There was a time when the transition away from physical media to digital seemed like a gift as largely hard-to-find media became accessible. Without getting into the larger economic issues within their respective areas, the shift toward digital acquisition with… Read More ›
Whether it lands with the general public or not, there’s nothing like a big swing in art, something that extends itself perhaps farther than it should go, never quite breaking its own rules as it bites off more than it… Read More ›
Being a man sucks and this is why the patriarchy needs to go. Society, at least in America, subscribes to the idea that being a man requires a certain toughness, a rigidity, an emotional distance from things happening around them…. Read More ›
Community is the first place an individual gains their identity and sense of self. Community can come from the country you live in, the state, the city, or your home. Community is what starts to shape what you value or,… Read More ›
Working in a trade is a lot like parenting. Not the tantrums or conflict portions, necessarily, but the guidance and cultivation that comes from helping to develop something into its best self. In director/co-writer Pierre Pinaud’s (On Air) new film… Read More ›
One of the more unmentioned action thrillers by wider audiences is director/co-writer Jung Byung-gil’s The Villainess (2017). It’s a story about a female assassin, how she got to where she is, and how she attempts to extricate herself from the… Read More ›
There’s a subgenre in film that features a very simple and comfortable setup: retired/reclusive individual meets a young individual, forms a bond (often reluctantly), young individual gets into trouble (usually kidnapped) causing the retired/reclusive individual to jump back into action…. Read More ›
Since its international premiere at Fantastic Fest 2021, writer/director Yûgo Sakamoto’s Baby Assassins hasn’t been far from mind. I discussed it on two Cine-Men episodes, gave it a highlight mention in the 2021 Sticky List, and made sure to include… Read More ›
After a release in 2021, first-time feature director Shinzô Katayama’s (Mother, third assistant director) horror/thriller Missing (さがす) is having its North American premiere during Fantasia International Film Festival 2021. The concept of the film seeks to join the likes of… Read More ›
Actor/writer/producer Don Lee, also known as Ma Dong-seok, has been making movies since 2005. He’s had roles in The Good the Bad the Weird (2008), Mother Vengeance (2012), a scene-stealing role in Train to Busan (2016), and, of course, the… Read More ›
One of the oldest storytelling conveyances is the oral tradition. Before we could write or read, we spoke and the sounds we made transfixed audiences, transporting them to times before their present. With the advent of the written-word, one might… Read More ›
Folklore is easily the earliest form of storytelling we have. Some folklore is intended to serve as lessons in morality or ethics, designed to push a people into certain behaviors, while others are merely stories passed down through the generations… Read More ›
The latest GKids Films release, Fortune Favors Lady Nikuko, is set to arrive on home video from Shout! Factory with a host of special features that celebrate the last adaptation of author Kanako Nishi’s work. In this case, the adaptation… Read More ›
It is not the destiny of every artist to be known beyond the reaches of their imagination. It’s a sad truth that sometimes, well past an artist’s prime or even after their life has ended, is when someone’s catalogue of… Read More ›
In 2017, writer/director Shin’ichirô Ueda released unto the world One Cut of the Dead, his adaptation of Ryoichi Wada’s play “Ghost in the Box!”. If you haven’t seen the film, it’s an absolute marvel that’s an inventive lo-fi zombie film… Read More ›
It all begins with three words: Lights. Camera. Action! Sure, with the changing of technology, the specific terms have changed, but they all go back to these three. Three words which, while not large, immediately call to mind tales of… Read More ›
“Dad, can you tell me a scary story?” This is not how most children ask to be put to bed, but brave young Anna (Taliyah Blair) isn’t afraid of a few ghosts and goblins. Plus, her dad, Harry (Jonathan Nyati),… Read More ›
Harry Cleven’s Zeria is a wondrous and enlightening celebration of all the things that make us human. Using a combination of miniature sets, practical effects, and puppet-like masks, Cleven creates a breathtaking and unforgettable world that’s mesmerizing, comforting, and terrifying… Read More ›
Patience and endurance. According to a character in director Marian Bushan’s (Lucescu Phenomenon) Sniper: The White Raven, what separates snipers from soldiers is patience and endurance. Snipers don’t rush, they don’t preen, and they don’t attack unless the shot is… Read More ›
EoM contributor Justin Waldman speaks with Glasshouse director Kelsey Egan and actor Anja Talijaard Science-fiction dramatic thriller Glasshouse” first premiered at the 2021 Fantasia International Film Festival before going on to release in other parts of the world. Now, on July… Read More ›