There’s a strange hypocrisy to the American Dream. Citizens of the United States of America have called their country the greatest in the world, touting its various freedoms (perceived or law-based), all while going to other countries to spread their… Read More ›
English
Filmmaker Alejandro Amenábar’s “The Others” is the latest horror thriller to join The Criterion Collection.
In 2023, The Academy is still struggling to rock with horror in any major sense beyond a few lucky takers in titles like Misery (1990), Rosemary’s Baby (1968), Get Out (2017), and The Silence of the Lambs (1991), but rarely… Read More ›
The Criterion Collection adds Nicolas Roeg’s “Don’t Look Now,” an affecting, spooky, and atmospheric meditation on grief.
The horror genre has had an interesting trajectory over the course of cinema. The 1970s was one of its most interesting periods. Films like Halloween (1978), The Wicker Man (1973), and The Exorcist (1973) helped define the genre. There was… Read More ›
Cult Epics releases Marleen Gorris’s “The Last Island” on home video with a first-time 2K HD restoration.
It’s the hope that kills you. – Mae Green, Ted Lasso In her debut feature film, writer/director Marleen Gorris confronted gender expectations and equity with psychological crime thriller A Question of Silence (1982), only to follow it up with a… Read More ›
David Cronenberg’s “Videodrome” gets a fresh 4K UHD edition via The Criterion Collection.
Before diving into one of October’s 4K Criterion releases, I want to acknowledge that this is not a never-before-seen 4K as Arrow in the UK has released Videodrome previously. Now, I do not know, with any form of certainty, if… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
John Curran’s “Mercy Road” is a 160km/h philosophical horror show that won’t be for everyone.
There’s a common joke these days that the same people who warned their children not to believe everything they see on television are the same ones quoting a random internet user’s philosophy or anecdotal experience as fact. While there’s a… Read More ›
“Bank of Dave” gains little interest with meandering story and lack of investment.
There are movies that are based on true stories which truly captivate an audience and move them, and then there are movies based on true stories which are just not that engaging or interesting and bring forth a film that… Read More ›
John Barker’s follow-up track, “The Umbrella Men: Escape from Robben Island,” captures the magic of the first and pushes it further. [Toronto International Film Festival]
At the 2022 Toronto International Film Festival (TIFF), writer/director John Barker unveiled his third feature film, the comedic caper The Umbrella Men. Filled with the sights, sounds, and life of Cape Town, Barker invited audiences to see a few good… Read More ›
EoM Presents: A Conversation with “The Umbrella Men: Escape from Robben Island” director John Barker and actors Jacques De Silva, Shamilla Miller, and Bronté Snell. [Toronto International Film Festival]
In this edition of EoM Presents, Senior Interviewer Thomas Manning chats with the cast and crew of The Umbrella Men: Escape from Robben Island, a 2023 TIFF selection. Manning speaks with director John Barker and actors Jacques De Silva, Shamilla… Read More ›
Charlotte Regan’s “Scrapper” is a benchmark coming-of-age film.
There are movies that can really be defined as once in a lifetime kind of movies, and once they exist, anything that tries to convey a similar story usually cannot compare to what that benchmark has already done. That is… Read More ›
Todd Max Carey’s documentary “tOuch Kink” makes a strong case that kink isn’t another dirty four-letter word. [Fantasia International Film Festival]
What do you think of when you hear “BDSM”? Do you think of pain and torture? Leather and dark dungeons? Confinement and control? Or do you think of pleasure and release? Do you think of freedom? There’s a good chance… Read More ›
West African film “Mami Wata” is a contender for Best Looking Film of 2023. [Fantasia International Film Festival]
As the ocean rises and falls, and the tide is the guarantor of its own return, so too does the astonishing black and white photography of Mami Wata step return a bygone style to modern folklore for a modern moment…. Read More ›
Powerful sex-positive dramatic thriller “Broken Mirrors” gets the 4K HD restoration enhancement via Cult Epics.
Writer/director Marleen Gorris won the Oscar for Best Foreign Language Film in 1995 for her project Antonia’s Line. Prior to earning the accolade for her LGBTQA+ feminist fairy tale, the Dutch filmmaker opened her feature film career with feminist thriller… Read More ›
Ilulian Postelnicu thrills as put upon cop in “Men of Deeds.”
What matters more? Getting things done or getting them done the right way? That’s the question at the heart of Paul Negoescu’s Men of Deeds (Oameni de treabă), screening in select NYC theaters beginning August 4th and in L.A. at… Read More ›
“It Lives Inside” utilizes horror to explore the schism of cultural identity via the immigrant experience. [Fantasia International Film Festival]
Immigrant stories are connected to the fabric of America as it exists today. Whether they are just arriving, first generation, second, or beyond, what binds the majority of immigrants together is that they (including myself) are not from here and… Read More ›
“Stay Online” pulls the audience into a personal battle set during a current war and pins you down. [Fantasia International Film Festival]
Trigger Warning: A newsreel montage near the beginning includes footage of wartime incidents, including the dead and wounded. We are a world on the brink of a third global war all because of pride and greed. For nearly 10 years,… Read More ›
Heavyweight cast delivers a satisfying story in “The Miracle Club.”
When there is a cast of heavyweight actors, you know, at minimum, the movie is going to be incredibly acted, and if that satisfies the craving you have for a film, then so be it. However, if you’re looking for… Read More ›
Writer/director Diana Galimzyanova hits the festival circuit with idiosyncratic “Plan 9 from Aliexpress.”
“You Won’t Understand A Single Thing.” There is not a more on-target tag in all of cinema history, I think, than this one attached to the new Diana Galimzyanova (The Lightest Darkness) project, Plan 9 from Aliexpress, currently on the… Read More ›
Driving and striving, “Rally Road Racers” aims to go the distance in a silly family-friendly adventure.
When it comes to automotive competition, there’re different forms of endurance racing. In the U.S., there’s NASCAR, whereas in Europe, there is Le Mans. But if you really want to push yourself as a driver, there’s the road rally, often… Read More ›