In desperate, confounding times such as the times we’re living in today, the most arduous of questions begs itself to be pondered: What happens when the message of faith and hope can’t reach today’s generation of tomorrow’s future? Directors Jon… Read More ›
In Theaters
A particle-sized adventure leads to infinite possibilities in “Ant-Man and the Wasp: Quantumania.”
Content Warning: Photosensitive viewers may have trouble enjoying Quantumania as there are many sequences involving flashing lights. There are far more than I expected and, though I did leave the theater without a migraine, I did wake to one the… Read More ›
Although there have been “Sharper” thrillers, this one from A24 still makes for an engaging, entertaining watch.
Every thriller about confidence men (or women) usually has two questions poised against it: How is this film going to stay one step ahead of me, as the audience? Or, How is this film going to attempt to insult my… Read More ›
David Mesfin’s documentary “Wade in the Water” inspires audiences to dive deep into the lesser known history of African aquatic culture. [Santa Barbara International Film Festival]
When it comes to surfing and aquatic culture, where does your first thought go? Whom do you see? If you’re like this reviewer, you may think of Gidget (1959), Blue Hawaii (1961), Bikini Beach (1964), Point Break (1991), Blue Crush… Read More ›
“The Baby Daddy (ארי והזרע הקדוש)” avoids agenda in presenting a situation with many variations of consideration. [Santa Barbara International Film Festival]
Parenting is not for the weak. – Douglas Davidson, father of two. There’s a growing trend right now with birth rates in the U.S. dropping compared to previous generations. According to a March 2021 CDC report, as of 2019, birth… Read More ›
See Gaspar Noé’s “Irreversible (Irréversible)” restored in 2K and recut in chronological order in the brand-new “Straight Cut (Inversion Intégrale).”
Content warning: Irreversible contains extreme depictions of violence, rape, racism, homophobia, transphobia, misogyny, strobe effects, disorienting cinematography and soundtrack, and whatever else you can think of. If you could be negatively affected by something, it’s most likely on full display… Read More ›
Dr. Jenny Mackenzie’s “The Right to Read” offers striking evidence that all caregivers should consider and heed. [Santa Barbara International Film Festival]
Once you learn to read, you will be forever free. – Frederick Douglass Even before COVID-19 revealed to the public the struggles of education in a populace unwilling to put in the work to help their children learn, there existed… Read More ›
Come for the blood, stay for the sinister humor in “Consecration.”
Consecration is following in the footsteps of Watcher, Resurrection, and Skinamarink with IFC Films’s and Shudder’s distribution partnership, putting indie horror that would usually not get a chance for theatrical distribution out to the masses. Particularly with Skinamarink’s recent success… Read More ›
M. Night Shyamalan’s “Knock at the Cabin” is one you’ll want to answer.
Right before the pandemic really kicked off, I read Paul Tremblay’s The Cabin at the End of the World. It had been the hot new horror novel on the block a little while back and I figured it to be… Read More ›
The cinéma vérité approach of documentary “Sweetheart Deal” results in profound surprise, investment, and disgust. [Slamdance Film Festival]
Content Warning: The documentary explores drug use and addiction and the narrative involves sexual assault. For at least 10 years, Laughn Elliott Doescher presided over Seattle, Washington, living in an RV and providing support of various kinds of the sex… Read More ›
True crime adaptation “American Murderer” raises the kinds of questions even justice may not answer.
No matter how close we are to someone, they’ll never truly know us. We can get close, sharing secrets others don’t know or confiding intrusive thoughts we might otherwise not, but without an actual mindmeld, it’s impossible for someone to… Read More ›
Family rom-com “Aliens Abducted My Parents and Now I Feel Kinda Left Out” is a tale for the lost and not-yet-found. [Sundance Film Festival]
Whether young adult or full grown, rom-coms tend to follow a similar track. The characters are on different trajectories, there’s a meet-cute, they find themselves drawn to each other, and then there’s conflict. Perhaps it was a conflict the audience… Read More ›
Eroticism is in the details in Patricia Ortega’s “Mamacruz.” [Sundance Film Festival]
When director Patricia Ortega found a revealing picture of her mother as a young woman, scantily clad in an open bathrobe, she didn’t recoil in embarrassment. She made a movie about it. Ortega was surprised by such a blatant display… Read More ›
Axel Danielson and Maximilien Van Aertryck’s doc “And the king said, what a Fantastic Machine” will get you thinking about the relationship you possess with your camera. [Sundance Film Festival]
Part historical revue, part sociological examination, co-directors Axel Danielson (Kneg) and Maximilien Van Aertryck’s (Kneg) documentary And the king said, what a Fantastic Machine (also referred to simply as Fantastic Machine), premiering at Sundance Film Festival 2023, takes the audience… Read More ›
“The Underbug“ sparks conversations that will last long past the 68-minute runtime. [Slamdance Film Festival]
The COVID pandemic has forever changed the landscape of our world, effecting everything from religion and politics to visits to the local grocer. During the early days there was an overwhelming sense of dread due to the unseen force that… Read More ›
Director Jacqueline Castel explores the torment that comes without self-love in horror-romance “My Animal.” [Sundance Film Festival]
For some reason, despite its longevity in the realm of storytelling (not just cinema), horror is often pushed to the sidelines in the hallowed halls of critical praise in favor of dramas, comedies, thrillers, or traditional action-oriented narratives. Even though… Read More ›
Documentarian Paula Eiselt’s “Under G-d” explores interfaith opposition to abortion bans. [Sundance Film Festival]
Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government… Read More ›
Performances from Joanna Scanlan and Nathalie Richard linger well “After Love” completes.
This is going to sound rather silly, but it has merit so please bear with me as I explain my logic and theory behind it. Non-American television and movies are typically better than American (US/Canadian) product. That is not to… Read More ›
Sex positive, hilarious, and kind, Mike Donahue’s short film “Troy” explores the social contract of neighbors. [Sundance Film Festival]
There’s a trope in storytelling about the nosey neighbor, the one who’s always at their window or peephole, lurking around, trying to know everything about everyone all the time. This person who folks don’t like because they are forcing themselves… Read More ›
The “New Gods” cinematic universe expands with the visually stunning “Yang Jian.”
Animation studio Light Chaser Animation has released seven films with ones most likely known in North America being White Snake (2019), New Gods: Nezha Reborn (2021), and Green Snake (2021), the latter two likely because of their accessibility on Netflix…. Read More ›