My mother is absolutely obsessed with the Royal Family. The intrigue, mystery, extravagance, drama, strange practices, rules, traditions, quirks, and even the general consensus that it’s an entirely obsolete and unnecessary thing to have in the 21st century are all… Read More ›
film festival
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
The heaviness within “Mass” is neither constrictive nor oppressive, but it will leave you staring at the ceiling. [Film Fest 919]
There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
“LandLocked” offers an intriguing exploration of the dangers of nostalgia, but little else. [Nightstream]
There’s something truly arresting about grief. It impacts us all differently: some a little bit at a time, while others feel upended by a sledgehammer. There’s no real right or wrong way to grieve unless you lose yourself entirely to… Read More ›
Documentary “Satoshi Kon, The Illusionist” invites all to learn about the animation auteur and the legacy he left behind. [Nightstream]
Do you know what Requiem for a Dream (2000) and Spider-Man: Into the Spider-Verse (2018) have in common? It’s ok if you struggle to work this out. Directed by Darren Aronofsky, Requiem is an exploration of addiction that stares, unblinking,… Read More ›
The Cine-Men, Episode 56 – Favorite Movie Endings.
One thing that The Cine-Men co-host Darryl Mansel and I agree on is that the ending of the film is as important as the beginning. Good ones either offer clarity, emotional payoff, or, perhaps, something so memorable that it’s the… Read More ›
We are all just “Bloody Oranges (Oranges sanguines)” and we’d be better served to remember it. [Nightstream]
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›
Writer/director Carlos Conceição’s “Name Above Title (Um Fio de Baba Escarlate)” explores the symbiotic duality of celebrity through the lens of a serial killer. [Nightstream]
The spotlight isn’t for everyone. Some people thrive in it, while others freeze up. Others are a mixture of the two. You might not know which one you are until opportunity knocks. In an always-on world where anyone can post… Read More ›
Nothing is as it seems when “Cosmic Dawn” arrives. [Nightstream]
Nightstream returns in its second year with a lineup of films from all around the world, each vying for a different part of your imagination. Whether they titillate or terrify has more to do with the audience than the material… Read More ›
Strange and bittersweet, Alex Piperno’s “Window Boy Would Also Like to Have a Submarine” ponders humanity’s need for connection. [Nashville Film Festival]
Writer/director Alex Piperno’s first feature-length film, Window Boy Would Also Like to Have a Submarine, debuted in 2020 and is now screening during the 52nd Nashville Film Festival. Piperno’s tale is one of the most unique cinematic experiences I’ve had… Read More ›
Documentary “The Neutral Ground” balances truth and humor on a razor’s edge. [Nashville Film Festival]
In 2015, the New Orleans City Council passed a proposal by then-mayor Mitch Landrieu to remove five monuments around the city dedicated to Confederate soldiers. It took several years for these five to be removed due to legal action attempting… Read More ›
“a-ha: The Movie” makes it clear that it’s no better to be safe than sorry. [Nashville Film Festival]
Music is absolutely a paradox when it comes to its tether to time. It’s at once a product of when it was made, but it can feel entirely free of that period, being discovered or rediscovered over and over again…. Read More ›
Midnight movie “The Murder Podcast” may require a specific frame of mind to appreciate fully. [Nashville Film Festival]
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›
One-woman show “Faye” finds hope in the horror. [Nashville Film Festival]
It’s confounding the lengths people will go to denigrate or dismiss the horror genre in favor of more populist genres like action, drama, or comedy. For generations, horror stories have been used as social warnings, explorations of loss, and even… Read More ›
Writer/director Jean Luc Herbulot’s “Saloum” will make you believe in legends. [Fantastic Fest]
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
Enjoy some wholesome tokusatsu fun in Eric McEver’s “Iké Boys.” [Fantastic Fest]
Tell me if you’ve heard this one before: a group of outcasts finds themselves at the center of a prophecy that holds the fate of the world in its hands. In brief, that’s the summary for Eric McEver’s (A Utopia)… Read More ›
“Baby Assassins” is a bubbly action crime comedy that’s not afraid to kick a lot of ass. [Fantastic Fest]
If you’ve ever sat absorbing something for the first time — a song, a book, a play, a movie — and thought to yourself, “I can’t wait to revisit this,” then you’ll have some sense of what will await you… Read More ›
If you can get on its frequency, Bertrand Mandico’s fantasy western “After Blue (Dirty Paradise)” is a surreal ride. [Fantastic Fest]
Thanks to the recent release of James Wan’s Malignant (2021), there’s been a lot of talk within certain circles about the desire to see big swings in cinema that create vigorous division over something good but safe. Having not seen… Read More ›
A riveting thriller from start to finish comes down to “The Execution.” [Fantastic Fest]
Between 1978 – 1990, a series of brutal murders were committed by Russian serial killer Andrei Chikatilo, totaling more than 50 women and children before he was captured, convicted, and executed via firing-squad. This absolute horror serves as the narrative… Read More ›
“Holidays At All Cost (Vacances á Tout Prix)” has enough unique flourishes to make a well-worn journey worth the travel. [Dances With Films Festival]
Vacations are meant to be an enjoyable time of rest, relaxation, and quality time with one’s family. Of course, when you get to a certain age, odds are that you will find yourself having gone through your fair share of… Read More ›