There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
drama
The bigger the legend, “The Harder They Fall.”
When Americans tell stories of the Old West, there’s typically a common thread running through them and it’s very white and heroic. With films like 3:10 to Yuma (1957) or True Grit (1969), The Good, the Bad, and the Ugly… Read More ›
Writer/director’s Kaneto Shindo’s “Onibaba” joins the Criterion Collection in two different editions.
There are many proverbs or common phrases that have worked their way into the moral fabric of society. “It’s better to be safe than sorry.” “Don’t judge a book by its cover.” “Treat others the way you’d like to be… Read More ›
David Lowery’s “The Green Knight” is a medieval poem made flesh, transcending time and space.
Over time, the meanings of things often change. This can be a product of shifting social mores, alterations in language, or incidental innocuous moments which lead to global change. One of them is the idea of chivalry as being strictly… Read More ›
There’s Nothing to fear in “The Night House.”
Loss hits us all differently and unexpectedly. We can *know* that someone is no longer with us, yet feel them, as though they are lingering in the air. We can *know* that they may not see them again, yet we… Read More ›
A Conversation with “South of Heaven” director Aharon Keshales.
In this interview, EoM contributor Thomas Manning speaks with director Aharon Keshales about his new drama film South of Heaven. During their conversation, Keshales speaks about the biblical influences from the Book of Job on his film, working with Jason… Read More ›
Audacious thriller “South of Heaven” explores how one bad decision can snowball.
Mistakes and bad decisions are simply a part of human nature. We are flawed, imperfect beings, and it is up to each of us, on an individual level, to learn from our errors and make the most of the positive… Read More ›
Strange and bittersweet, Alex Piperno’s “Window Boy Would Also Like to Have a Submarine” ponders humanity’s need for connection. [Nashville Film Festival]
Writer/director Alex Piperno’s first feature-length film, Window Boy Would Also Like to Have a Submarine, debuted in 2020 and is now screening during the 52nd Nashville Film Festival. Piperno’s tale is one of the most unique cinematic experiences I’ve had… Read More ›
Writer/director Jean Luc Herbulot’s “Saloum” will make you believe in legends. [Fantastic Fest]
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
A Conversation with “CODA” cinematographer Paula Huidobro.
In this conversation, EoM contributor Thomas Manning speaks with cinematographer Paula Huidobro about her work on the film CODA, which is currently streaming on Apple TV+. Throughout the discussion, Huidobro speaks about the unique experiences of crafting a film focused… Read More ›
Twitter thread-turned-movie “Zola” is available on home video from Lionsgate.
“Y’all wanna hear a story about why me & this bitch here feel out???????? It’s kind of long but full of suspense” This is the tweet that kicked off a 148-tweet thread detailing the heart-pounding adventure A’Ziah “Zola” Wells King… Read More ›
If you can get on its frequency, Bertrand Mandico’s fantasy western “After Blue (Dirty Paradise)” is a surreal ride. [Fantastic Fest]
Thanks to the recent release of James Wan’s Malignant (2021), there’s been a lot of talk within certain circles about the desire to see big swings in cinema that create vigorous division over something good but safe. Having not seen… Read More ›
A riveting thriller from start to finish comes down to “The Execution.” [Fantastic Fest]
Between 1978 – 1990, a series of brutal murders were committed by Russian serial killer Andrei Chikatilo, totaling more than 50 women and children before he was captured, convicted, and executed via firing-squad. This absolute horror serves as the narrative… Read More ›
Beloved Hong Kong director Johnnie To joins The Criterion Collection with 2004 genre-hybrid “Throw Down.”
If you’re well-versed in Hong Kong cinema, then the name Johnnie To will carry a great deal of weight. Among those who know, his films like A Hero Never Dies (1998), PTU (2003), and Election (2005) exemplify the Kong Kong… Read More ›
Celebrate 50 years of Stanley Kubrick’s “A Clockwork Orange” with a first-time 4K UHD release.
Published in 1962, Anthony Burgess’s dark satire A Clockwork Orange hit the streets of England with a 21-chapter tale of a teenager’s prevalence for extreme violence and antisocial behavior. Written in a Russian-influenced language called “Nasdat,” most of what central… Read More ›
Equal parts devastating and inspiriting, “What She Said” is a powerful directorial debut.
Reactions to trauma are specific to each person and situation. No two people respond to a harrowing event in the exact same fashion because the human experience and each person’s perception of the world around them is so unique. When… Read More ›
4K restoration of Frank Perry’s “Mommie Dearest” joins the Paramount Presents label.
Actor Joan Crawford started acting in 1925 with the short The Casting Couch and worked her last job in a guest role on the television series The Sixth Sense in 1972, five years before her passing. In addition to acting,… Read More ›
The HDR in the 4K UHD remaster of “The Shawshank Redemption” will dramatically shift how you react to the film you know.
“Get busy livin’ or get busy dying.” One of the more famous phrases in cinema history and originally uttered by Tim Robbins’s Andy Dufresne, the only innocent man in all of Shawshank Prison, is more often recalled as said by… Read More ›
“The Shawshank Redemption” 4K UHD Giveaway
The Shawshank Redemption premiered September 1996 and, even after all this time, still manages to find a new audience. It could be the concept, the cast, the direction, or all of the above, but there’s something there which beckons audiences everywhere… Read More ›
Styled like a documentary, dramatic fiction “Dark Blood” feels like watching the spiritual obliteration of innocence.
Few films have shaken me quite like Harold Trompetero’s Dark Blood has. Uncut Gems (2019) left me vibrating from anxiety; If Anything Happens I Love You (2020) left me stunned, silently crying over the credits; Violet (2021) left me raw,… Read More ›