Murder, mayhem, sorrow, grief, pain, redemption: these are universal aspects of storytelling that transcend time and place. For stories that combine these to the point where pulpy isn’t just a way to describe the story but the viscera that remains… Read More ›
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“Goodbye, Don Glees!” Hello, innumerable possibilities.
As long as there are children who grow into adulthood via adolescence, there will always be coming-of-age stories. They may not be indicative of your experience, but they will speak to the universal ideas of growing up, shifting from an… Read More ›
Grab a seat, heist dramedy “The Umbrella Men” is primed to play. [Toronto International Film Festival]
Heist films come in all shapes, sizes, and flavors. There’s the family comedy (The Bad Guys (2022)), the musical drama (Baby Driver (2017)), the superhero action comedy (Ant-Man (2015)), the save-yourself drama (Widows (2018)), the zombie survival action drama (Peninsula… Read More ›
When on the course of life, the best way to get through is to remain “Open.”
Writer/director/actor Jack Eve’s last project was the Agatha Christie-like Bees Make Honey, a film which demonstrated the artist’s ambition as a storyteller. It’s big in terms of cast, costumes, and sets, not the mention the murder mystery script. In July… Read More ›
Arrow Video presents director Johnnie To’s “Running Out of Time” collection in a lovely 2K restoration.
There was a time when the transition away from physical media to digital seemed like a gift as largely hard-to-find media became accessible. Without getting into the larger economic issues within their respective areas, the shift toward digital acquisition with… Read More ›
Choi Dong-hoon’s “Alienoid” is a nearly seamless anarchistic sci-fi action comedy that’ll have you impatient for “Part Two.”
Whether it lands with the general public or not, there’s nothing like a big swing in art, something that extends itself perhaps farther than it should go, never quite breaking its own rules as it bites off more than it… Read More ›
Documentary “Howl of the Underdogs” explores the music and struggles of Norwegian metal band Madder Mortem.
Community is the first place an individual gains their identity and sense of self. Community can come from the country you live in, the state, the city, or your home. Community is what starts to shape what you value or,… Read More ›
“Thirteen Lives” presents a scripted and altered version of the 2018 Tham Luang Cave rescue.
June 23rd, 2018: after a football practice, 12 teammates and their assistant coach decided to explore the nearby Tham Luang Cave in the Tham Luang – Khun Nam Namg Non Forest Park of Northern Thailand. Unexpectedly, a storm hit, flooding… Read More ›
“We Are Living Things” explores life and society through layered metaphors.
Whom among us hasn’t felt lost and alone, even in a crowded room of people? In some cases, the larger the environment, the smaller one may feel due to the vastness of it all. In that case, seeking connection to… Read More ›
Actor Amber Midthunder goes pound for pound with the Predator in “Prey.”
Another day, another 20th Century Studios film sent to the Hulu graveyard by The Big Mouse in his efforts to slowly choke the life out of the once thriving 87-year-old studio. While assuring audiences from the time of the acquisition… Read More ›
“Dark Nature” contains big ideas that are underserved by putting most of its secrets up front. [Fantasia International Film Festival]
Folklore is easily the earliest form of storytelling we have. Some folklore is intended to serve as lessons in morality or ethics, designed to push a people into certain behaviors, while others are merely stories passed down through the generations… Read More ›
Documentary “Orchestrator of Storms: The Fantastique World of Jean Rollin” offers the long-overdue flowers to an auteur less known. [Fantasia International Film Festival]
It is not the destiny of every artist to be known beyond the reaches of their imagination. It’s a sad truth that sometimes, well past an artist’s prime or even after their life has ended, is when someone’s catalogue of… Read More ›
Jamie Hooper’s “The Creeping” is good scary fun. [Chattanooga Film Festival]
“Dad, can you tell me a scary story?” This is not how most children ask to be put to bed, but brave young Anna (Taliyah Blair) isn’t afraid of a few ghosts and goblins. Plus, her dad, Harry (Jonathan Nyati),… Read More ›
A Conversation with “Glasshouse” director Kelsey Egan and actor Anja Taljaard.
EoM contributor Justin Waldman speaks with Glasshouse director Kelsey Egan and actor Anja Talijaard Science-fiction dramatic thriller Glasshouse” first premiered at the 2021 Fantasia International Film Festival before going on to release in other parts of the world. Now, on July… Read More ›
Director Rita Baghadadi’s “Sirens” throws you into the middle of the lives of co-lead guitarists of the Middle East’s only all-female metal band. [BAMcinemaFest]
Art is one of the first tools of protesters. It appears in the form of protest tags, signs, and banners. It appears in clothing, philosophy, and in song. In 1987, Avram Finkelstein, Brian Howard, Oliver Johnston, Charles Kreloff, Chris Lione,… Read More ›
The final piece of director King Hu’s Inn Trilogy is available for purchase thanks to Arrow Video’s physical release of “Come Drink with Me.”
In 1966, director King Hu (Dragon Inn) released Da zui xia, also known as The Great Drunken Hero and Come Drink with Me, a martial arts tale that’s equal parts swordplay and drama. The film starred Cheng Pei-pei (Crouching Tiger,… Read More ›
Sam Green’s experimental documentary “32 Sounds” is something you listen with, not to. [SXSW Film Festival]
What does it mean to sit in a moment? For some, it means to be present, to actively engage in the “now.” It implies an action, a movement made in order to seize what’s before you. It’s the difference between… Read More ›
Aisha Dee slays in Australian horror comedy “Sissy.” [SXSW Film Festival]
We’ve all had our experiences with bullies. Some more than others, certainly, but looking back on the pitfalls of adolescence in the light of adulthood, there’s always that nagging voice in the back of your head telling you “If you… Read More ›
The supporting cast steals the show in comedy “Spin Me Round.” [SXSW Film Festival]
Jeff Baena has written a lot of things over the last few years that have broken the mold and done something new for the comedy genre by not delivered the typical trope movies. He and his now wife, Aubrey Plaza,… Read More ›
Mishandled situational comedy “Millie Lies Low” results in audience frustration. [SXSW Film Festival]
There are movies that lend themselves to the elements and take advantage of them to their benefit. Then there are movies that ignore what the story lays out for them and try to become something they really aren’t. Unfortunately, in… Read More ›