After premiering in France in June 2023 and screening at a variety of genre film festivals like Fantasia International Film Festival, Slash Film Festival, and FrightFest under the name Farang (a Thai term meaning “foreigner”), IFC Films snagged director Xavier… Read More ›
English
Director Frant Gwo’s “The Wandering Earth II” embarks on a physical release via Well Go USA.
Memory is a strange thing. It doesn’t work like I thought it did. We are so bound by time, by its order. But now I am not so sure I believe in beginnings and endings. – Arrival (2016) In 2019,… Read More ›
“Fremont”’s search for home arrives at your door via Music Box Films.
Newcomer Anaita Wali Zada’s Donya is desperate for a dream, and, like those who know her, by the second act of Babak Jalali’s (Radio Dreams, Frontier Blues) Fremont, you’ll be desperate for her to find one, too. It’s been a… Read More ›
With John Curran’s thriller on home video, do you dare to travel “Mercy Road”?
Back in October 2023, in the spirit of chills and thrills, Well Go USA released director/co-writer John Curran’s (Chappaquiddick) latest project Mercy Road, a high-octane thriller that doesn’t let up from the moment of ignition. The film walks the line… Read More ›
“Mercy Road” Blu-ray Giveaway
Back in October, director John Curran’s latest project, the high-octane thriller Mercy Road led by Luke Bracey, hit theaters and digital services. Filled with paranoia as Bracey’s Tom desperately tries to save his daughter from an enigmatic voice on the other… Read More ›
Chose to raise or call on VCI Entertainment’s Blu-ray restoration of dramedy “The Gamblers.”
You never count your money When you’re sittin’ at the table There’ll be time enough for countin’ When the dealin’s done – “The Gambler,” made famous by singer Kenny Rogers. When it comes to gambling, there aren’t many songs as… Read More ›
Charming play-turned-film “Inky Pinky Ponky” is a star-making vehicle for co-writer/lead Amanaki Prescott-Faletau. [imagineNATIVE]
As children, there’re all kinds of games available to entertain and to instill a little competition. The trick is that some of those games can end up with some players feeling a little left out, especially when the point of… Read More ›
Filmmaker Jules Arita Koostachin offers optimistic resistance while exploring generational trauma caused by religious violence in her documentary “WaaPaKe (Tomorrow).” [imagineNATIVE]
In May of 2021, news broke worldwide of a discovery in Canada of a mass grave containing the bodies of 215 Indigenous children. This would be shocking to many, the idea that schools created by the Canadian government would so… Read More ›
Brett Morgen’s exciting and cerebral journey with the Star Man, David Bowie, “Moonage Daydream,” joins The Criterion Collection.
David Bowie was one of the music industry’s most eclectic voices. Songs such as “Life on Mars,” “Starman,” and the classic “Moonage Daydream,” let the musician craft a unique voice for himself. His unique style would prove challenging to adapt… Read More ›
Filmmaker Kurando Mitsutake first studio project, “Lion-Girl,” roars onto home video with robust bonus features fans can dive into.
Trigger Warning: The fighting in Lion-Girl is often accompanied by stylized lighting that strobes. As such, photosensitive viewers should take caution before watching. It’s not frequent enough to be problematic, but present enough that it could disturb sensitive viewers. These… Read More ›
Erica Tremblay’s family drama “Fancy Dance” is a fictional tale baring the scars of real trauma. [imagineNATIVE]
There are the stories we tell and then there are the stories beneath them. These are sometimes stated outright, bubbling to the surface, unable to be contained, while others are told via pieces of dialogue or in the negative spaces… Read More ›
Filmmaker Miko Revereza’s “Nowhere Near” is an experimental documentary capturing the scars of a life lived in waiting. [New York Film Festival]
There’s a strange hypocrisy to the American Dream. Citizens of the United States of America have called their country the greatest in the world, touting its various freedoms (perceived or law-based), all while going to other countries to spread their… Read More ›
Filmmaker Alejandro Amenábar’s “The Others” is the latest horror thriller to join The Criterion Collection.
In 2023, The Academy is still struggling to rock with horror in any major sense beyond a few lucky takers in titles like Misery (1990), Rosemary’s Baby (1968), Get Out (2017), and The Silence of the Lambs (1991), but rarely… Read More ›
The Criterion Collection adds Nicolas Roeg’s “Don’t Look Now,” an affecting, spooky, and atmospheric meditation on grief.
The horror genre has had an interesting trajectory over the course of cinema. The 1970s was one of its most interesting periods. Films like Halloween (1978), The Wicker Man (1973), and The Exorcist (1973) helped define the genre. There was… Read More ›
Cult Epics releases Marleen Gorris’s “The Last Island” on home video with a first-time 2K HD restoration.
It’s the hope that kills you. – Mae Green, Ted Lasso In her debut feature film, writer/director Marleen Gorris confronted gender expectations and equity with psychological crime thriller A Question of Silence (1982), only to follow it up with a… Read More ›
David Cronenberg’s “Videodrome” gets a fresh 4K UHD edition via The Criterion Collection.
Before diving into one of October’s 4K Criterion releases, I want to acknowledge that this is not a never-before-seen 4K as Arrow in the UK has released Videodrome previously. Now, I do not know, with any form of certainty, if… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
John Curran’s “Mercy Road” is a 160km/h philosophical horror show that won’t be for everyone.
There’s a common joke these days that the same people who warned their children not to believe everything they see on television are the same ones quoting a random internet user’s philosophy or anecdotal experience as fact. While there’s a… Read More ›
“Bank of Dave” gains little interest with meandering story and lack of investment.
There are movies that are based on true stories which truly captivate an audience and move them, and then there are movies based on true stories which are just not that engaging or interesting and bring forth a film that… Read More ›
John Barker’s follow-up track, “The Umbrella Men: Escape from Robben Island,” captures the magic of the first and pushes it further. [Toronto International Film Festival]
At the 2022 Toronto International Film Festival (TIFF), writer/director John Barker unveiled his third feature film, the comedic caper The Umbrella Men. Filled with the sights, sounds, and life of Cape Town, Barker invited audiences to see a few good… Read More ›