Started by creator Gege Akutami in March 2018, Weekly Shōnen Jump series Jujutsu Kaisen is a supernatural horror/comedy action series involving sorcerers who protect the world’s population by destroying or controlling curses (primarily sentient monster-like creatures) that come to being… Read More ›
foreign film
Documentary “Crows are White” is a surprising exploration of the intersection of faith and truth. [SXSW Film Festival]
On Mt. Hiei in Japan lives a secretive sect of Buddhists who push their bodies to their limits in order to achieve enlightenment. Seeking guidance, documentarian Ashen Nadeem travels to the monastery in hopes of chatting with Kamahori, a monk… Read More ›
A Conversation with “Women Do Cry” actor Maria Bakalova & co-directors Mina Mileva and Vesela Kazakova. [SXSW Film Festival]
In this conversation, EoM contributor Thomas Manning speaks with Academy Award nominee Maria Bakalova and co-directors Mina Mileva and Vesela Kazakova about their film Women Do Cry, which is screening at the 2022 SXSW Film Festival. During this discussion, the… Read More ›
Teemu Nikki’s dramatic thriller “The Blind Man Who Did Not Want to See Titanic” is storytelling on an elevated level. [SXSW Film Festival]
Art being subjective, the likelihood that each film released is going to be the latest masterpiece is small. Individuals may certainly feel that way, but, objectively, it’s far less likely. Odds are always on the side of familiar stories being… Read More ›
Iuli Gerbase’s “The Pink Cloud” utilizes a fictional global crisis as a means of exploring gender roles in a microcosm.
“Written in 2017, shot in 2019, Official Selection Sundance 2021” — these words find themselves repeated often when promoting writer/director Iuli Gerbase’s feature-length directorial debut, the science fiction drama A Nuvem Rose, now more widely known as The Pink Cloud…. Read More ›
Deceptively simple sci-fi dramatic thriller “Bor Mi Vanh Chark (The Long Walk)” will terrify you while drawing you in.
Since its initial release in September 2019, director Mattie Do’s (Dearest Sister) dramatic sci-fi thriller Bor Mi Vanh Chark (The Long Walk) has seen either additional festival screenings or limited releases across the globe. Now, with distribution from Yellow Veil… Read More ›
Dramedy “Golden Voices” is a sweet tale of love lost and restored amid incredible change.
With the fall of the United Socialist Soviet Republic (U.S.S.R.) in 1990, there was a surge of Jewish immigrants fleeing for other countries. My hometown of Roanoke, Virginia, was one such place where my temple welcomed many new families and… Read More ›
Martika Ramirez Escobar’s “Leonor Will Never Die” combines art and imagination to craft exuberant cinematic chaos. [Sundance Film Festival]
Movies are magic. They can transport you to a different place and time, can help you process emotions you didn’t realize you had, or can just be a salve for what ails you. Even the most wild films, the ones… Read More ›
A Conversation with “Beyond the Infinite Two Minutes” director Junta Yamaguchi.
EoM contributor Thomas Manning recently spoke with filmmaker Junta Yamaguchi, the director, cinematographer, and editor of Beyond the Infinite Two Minutes. In this conversation, they discuss the complicated long takes in the film, the imaginative screenplay from Makoto Ueda, the… Read More ›
Documentarian Sébastien Lifshitz’s “Petite Fille (Little Girl)” invites us to understand one girl’s story of personal acceptance.
When it comes to parenting, there is no rule book, no grade scale, no metric which immediately determines if a child will grow up happy and healthy or feeling less-than. Despite all the books that have been written by countless… Read More ›
Vietnamese childrens’ story “Maika” doesn’t tread any path you haven’t trod, but that doesn’t make it any less fun or emotional. [Sundance Film Festival]
A young boy struggling with loss. An outsider who brings the opportunity for healing. A journey that mixes the fantastic with the real. This describes any number of child-centered stories from cinematic classics like E.T. the Extra-Terrestrial (1982) and The… Read More ›
Pedro Almodóvar’s always tender humanity enables “Parallel Mothers (Madres paralelas)” to examine complex matter.
There’s something to be said about “movie magic” or whatever word or phrase you use to describe those “Nicole Kidman sitting in the world’s cleanest, emptiest AMC” moments where you really just appreciate every aspect that not only went into… Read More ›
Danish horror “Speak No Evil (Gæsterne)” is pure nightmare fuel, powered by interpersonal tension and full-fledged dread. [Sundance Film Festival]
“I don’t want to be in a situation for even an hour where I’m not enjoying myself” – Kim Cattrall I like to believe I’m a pretty friendly person. My mother raised me that way. I’m inclined to view the… Read More ›
Altered Innocence’s 4K restoration of Spanish horror “Arrebato (Rapture)” highlights how its DNA is strewn across all genres, all nations, to a multitude of filmmakers.
Inspiration is found everywhere. Even the best filmmakers have inspirations that they imbue into their own work, using the work that made them into the filmmakers they are today in smart, reverential ways. Sure, occasionally things can get heavy-handed and… Read More ›
Arrow Video restores Yasuzô Masumura’s anti-war film “赤い天使 (Red Angel)” into a nice updated package for the world to enjoy.
With its opening shots of war-torn landscapes, skulls absent flesh and sinew, and other indicators of lifelessness, Yasuzô Masumura’s 赤い天使 (Red Angel) is quickly determined to be anti-war, the bleakness on display never softening from the beginning to the ending…. Read More ›
Director/co-writer Ryoo Seung-wan’s “Escape from Mogadishu” brings hope amid horror home.
Director/co-writer Ryoo Seung-wan’s 16th film and South Korea’s submission for the 94th Academy Awards, Escape from Mogadishu, is a reconstruction of events during the Somali Civil War (currently still on-going). It’s a film which didn’t make the shortlist of nominees… Read More ›
“Escape from Mogadishu” Blu-ray Giveaway
Picked by South Korea to represent them at the 2022 Oscars, director Ryoo Seung-wan’s Escape from Mogadishu is an adaption of the real events in which rival diplomats had to work together to survive as civil war broke out around them…. Read More ›
Writer/director Mamoru Hosoda’s “BELLE” brings together the heart and imagination, creating a transcendent cinematic experience.
In a career spanning over 20 years, writer/director Mamoru Hosoda has cultivated a filmography of works which communicate to the general masses (Digimon: The Movie (2000)) and to a specific niche audience (Summer Wars (2009); Mirai (2018)). Full disclosure: Mirai… Read More ›
“The Superdeep” Blu-ray Giveaway
After releasing on Shudder, Russian supernatural horror-thriller The Superdeep is dropping on home video and digital-to-own early January 2022 in partnership with RLJE Films. Whether you’re the kind who likes to own the media you consume or you’re just too curious… Read More ›
Uneven in tone and narrative at times, “Schemes in Antiques” isn’t the con romp you expect, but it’s a ride worth taking.
Chinese adventure hybrid Schemes in Antiques from director Derek Kwok (Immortal Demon Slayer) may feel, to American audiences, like a mash-up between National Treasure (2004) and Ocean’s Eleven (2001). It’s at times silly, serious, delicate, and violent, all while using… Read More ›