After a release in 2021, first-time feature director Shinzô Katayama’s (Mother, third assistant director) horror/thriller Missing (さがす) is having its North American premiere during Fantasia International Film Festival 2021. The concept of the film seeks to join the likes of… Read More ›
film festival
Det. Ma and the rest of the Major Crimes Unit return to catch criminals in the action comedy thriller “The Roundup.” [Fantasia International Film Festival]
Actor/writer/producer Don Lee, also known as Ma Dong-seok, has been making movies since 2005. He’s had roles in The Good the Bad the Weird (2008), Mother Vengeance (2012), a scene-stealing role in Train to Busan (2016), and, of course, the… Read More ›
Anachronistic musical fusion “Inu-Oh” adapts an old story to tell a very modern tale of artistic freedom and personal identity. [Fantasia International Film Festival]
One of the oldest storytelling conveyances is the oral tradition. Before we could write or read, we spoke and the sounds we made transfixed audiences, transporting them to times before their present. With the advent of the written-word, one might… Read More ›
You’ve heard of the restaurant at the end of the world. How about the rest stop at the end of existence? It’s “Glorious.” [Fantasia International Film Festival]
There have been many films conceived, shot, and released since COVID-19 quarantines more or less stopped the world. Some of them put the virus front-and-center (The End of Us), while others used the period as an opportunity to tell a… Read More ›
“Dark Nature” contains big ideas that are underserved by putting most of its secrets up front. [Fantasia International Film Festival]
Folklore is easily the earliest form of storytelling we have. Some folklore is intended to serve as lessons in morality or ethics, designed to push a people into certain behaviors, while others are merely stories passed down through the generations… Read More ›
Documentary “Orchestrator of Storms: The Fantastique World of Jean Rollin” offers the long-overdue flowers to an auteur less known. [Fantasia International Film Festival]
It is not the destiny of every artist to be known beyond the reaches of their imagination. It’s a sad truth that sometimes, well past an artist’s prime or even after their life has ended, is when someone’s catalogue of… Read More ›
“Popran (添付)” is an amusing, heartfelt phallus joke whose finish delights, even if not leaving one awash in afterglow. [Fantasia International Film Festival]
In 2017, writer/director Shin’ichirô Ueda released unto the world One Cut of the Dead, his adaptation of Ryoichi Wada’s play “Ghost in the Box!”. If you haven’t seen the film, it’s an absolute marvel that’s an inventive lo-fi zombie film… Read More ›
16 films to check out during the Fantasia International Film Festival 2022.
For the third year in a row, Elements of Madness will be remotely covering the Fantasia International Film Festival. In the run-up to the event, we wanted to highlight 16 films screening during the festival that we’re either most excited… Read More ›
Jamie Hooper’s “The Creeping” is good scary fun. [Chattanooga Film Festival]
“Dad, can you tell me a scary story?” This is not how most children ask to be put to bed, but brave young Anna (Taliyah Blair) isn’t afraid of a few ghosts and goblins. Plus, her dad, Harry (Jonathan Nyati),… Read More ›
Director Harry Cleven achieves something truly remarkable with his hypnotic experimental sci-fi film, “Zeria.” [Chattanooga Film Festival]
Harry Cleven’s Zeria is a wondrous and enlightening celebration of all the things that make us human. Using a combination of miniature sets, practical effects, and puppet-like masks, Cleven creates a breathtaking and unforgettable world that’s mesmerizing, comforting, and terrifying… Read More ›
Charming from the start, comedy “Four Samosas” is the little heist film that could. [Tribeca Film Festival]
According to the press notes for comedy Four Samosas, actor/writer/director Ravi Kapoor was struggling to figure out what his next directorial project was going to be after 2015’s Miss India America. His impulse was to go bigger, turning into something… Read More ›
Somewhere between myth and reality, there is “A Pure Place.” [Chattanooga Film Festival]
One of the scariest things about cults is that they can form right under our noses. Cult leaders need to psychologically isolate their followers in order to maintain control, but they don’t have to keep everyone on a remote island… Read More ›
The choiceless choice of survival easily leads one to presume that “We Might As Well Be Dead (Wir könnten genauso gut tot sein).” [Tribeca Film Festival]
Perspective is everything. Without it, we have no way to measure one experience against another. However, the limitation of perspective is that we, as individuals, tend to forget that what we perceive exists within a narrow scope defined by our… Read More ›
Writer/director Tyler Taormina’s dreamlike mosaic, “Happer’s Comet,” eschews formality for the metaphysical. [BAMcinemaFest]
Writer/director Tyler Taormina (Ham on Rye) returned home to New York to move in with his family during the initial lockdown period in 2020. During that time, with help from friends, online strangers, and his family, Taormina spent four months… Read More ›
Part expressionist melodrama and part campy horror, “The Attachment Diaries (El Apego)” sends mixed messages about trauma and mental health issues. [Chattanooga Film Festival]
Content/trigger warning: The Attachment Diaries deals with sexual assault, self-harm, mental illness, and abortion. These subjects are also briefly discussed in the review below. The Attachment Diaries is a difficult movie for two reasons. First, it focuses on a handful… Read More ›
Director Rita Baghadadi’s “Sirens” throws you into the middle of the lives of co-lead guitarists of the Middle East’s only all-female metal band. [BAMcinemaFest]
Art is one of the first tools of protesters. It appears in the form of protest tags, signs, and banners. It appears in clothing, philosophy, and in song. In 1987, Avram Finkelstein, Brian Howard, Oliver Johnston, Charles Kreloff, Chris Lione,… Read More ›
Director Kyra Sedgwick’s “Space Oddity” implores audiences not to travel in a tin can alone. [Tribeca Film Festival]
“For here Am I sitting in a tin can Far above the world Planet Earth is blue And there’s nothing I can do – David Bowie, “Space Oddity.” With all the arguments about what is or isn’t the natural order,… Read More ›
Dramedy “Pink Moon” may not grip you, but it’ll worm its way into your ear like a tune you can’t quite identify. [Tribeca Film Festival]
Astronomically speaking, a “Pink Moon” is the full moon of spring, appearing in April. The moon itself doesn’t change in color, but it gets its name from blooming phlox, a pinkish flower. Because of the period in which the Pink… Read More ›
Fantastical drama “Blaze” is the burning fire that rages at the audacity of humankind to take what isn’t theirs. [Tribeca Film Festival]
Trigger Warning: S/A is a central feature of the film, along with the trial and survival process. Additionally, those with photosensitivities should be aware of scenes with strobing. Every day, being a woman gets harder and harder. If their rights… Read More ›
Jennifer Lopez-focused documentary “Halftime” offers a surprising chastisement for the entertainment industry which devours celebrity. [Tribeca Film Festival]
To most folks, Super Bowl LIV, the San Francisco 49ers vs. the Kansas City Chiefs, was a game like any other, an opportunity to cheer on their favorite team, to denounce their enemy, or gather together with friends and eat… Read More ›