Trigger Warning: After Yang contains scenes involving strobing. If you have any kind of light sensitivity, be advised that this pertains to the credit sequence and an intermittent exploratory sequence. Connection. Connection appears to be a universal need at almost… Read More ›
Creative multi-hyphenates Justin Benson and Aaron Moorhead have a fascination with the line between the explained and the unexplainable, crafting stories that walk the line on a razor’s edge. This continues with their fifth feature film, Something in the Dirt,… Read More ›
“I don’t want to be in a situation for even an hour where I’m not enjoying myself” – Kim Cattrall I like to believe I’m a pretty friendly person. My mother raised me that way. I’m inclined to view the… Read More ›
Last at Sundance with his short The Cub (2013), writer/director Riley Stearns is back and brought his new feature film Dual which is, at a glance, a science fiction film in which a woman faced with losing her life must… Read More ›
At the time of this writing, January 22nd, 2022, it is the 49th anniversary of Roe V. Wade, a court case which ruled in favor of a woman’s right to privacy and governmental inclusion when choosing to abort a pregnancy…. Read More ›
Over the course of his career Oscar-nominated actor Jesse Eisenberg has played many roles. He’s been a nebbish hero (Zombieland), a sociopath (The Social Network), a stoner badass (American Ultra), and the greatest criminal mind of the DCEU (Batman v…. Read More ›
In this interview, EoM contributor Thomas Manning speaks with Regan Linton and Brian Malone, co-directors of the new documentary imperfect, which premieres at the 2022 Slamdance Film Festival. During their conversation, Linton and Malone speak of the importance of representation… Read More ›
Quickly think of a gangster movie…what’s the first thing that comes to your head? The Godfather? Goodfellas? Scarface? Maybe even Boyz n the Hood? It’s a widely diverse genre, but the missions are generally all pretty similar, focusing on the… Read More ›
Two years ago, even during the height of Parasite-mania, there was one film that stole the entirety of Film Fest 919 for me: that being Céline Sciamma’s Portrait of a Lady on Fire by a country mile. Presenting truly one… Read More ›
Sean Baker does good white trash. I really don’t know how to put it in any less crude terms than that. Even when his films don’t necessarily focus on low-income white people, the air of that world lingers in the… Read More ›
My name is Hunter, I am 25 years old, and I don’t need a governess…I also am having a severe quarter life crisis right now and am struggling. I’ve been having trouble as of late deciding what I want my… Read More ›
To be completely honest with you, I thought Will Smith was doing a period piece where he would play King Richard I in what I thought was one of the more daring pieces of casting I had heard about in… Read More ›
I’m not really sure at what point Joaquin Phoenix became a “weird” actor. My best guess lies in his strange publicity stunt of retiring from acting and becoming a rapper for the Casey Affleck “documentary” I’m Still Here, or maybe… Read More ›
My mother is absolutely obsessed with the Royal Family. The intrigue, mystery, extravagance, drama, strange practices, rules, traditions, quirks, and even the general consensus that it’s an entirely obsolete and unnecessary thing to have in the 21st century are all… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
There’s something truly arresting about grief. It impacts us all differently: some a little bit at a time, while others feel upended by a sledgehammer. There’s no real right or wrong way to grieve unless you lose yourself entirely to… Read More ›
Do you know what Requiem for a Dream (2000) and Spider-Man: Into the Spider-Verse (2018) have in common? It’s ok if you struggle to work this out. Directed by Darren Aronofsky, Requiem is an exploration of addiction that stares, unblinking,… Read More ›
One thing that The Cine-Men co-host Darryl Mansel and I agree on is that the ending of the film is as important as the beginning. Good ones either offer clarity, emotional payoff, or, perhaps, something so memorable that it’s the… Read More ›
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›