So God created mankind in his own image, in the image of God He created them; male and female He created them. – Genesis 1:27 – New International Version There are many versions of Genesis 1:27. They each carry the… Read More ›
film festival
To destroy the systems that keep us in place, we may need “The Angry Black Girl and Her Monster.” [SXSW]
Content Warning: The Angry Black Girl and Her Monster feature several scenes involving flashing lights. Photosensitive audiences should take precautions before viewing. Those who proclaim that America isn’t racist or isn’t built upon racist structures is either profiting from it… Read More ›
Documentary “Pay or Die” ignites the passion to fight back against medical greed. [SXSW]
I always find it a little weird when I start off anything I write with a personal note, but there was something about this documentary that hit me hard. It might have something to do with the fact that I… Read More ›
Documentary “Another Body” explores the impacts of deepfake revenge porn. [SXSW]
There are a lot of things on the internet that are gross, and I don’t mean those weird videos of people popping pimples or anything like that. In the last 10 years or so, “revenge porn” became a thing, and… Read More ›
Michael Lukk Litwak’s “Molli and Max in the Future” is a hilarious satirical rom-com of the present. [SXSW]
Content Warning: Photosensitive viewers should be aware that Molli and Max in the Future contains a great deal of flashing lights and bright neon colors that may trigger issues. Though no migraine was caused by the end of the viewing… Read More ›
With “Confessions of a Good Samaritan,” documentarian Penny Lane’s uninhibited examination of self via altruistic donation may change perceptions and save lives. [SXSW]
Documentaries often reveal as much about their subject as they do the documentarian capturing it. We get a sense of who they are and what they value based on the editing, the structure, and the overall energy of a film… Read More ›
EoM Presents: A Conversation with “The Long Game” director Julio Quintana. [SXSW]
EoM contributor Lindsey Dunn speaks with Julio Quintana, the director of The Long Game, debuting in its world premiere at SXSW 2023. The Long Game was written by Quintana, Jennifer C. Stetson, and Paco Farias, based on the novel Mustang… Read More ›
Writer/director Caroline Fioratti’s “Meu Casulo de Drywall (My Drywall Cocoon)” explores the conflicting ideas between security and safety. [SXSW]
What does security look like? Is it the absence of threat or the protection from them? Does security form from an abundance of safety or a dearth of individuality? Can one be secure and therefore free to share their concerns,… Read More ›
EoM Presents: A Conversation with “Peak Season” filmmakers Steven Kanter and Henry Loevner. [SXSW]
EoM senior interviewer Thomas Manning recently interviewed Steven Kanter and Henry Loevner, the filmmakers behind Peak Season, a 2023 SXSW selection. The duo discuss their approach to crafting a cinematic love letter to Jackson Hole, Wyoming and talk about the… Read More ›
Documentarian Christine Yoo’s “26.2 to Life” has you running a marathon in a few inmates’ shoes. [Santa Barbara International Film Festival]
“Running is good punishment.” – 1000 Mile Club volunteer Well into writer/director Christine Yoo’s documentary 26.2 to Life, one of the interviewees comments that running is the thing that all other sports use as punishment. Miss a basket? Screw up… Read More ›
“Everybody Wants to be Loved (Alle wollen geliebt warden)” explores different types of love, the good and the bad/toxic. [Santa Barbara International Film Festival]
“Love is a many splendid thing. Love lifts us up where we belong. All you need is love.” – Christian, Moulin Rouge! Generally speaking, there are four types of love: Eros (erotic), Philia (friends/family), Storge (parents for children), and Agape… Read More ›
Sinéad O’Loughlin’s short film “Lamb” is a calling card of homegrown terror in a single chamber. [Santa Barbara International Film Festival]
The only right length to tell a story is the length required to tell it completely. This is why a story can be constructed with as few as three words or as much as a 90-minute or more screenplay. It… Read More ›
If you vibe with drama “The Young Arsonists,” you’re in for a powerful exploration of feminine adolescent independence. [Santa Barbara International Film Festival]
Memories are a strange thing. They are flickers of the past, like embers of a long burnt out flame riding the strands of neuropathways until they can be inflamed once more, waiting to come billowing into the present. The problem… Read More ›
Director Kei Ishikawa’s dramatic thriller “A Man (ある男)” explores the value of self and identity. [Santa Barbara International Film Festival]
Who are you? Stop for a moment. Read not a line further, and think on that. Are you one thing or are you many? Are you your thoughts and fears? Your anxieties or successes? Your actions? Are you your present… Read More ›
Social thriller “The Sixth Child (Le sixième enfant)” will challenge you to reconsider the complex notion of conception. [Santa Barbara International Film Festival]
In modern society there are a number of presumptions that enable and empower those who have to look down upon those who have not. Aspects of health, wealth, occupation, and hobbies are all treated as aspects of one’s morality. Don’t… Read More ›
EoM Presents: A Conversation with “Know Your Place” writer/director Zia Mohajerjasbi. [Santa Barbara International Film Festival]
EoM senior interviewer Thomas Manning recently spoke with filmmaker Zia Mohajerjasbi about his feature film directorial debut, Know Your Place. In this discussion, Mohajerjasbi talks about his personal connection to the city of Seattle, Washington and describes why “no story… Read More ›
David Mesfin’s documentary “Wade in the Water” inspires audiences to dive deep into the lesser known history of African aquatic culture. [Santa Barbara International Film Festival]
When it comes to surfing and aquatic culture, where does your first thought go? Whom do you see? If you’re like this reviewer, you may think of Gidget (1959), Blue Hawaii (1961), Bikini Beach (1964), Point Break (1991), Blue Crush… Read More ›
EoM Presents: A Conversation with “26.2 to Life” director Christine Yoo. [Santa Barbara International Film Festival]
In this conversation, EoM Senior Interviewer Thomas Manning speaks with director Christine Yoo about her documentary film 26.2 to Life. Yoo discusses her passion for exploring the stories of prisoners in San Quentin and their road to rehabilitation through marathon… Read More ›
“The Baby Daddy (ארי והזרע הקדוש)” avoids agenda in presenting a situation with many variations of consideration. [Santa Barbara International Film Festival]
Parenting is not for the weak. – Douglas Davidson, father of two. There’s a growing trend right now with birth rates in the U.S. dropping compared to previous generations. According to a March 2021 CDC report, as of 2019, birth… Read More ›
Dr. Jenny Mackenzie’s “The Right to Read” offers striking evidence that all caregivers should consider and heed. [Santa Barbara International Film Festival]
Once you learn to read, you will be forever free. – Frederick Douglass Even before COVID-19 revealed to the public the struggles of education in a populace unwilling to put in the work to help their children learn, there existed… Read More ›