In this interview, EoM contributor Thomas Manning speaks with Regan Linton and Brian Malone, co-directors of the new documentary imperfect, which premieres at the 2022 Slamdance Film Festival. During their conversation, Linton and Malone speak of the importance of representation… Read More ›
film festival
Come for Italian drama, stay for Swamy Rotolo’s scene-stealing performance in “A Chiara.” [Film Fest 919]
Quickly think of a gangster movie…what’s the first thing that comes to your head? The Godfather? Goodfellas? Scarface? Maybe even Boyz n the Hood? It’s a widely diverse genre, but the missions are generally all pretty similar, focusing on the… Read More ›
Using the natural world as a fantasy playground, “Petite Maman” is able to explore loss and grief with tenderness. [Film Fest 919]
Two years ago, even during the height of Parasite-mania, there was one film that stole the entirety of Film Fest 919 for me: that being Céline Sciamma’s Portrait of a Lady on Fire by a country mile. Presenting truly one… Read More ›
Sean Baker’s “Red Rocket” is not without his signature style or flourish, but it’s missing that emotional connection found in past works. [Film Fest 919]
Sean Baker does good white trash. I really don’t know how to put it in any less crude terms than that. Even when his films don’t necessarily focus on low-income white people, the air of that world lingers in the… Read More ›
Joachim Trier’s “The Worst Person in the World (Verdens verste menneske)” is a beautifully nuanced love letter to those who have yet to get their shit together. [Film Fest 919]
My name is Hunter, I am 25 years old, and I don’t need a governess…I also am having a severe quarter life crisis right now and am struggling. I’ve been having trouble as of late deciding what I want my… Read More ›
In a sea of manufactured biopics, Reinaldo Marcus Green’s “King Richard” takes the crown with its pure sincerity. [Film Fest 919]
To be completely honest with you, I thought Will Smith was doing a period piece where he would play King Richard I in what I thought was one of the more daring pieces of casting I had heard about in… Read More ›
Mike Mills’s “C’mon C’mon” meticulously delves into the subtleties and complications of human life. [Film Fest 919]
I’m not really sure at what point Joaquin Phoenix became a “weird” actor. My best guess lies in his strange publicity stunt of retiring from acting and becoming a rapper for the Casey Affleck “documentary” I’m Still Here, or maybe… Read More ›
The biopic to end all biopics, Pablo Larraín’s “Spencer” offers an understanding of its subject rather than a recreation. [Film Fest 919]
My mother is absolutely obsessed with the Royal Family. The intrigue, mystery, extravagance, drama, strange practices, rules, traditions, quirks, and even the general consensus that it’s an entirely obsolete and unnecessary thing to have in the 21st century are all… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
The heaviness within “Mass” is neither constrictive nor oppressive, but it will leave you staring at the ceiling. [Film Fest 919]
There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
“LandLocked” offers an intriguing exploration of the dangers of nostalgia, but little else. [Nightstream]
There’s something truly arresting about grief. It impacts us all differently: some a little bit at a time, while others feel upended by a sledgehammer. There’s no real right or wrong way to grieve unless you lose yourself entirely to… Read More ›
Documentary “Satoshi Kon, The Illusionist” invites all to learn about the animation auteur and the legacy he left behind. [Nightstream]
Do you know what Requiem for a Dream (2000) and Spider-Man: Into the Spider-Verse (2018) have in common? It’s ok if you struggle to work this out. Directed by Darren Aronofsky, Requiem is an exploration of addiction that stares, unblinking,… Read More ›
The Cine-Men, Episode 56 – Favorite Movie Endings.
One thing that The Cine-Men co-host Darryl Mansel and I agree on is that the ending of the film is as important as the beginning. Good ones either offer clarity, emotional payoff, or, perhaps, something so memorable that it’s the… Read More ›
We are all just “Bloody Oranges (Oranges sanguines)” and we’d be better served to remember it. [Nightstream]
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›
Writer/director Carlos Conceição’s “Name Above Title (Um Fio de Baba Escarlate)” explores the symbiotic duality of celebrity through the lens of a serial killer. [Nightstream]
The spotlight isn’t for everyone. Some people thrive in it, while others freeze up. Others are a mixture of the two. You might not know which one you are until opportunity knocks. In an always-on world where anyone can post… Read More ›
Nothing is as it seems when “Cosmic Dawn” arrives. [Nightstream]
Nightstream returns in its second year with a lineup of films from all around the world, each vying for a different part of your imagination. Whether they titillate or terrify has more to do with the audience than the material… Read More ›
Strange and bittersweet, Alex Piperno’s “Window Boy Would Also Like to Have a Submarine” ponders humanity’s need for connection. [Nashville Film Festival]
Writer/director Alex Piperno’s first feature-length film, Window Boy Would Also Like to Have a Submarine, debuted in 2020 and is now screening during the 52nd Nashville Film Festival. Piperno’s tale is one of the most unique cinematic experiences I’ve had… Read More ›
Documentary “The Neutral Ground” balances truth and humor on a razor’s edge. [Nashville Film Festival]
In 2015, the New Orleans City Council passed a proposal by then-mayor Mitch Landrieu to remove five monuments around the city dedicated to Confederate soldiers. It took several years for these five to be removed due to legal action attempting… Read More ›
“a-ha: The Movie” makes it clear that it’s no better to be safe than sorry. [Nashville Film Festival]
Music is absolutely a paradox when it comes to its tether to time. It’s at once a product of when it was made, but it can feel entirely free of that period, being discovered or rediscovered over and over again…. Read More ›
Midnight movie “The Murder Podcast” may require a specific frame of mind to appreciate fully. [Nashville Film Festival]
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›