Photosensitivity Warning: Several scenes in Scarlet may prove triggering for photosensitive viewers through the use of stylized lightning. It occurs a handful of times in the film and can often be predicted, enabling a viewer to shield oneself, but it’s… Read More ›
drama
Documentary “Mockbuster” or how the process of making a low-budget feature made me enjoy what I love without guilt. [SBIFF]
Of all the terms to be used to describe media consumption, “guilty pleasure” should be stricken from the record. The phrase implies that, regardless of perceived quality, the thing itself is not good in some way and that the enjoyment… Read More ›
“Hamnet” Digital Code Giveaway
Hamnet, the new feature and novel adaptation from Oscar-winning filmmaker Chloé Zhao (Nomadland), is coming available on home video in both digital and physical formats. Starring Jessie Buckley (Women Talking) and Paul Mescal (Aftersun) as Agnes and William Shakespeare, respectively,… Read More ›
“Magellan:” Everything is Magellan now.
In the opening shot of Magellan (2025), an Indigenous Malaysian woman walks into a stream, filling a vessel. Suddenly, she spots a white man past the fourth wall of the proscenium and takes off running. She shouts through her village… Read More ›
A complex love story brilliantly masked in a survival story and political thriller, “Kiss of the Spider Woman” receives a beautiful digital restoration, courtesy of The Criterion Collection.
Two prisoners. Two different pasts. One love story that keeps them going. Set within the Brazilian military dictatorship, Héctor Babenco’s 1985 film Kiss of the Spider Woman (adapted by Leonard Schrader, based on Manuel Pieg’s 1976 novel) is about two… Read More ›
Edward Yang’s “Yi Yi” gets a boost to 4K UHD as it enters The Criterion Collection
Life is like a dyad-god, both finite and infinite. Your life is finite because it ends, but Life goes on regardless of how you live yours. Few things narrow as quickly as the infinite possibilities of a newborn’s life, except… Read More ›
“Birth” is given a second life on 4K from The Criterion Collection.
If you’ve never seen a Jonathan Glazer film before, his second feature may be his most accessible in terms of content and execution. Birth (2004) is weird and unsettling, but not in the same ways as Under the Skin (2013)… Read More ›
Jodie Foster est magnifique in French dark comedy thriller “A Private Life (Vie Privée).”
Born in Paris, French filmmaker Rebecca Zlotowski initially planned to be a teacher and graduated from École Normale Supérieure before earning an Agrégation higher degree in literature. Then she joined the screenplay department of La Fémis and met several students… Read More ›
“The Voice of Hind Rajab” masterfully utilizes subtle dramatization to portray the real experiences of those who try to save lives in Gaza.
When the world first stopped to hear the voice of Hind Rajab, the little girl from Gaza hiding from bullets in her family’s car, Kaouther Ben Hania was standing frozen in the airport. Now, she’s delivered a masterpiece that asks… Read More ›
Derek Cianfrance’s “Roofman” is far more character study than crime antics.
Director Derek Cianfrance is a filmmaker who is near and dear to my heart. His 2013 film The Place Beyond the Pines hit me on a deep emotional level with its themes of fatherhood and legacy. Even with its heavier… Read More ›
Reginald Hudlin’s feature film directorial debut and seminal teen comedy “House Party” receives a 4K UHD edition via The Criterion Collection.
“All my memories are movies.” – George Clooney as Jay Kelly in Jay Kelly (2025). As a child born on the cusp of 1981, I reside firmly on line between Gen X and Millennial, meaning that I can remember a… Read More ›
Gordan Chan’s folktale adaptation “King of Beggars” receives a 2K restoration from Eureka Entertainment.
Cinema borrowing from folktales is a natural fit given that folktales often elevate figures or events and cinema does this innately through projection. Who wouldn’t want to see the figures or events of lore cast upon a 40-foot screen or… Read More ›
In examining the past, documentary “Who Killed Alex Odeh?” illuminates aspects of the present we’d rather not acknowledge. [Sundance]
It didn’t used to feel complicated to be Jewish before October 7th, 2023, and the Israeli-Gaza Conflict began. Having grown up in a Reform Jewish household, I believed in the existence of and even the right of a Jewish state… Read More ›
Even with Christophe Gans back in the director’s chair, “Return to Silent Hill” struggles to meet its own potential.
Asking me to describe my relationship with the Silent Hill franchise is opening a Pandora’s Box of epic proportions. The series, centered around a cursed ghost town in rural Maine, has haunted, compelled, comforted, entertained, frightened, and shaped me in… Read More ›
Maxime Giroux’s crime thriller “In Cold Light” challenges its audience through dissociative storytelling and a distant protagonist.
There’s a common misconception that stories, by nature of being broadcast or shown in a theater, condone behavior, justifying choices, always, simply because they are the behaviors and choices of the main character. This is an egregious failure of media… Read More ›
Get a peek behind the creative intention of one of Bruce Springsteen’s most notable albums in director Scott Cooper’s “Springsteen: Deliver Me from Nowhere.”
Adaptations are the bread and butter of entertainment, whether it’s “ripped from the headlines” episodes of some Law & Order spin-off to capture the zeitgeist or the story of an established celebrity. Going further are the adaptations of books which… Read More ›
Jim Jarmusch’s acid western “Dead Man” re-enters The Criterion Collection with a brand-new 4K UHD edition.
Filmmaker Jim Jarmusch has built an indie career leaning into his eccentricities and mixing his artistic sensibilities. It’s how we get the zombie apocalypse comedy The Dead Don’t Die (2019), the melancholic vampiric love story Only Lovers Left Alive (2013),… Read More ›
Alfred Cheung Kin-Ting’s crime thriller “On the Run” gets a Region A release by 88 Films.
The only feeling better for a cinephile in learning that a film you dig or never got the chance to see is getting a physical release is learning that said film that’s out of print or region locked is getting… Read More ›
Steven Grayhm’s sophomore effort, family drama “Sheepdog,” battles itself as it seeks to implore audiences to reconsider our social responsibility to our veterans.
The Latin phrase “Quis custodiet ipsos custodes?” (roughly translates to “who guards the guardsmen?”) is attributed to Roman poet Juvenal and was made prominent by the philosopher Plato in their work Republic. The phrase has come to be interpreted as… Read More ›
Congratulations! Nacho Vigalondo’s sci-fi dramatic romance “Daniela Forever” arrives as a home release but with zero special features in-hand.
Congratulations. For a certain set of people, this singular word carries weight. This isn’t to say that it doesn’t for the general populous as receiving accolades or cheers often makes one feel elated, but, for a specific set, “Congratulations” correlates… Read More ›