]
If you’ve ever sat absorbing something for the first time — a song, a book, a play, a movie — and thought to yourself, “I can’t wait to revisit this,” then you’ll have some sense of what will await you… Read More ›
If you can get on its frequency, Bertrand Mandico’s fantasy western “After Blue (Dirty Paradise)” is a surreal ride. [Fantastic Fest]
Thanks to the recent release of James Wan’s Malignant (2021), there’s been a lot of talk within certain circles about the desire to see big swings in cinema that create vigorous division over something good but safe. Having not seen… Read More ›