Heist films come in all shapes, sizes, and flavors. There’s the family comedy (The Bad Guys (2022)), the musical drama (Baby Driver (2017)), the superhero action comedy (Ant-Man (2015)), the save-yourself drama (Widows (2018)), the zombie survival action drama (Peninsula… Read More ›
In Theaters
“House of Darkness” is fang-tastic.
Man, release dates are a total B-word. I mean, who would’ve thought there would be two retellings of a very famous, very prolific creature of the night coming out in the same year, let alone the same month, let alone… Read More ›
“Clerks III” is a near-perfect button for the entire View Askewniverse.
The creator of the View Askew Universe (or View Askewniverse), writer/director Kevin Smith, is as well-known for his indie movies as he is for his comic book writing, his podcasting, and his television directing. All of it is possible because… Read More ›
“Tiny Cinema” avoids the typical pitfalls of cinematic anthologies.
Anthologies either in television or in film deserve a special place in Hell, in my personal opinion. Now that is an incredibly bold statement, but if a story is being told and two thirds of it are fantastic, but then… Read More ›
“Burial” stitches historical facts to examine complex conflicts as factual today as they were in 1945.
Berlin 1945, in an underground bunker shielded from the war, the would-be world dictator took a coward’s way out and shot himself in the head rather than face his crimes. Sadly, this supposed example of masculinity and human superiority which… Read More ›
Depending on your expectations, “Three Thousand Years of Longing” will either leave you satisfied or pining.
No matter what, all things end. What remains in their wake are the stories of their existence. With those tales, anything can live forever. Before the written word, the oral tradition kept histories alive and, now, with media channels that… Read More ›
Choi Dong-hoon’s “Alienoid” is a nearly seamless anarchistic sci-fi action comedy that’ll have you impatient for “Part Two.”
Whether it lands with the general public or not, there’s nothing like a big swing in art, something that extends itself perhaps farther than it should go, never quite breaking its own rules as it bites off more than it… Read More ›
Documentarian April Wright’s latest project will having you looking to go “Back to the Drive-in.”
The first drive-in theater opened in June 1933 in Pennsauken, New Jersey. Since then, drive-ins, originally referred to as “park-in” theaters, popped up around the country, offering a unique cinematic experience that’s been immortalized in films like Grease (1978), The… Read More ›
Cat-and-mouse horror thriller “Orphan: First Kill” is another rip-roaring good time with one truly bad bitch.
Spoiler Warning: This review will quickly spoil the major twist revealed at the end of Orphan (2009), but not for Orphan: First Kill (2022) because I’m not a sadist. There’s something wrong with Esther, and it has been for much… Read More ›
Whatever you do, don’t “Fall.”
I am a man of multitudes. I love roller coasters and various other thrill rides, and the higher off the ground, the more excited I become. I also love flying and am glued to my window from the second we… Read More ›
Next time on Crunchyroll Movie Night: an old foe returns in “Dragon Ball Super: Super Hero.”
It’s fair to say that in the pantheon of manga-adapted anime series, Dragon Ball is among the greats. Starting as part of Shueisha’s “Weekly Shonen Jump” in 1983, creator Akira Toriyama’s series has taken on many iterations (Dragon Ball, Dragon… Read More ›
“Thirteen Lives” presents a scripted and altered version of the 2018 Tham Luang Cave rescue.
June 23rd, 2018: after a football practice, 12 teammates and their assistant coach decided to explore the nearby Tham Luang Cave in the Tham Luang – Khun Nam Namg Non Forest Park of Northern Thailand. Unexpectedly, a storm hit, flooding… Read More ›
“We Are Living Things” explores life and society through layered metaphors.
Whom among us hasn’t felt lost and alone, even in a crowded room of people? In some cases, the larger the environment, the smaller one may feel due to the vastness of it all. In that case, seeking connection to… Read More ›
Geller and Goldfine’s documentary “Hallelujah: Leonard Cohen, A Journey, A Song” is a study on art and appropriation.
When an artist creates something, they retain little control over what happens next. It could be received warmly, coolly, or not at all. In some instances, it can be taken, reformed, and found in its new incarnation. In recent memory,… Read More ›
“The Killer” slays. [Fantasia International Film Festival]
There’s a subgenre in film that features a very simple and comfortable setup: retired/reclusive individual meets a young individual, forms a bond (often reluctantly), young individual gets into trouble (usually kidnapped) causing the retired/reclusive individual to jump back into action…. Read More ›
Horror/thriller “Missing” lacks the suspense it needs to pack a punch. [Fantasia International Film Festival]
After a release in 2021, first-time feature director Shinzô Katayama’s (Mother, third assistant director) horror/thriller Missing (さがす) is having its North American premiere during Fantasia International Film Festival 2021. The concept of the film seeks to join the likes of… Read More ›
Det. Ma and the rest of the Major Crimes Unit return to catch criminals in the action comedy thriller “The Roundup.” [Fantasia International Film Festival]
Actor/writer/producer Don Lee, also known as Ma Dong-seok, has been making movies since 2005. He’s had roles in The Good the Bad the Weird (2008), Mother Vengeance (2012), a scene-stealing role in Train to Busan (2016), and, of course, the… Read More ›
Anachronistic musical fusion “Inu-Oh” adapts an old story to tell a very modern tale of artistic freedom and personal identity. [Fantasia International Film Festival]
One of the oldest storytelling conveyances is the oral tradition. Before we could write or read, we spoke and the sounds we made transfixed audiences, transporting them to times before their present. With the advent of the written-word, one might… Read More ›
Writer/director Andrew Semans’s psychological thriller “Resurrection” is a powerhouse of a film, holding the potential to devastate its audience.
There are a lot of things about parenthood that are kept from the general public. Most talk about the wonderful things that come from being a parent, like getting to see a first-time reaction to something or sharing an experience,… Read More ›
You’ve heard of the restaurant at the end of the world. How about the rest stop at the end of existence? It’s “Glorious.” [Fantasia International Film Festival]
There have been many films conceived, shot, and released since COVID-19 quarantines more or less stopped the world. Some of them put the virus front-and-center (The End of Us), while others used the period as an opportunity to tell a… Read More ›