What happens when the world of Tom Clancy’s Jack Ryan expands into a new action-packed chapter? In this Meet Me at the Movies spotlight, Thomas Manning sits down with Wendell Pierce to discuss Ghost War, the highly anticipated Jack Ryan… Read More ›
drama
Mixed-format drama “A/way” wrestles with reconciling past and present self after a major loss.
The reason that most are nostalgic for the past is not because things were better “back then,” but because responsibilities were different. For those who kvetch about their present, it’s because their childhood didn’t involve worry about clothes, food, or… Read More ›
“Moss & Freud” Digital Code Giveaway
There was a time when no one in the world could go anywhere without seeing supermodel Kate Moss. During this period, artist Lucian Freud and Moss would work together, ultimately forming an unexpected relationship. Writer/director James Lucas makes his feature-film… Read More ›
Darkly comedic thriller “$POSITIONS” puts the consumptive nature of the United States on full display.
We all have our addictions. Of course, the term is about as misused in common discourse in the same way that proclaiming oneself as OCD or ADHD is, but, here, it’s true. Whether it’s checking digital notifications, ingesting caffeine, or… Read More ›
“Blue Thunder” roars in with an Arrow Video 4K Blu-ray release.
Blue Thunder makes its way back home with a stellar 4K Blu-ray release from Arrow Video, delivering exactly the kind of jam-packed collector’s edition that reminds people why physical media still matters. In a time where so many catalog titles… Read More ›
“Moneyball” is a masterpiece created in the aggregate; now in 4K UHD.
“Re-create it in the aggregate” is one of the great lines of dialogue about art’s favorite hero, the underdog. Culture is full of underdog stories, but Moneyball (2011), now available on 4K, is the rare entry about what happens next…. Read More ›
A Conversation with “Couples Weekend” writer/director Nora Kirkpatrick.
Nora Kirkpatrick is a multi-talented artist with a variety of credits in front of and behind the camera over the course of her career. Her feature film directorial debut is the dark rom-com Couples Weekend (formerly titled A Tree Fell… Read More ›
Filmmaker Lynne Ramsay’s “Die My Love” arrives on 4K UHD Blu-ray with a bare-bones home edition.
2025 was an exceptionally strong year for film, though several slipped through the cracks. One of those casualties was Lynne Ramsey’s Die My Love, starring Jennifer Lawrence (Causeway) and Robert Pattinson (Mickey 17). The story follows a young mother named… Read More ›
Filmmaker Barry Levinson’s dramatic crime thriller “Sleepers” receives a 4K UHD remaster 30 years after its release.
There is something that gets me particularly giddy when a studio releases a catalogue title on 4K and it’s not coming from a boutique. To be clear, there is nothing against boutiques, but when looking at a blind buy (from… Read More ›
Robert Aramayo delivers a fantastic lead performance in director Kirk Jones inspirational, humorous biopic “I Swear.”
On February 22nd, 2026, while presenting an award for Best Special Visual Effects at the 79th BAFTAs, actors Michael B. Jordan and Delroy Lindo’s presentation was quickly interrupted by the slur “n****r,” spoken by Scottish Tourette syndrome activist John Davidson…. Read More ›
Dramedy “The Travel Companion” highlights the importance of collaboration over competition.
Life is a marathon. You don’t train for it, you probably don’t stretch enough, but it is a marathon. The mistake that most make is perceiving those around them as competition instead of rivals. Competitors are there to defeat you… Read More ›
A Conversation with “An Autumn Summer” writer/director Jared Isaac.
Writer and director Jared Isaac joins this edition of EoM Presents to break down his debut feature film, An Autumn Summer. Speaking with EoM Senior Interviewer Thomas Manning in this extended conversation, Isaac reflects on the changing seasons in his… Read More ›
Larry Fessenden’s “Habit” participates in a celebration of the director’s latest creature feature. [The Overlook Film Festival]
Writer/actor/director Larry Fessenden has been a steady presence in filmmaking for several decades now. Whether appearing in other people’s projects (Bringing Out the Dead; Good Boy), writing them (Until Dawn), or making them himself (Wendigo; The ABCs of Death 2),… Read More ›
“Lurker” delves into the parasocial relationships of fame and fanatics.
Lurker is one of those rare films that lingers in your mind long after the credits roll. Much like The Surfer starring Nicolas Cage, which also dropped earlier this year, it’s a film that demands repeat viewings, not just for… Read More ›
“Resurrection” is the can’t-miss Criterion of the year.
“The day the world almost ended at 8 p.m., a tree fell down. No one heard it, but later I saw it.” – Andrew J. Eisenman No one knows what to do with the film spoken of as “Bi Gan’s… Read More ›
Oliver Hermanus’s “The History of Sound” comes available on physical formats via MUBI.
Music is a significant part of the oral tradition. Even if we lack words for our feelings or experiences, we can always chant, using the power of our lungs to vibrate our breath into song and story. This is why… Read More ›
Screenlife real-time techno thriller throws everything at you except what it needs: “Mercy.”
The insertion of artificial intelligence (A.I.) in storytelling used to be entirely science fiction in the same way that submersible technology (Twenty Thousand Leagues Under the Sea) or watch phones (Dick Tracy) were. Now, however, A.I. is being worked into… Read More ›
Johnnie To’s mixed-genre “Romancing in Thin Air” gets a first-time US and UK Blu-ray via Radiance Films.
When a storyteller — whether writer, director, actor, etc. — becomes known for something, they very often get pigeon-holed and face difficulty escaping that perception. People known for westerns do westerns, for action do action, for horror do horror, and… Read More ›
“We Bury the Dead” home release offers little incentive to purchase as it lacks special features.
We Bury the Dead features a strong central performance from Daisy Ridley (Ophelia), but, unfortunately, that standout performance is not enough to elevate a film weighed down by familiar genre problems and uneven storytelling. While Ridley brings emotional commitment and… Read More ›
Taratoa Stappard’s Māori gothic horror “Mārama” offers retribution and reclamation without making space for false righteousness. [The Overlook Film Festival]
“Kia whakatōmuri te haere whakamua (I walk backwards into the future with my eyes fixed on the past).” – A Māori proverb. There’s this strange belief coursing through some in the United States that European culture is being threatened by… Read More ›