In a corporate world made of glass, steel, and concrete, Jeon Gye-soo’s atmospheric Korean language film Vertigo captures the agony of one woman’s emotional and physical isolation and the slow-budding connection she makes with a high rise window washer contracted… Read More ›
When it comes to modern Korean horror (Parasite doesn’t count), there’s really a “before The Wailing” and “after The Wailing” period going on currently. Sure, there are still some fast-moving, breakneck horror being made in South Korea, but there has… Read More ›
How often do you read or see something that excites you, titillates you, and perhaps even angers you? As we grow ever closer to a presidential election, it seems almost daily that such an occurrence happens. Articles, photos, and videos… Read More ›
Sanzaru is a film that might look like a film along the lines of The Dark & The Wicked in its rural set-up for a horrific force haunting a house, but off the bat, there’s something much stranger at hand…. Read More ›
Although the Fantasia International Film Festival was held virtually this year, it still featured an incredible lineup of wild and visceral films that celebrated everything gory and horrific. Many of the featured titles were loud and boastful with their colorful… Read More ›
Dreams help us process unspoken emotions and desires in contained, temporary environments. Those who dream can escape reality, explore a path unchosen, and tuck the experience away in a safe box. In Michael Venus’s feature-length debut, however, the borders between… Read More ›
Fantasia Festival has provided a bevy of opportunities to showcase some truly great genre films, primarily focusing into the sci-fi/horror route of things. The grisly, spooky, and downright weird have been on full display since the start of the festival,… Read More ›
Internet trolls have long been the bane of social media journalists and content creators, but rarely do the victims of such attacks get a chance to face their opponents eye-to-eye. In Ivo Van Art’s Dutch language film The Columnist, this… Read More ›
One of the things I love about GKids Films, a distributor of Asian animated films, is the absolute variety and high quality of each production they release in the U.S. The films they release range from stop-motion (My Life as… Read More ›
Multi-talented writer and director Mathias Malzieu, who is known for his success as a novelist and musician as well as filmmaker, returns to this year’s virtual Fantasia Film Festival with a delightful grown-up fairytale. Malzieu’s previous animated film, Jack and… Read More ›
Among the types of people underrepresented in film, surely women over 50 would rate in the top 10. When they do emerge, such characters tend to serve as guides, champions, or foes to the main character. Whether spouting sage wisdom,… Read More ›
There is no film more indicative of “you either love it, or you don’t” than Nobuhiko Ôbayashi’s 1977 horror film, House. The surrealist and absurdist take on the typical haunted house story creates a film that defies all convention and… Read More ›
Teen angst. Everyone has had it; hell, I still have it and I’m 24 (today is my birthday when this is published). It’s generally an integral part of our shaping as adults by going through the hormonal and emotional rollercoaster… Read More ›
One of film’s unique narrative strengths is the camera’s ability to manipulate perspective. A movie can put us behind the mask of a serial killer on Halloween or on the tip of a shark’s nose just before it attacks. Point-of-view… Read More ›
Long takes have become the new major flex a filmmaker can make in their films these days, from Alejandro González Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance), to Sam Mendes’s 1917, even making its way into video games like… Read More ›
I could name five French films that have released in the past year, the same with Korean, Chinese, German, Swedish, and Spanish films as well. However, despite being the largest country on Earth by landmass, I probably couldn’t name five… Read More ›
There’s something ubiquitous about adolescence that makes coming-of-age stories. It doesn’t matter what era or culture they derive or take place within, because there’s something universal, even in their specificity: the social awkwardness, the longing for connection, the need to… Read More ›
Take the brilliant stunt choreography of Indonesian action film The Night Comes for Us (2018), the intrigue of Indonesian thriller The Raid: Berandal (2014), and mix with superhero elements you know from various Marvel and DC storylines and you’ll get… Read More ›
The way an audience perceives art is by framing it within their own experience. This can be taken literally, as in someone considers their lifetime experience against what they are engaging in, or it can be taken more figuratively, as… Read More ›
The last time the Cine-Men gathered we spoke of revolution! This time around they look specifically at films of the non-English variety and name three of their favorites. If we do our jobs right, you’ll only be able to guess… Read More ›