Doesn’t matter the time period or culture, there’s something about food that brings people together. It doesn’t just nourish the body, it possesses the capability of nourishing the soul. The best cinematic iteration of this is the scene in Ratatouille… Read More ›
Director Jacky Lee’s The Fatal Raid first released in Hong Kong September 2019 before releasing in other overseas locations, but never released in the United States. Thanks to Well Go USA, not only do American audiences have the chance to check… Read More ›
For most people, the teen years come with a myriad of confusing emotions, drastic life changes, and embarrassing incidents. For Akira and Maki, the young protagonists of Yoichi Narita’s Follow The Light, those formative years also bring a number of… Read More ›
The question of what happens after this life has plagued humanity for centuries. Nothing, Nothingness, Valhalla, Heaven, or Hell: these and others have all been theorized as the next step once we’ve shuffled off this mortal coil and moved into… Read More ›
Which would you rather do: the hard right thing or the easy wrong thing? A decision like this is simple when the stakes are low, like what’s for dinner: cooking it yourself when you have all the ingredients but are… Read More ›
What defines “personhood”? This is a complex question that gets debated quite a bit, specifically in regard to pre-birth healthcare. Is it from the moment of cell division, the presence of a heartbeat, or the moment a life reaches prime… Read More ›
In this life there are few things worse than being misunderstood, to possess the feeling that those around you can’t see about you what you see in yourself. This schism between social reflection and personal identity has been the source… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing an independent horror film from the festival circuit that… Read More ›
Spine #1084 of The Criterion Collection is writer/director Andrei Tarkovsky’s Mirror, the fifth of his films to be added to the collection. A Russian filmmaker, Tarkovsky helmed 12 projects over his lifetime, including one short and one made-for-TV movie. Upon… Read More ›
When it comes to self-discovery, there is no one right path, no universal means for those who walk this earth to become comfortable with themselves. This is the struggle, the burden we all share, whether we’ll admit it or not…. Read More ›
Immigrant stories are treated as all-to-common and extraordinary in the same breath, especially in the United States and Canada. The majority of people who live in both countries did not originate there and each possess a legacy of doing terrible… Read More ›
Though the highest grossing films in Malaysia mostly come from the international market, one shouldn’t discount the country for its own cinematic successes. There’s docudrama The Big Durian (2003), the first Malaysian film to screen at the Sundance Film Festival,… Read More ›
In the opening moments of Yasuzô Masumura’s Irezumi (1966), we witness a man drug a woman, then design and ink a spider tattoo on her back. As he works on the floor, bent over her, her only reaction is to… Read More ›
Over the last few years in America there’s been a surge of “gun fu” films: The Matrix (1999), Equilibrium (2002), all the way up to the recent John Wick series. It’s not that the combination of martial arts and weaponry… Read More ›
It’s rarely more than coincidence when a piece of art intersects with moments in history neatly. Black Panther (2018) released about a year into the Trump presidency, a film in sharp contrast against an administration dealing with accusations of white… Read More ›
A young girl and her mother are riding a subway train when an accident occurs, killing the mother and leaving the daughter injured but alive. Her father, a military man, comes home from active duty to care for his daughter… Read More ›
Returning to the director’s seat for the second time, Hong Won-chan trades murder most foul within the blue collar arena for the underbelly of Asia and Southeast Asia in Deliver Us From Evil (다만 악에서 구하소서). In a film that’s… Read More ›
Writer/director Zhang Yimou is many things, but subtle is not one of them. His projects often feature beautiful cinematography and elegant performances while exploring the complexities of humankind, resulting in films that are often far more poetic than narratively straight…. Read More ›
From Well Go USA, the distributor that brought you such films as The Villainess, Synchronic, The Swordsman, and Better Days, comes the action thriller Deliver Us From Evil from director Hong Won-chan. Ahead of its May 25th home release, the wonderful folks at Well… Read More ›
Death Has Blue Eyes (To koritsi vomva) is an easy film to summarize but a difficult one to describe. It’s a science fiction thriller in a sexploitation package. Beyond this, though, is where the film gets tricky due to a… Read More ›