Two prisoners. Two different pasts. One love story that keeps them going. Set within the Brazilian military dictatorship, Héctor Babenco’s 1985 film Kiss of the Spider Woman (adapted by Leonard Schrader, based on Manuel Pieg’s 1976 novel) is about two… Read More ›
Life is like a dyad-god, both finite and infinite. Your life is finite because it ends, but Life goes on regardless of how you live yours. Few things narrow as quickly as the infinite possibilities of a newborn’s life, except… Read More ›
If you’ve never seen a Jonathan Glazer film before, his second feature may be his most accessible in terms of content and execution. Birth (2004) is weird and unsettling, but not in the same ways as Under the Skin (2013)… Read More ›
Director Derek Cianfrance is a filmmaker who is near and dear to my heart. His 2013 film The Place Beyond the Pines hit me on a deep emotional level with its themes of fatherhood and legacy. Even with its heavier… Read More ›
“All my memories are movies.” – George Clooney as Jay Kelly in Jay Kelly (2025). As a child born on the cusp of 1981, I reside firmly on line between Gen X and Millennial, meaning that I can remember a… Read More ›
Cinema borrowing from folktales is a natural fit given that folktales often elevate figures or events and cinema does this innately through projection. Who wouldn’t want to see the figures or events of lore cast upon a 40-foot screen or… Read More ›
There are movies you read the title for and think it’s something from Tropic Thunder (2008) (meaning a fake movie or a movie within another movie) and not something that could possibly exist. Then there are movies like Movie 43… Read More ›
Filmmaker Jim Jarmusch has built an indie career leaning into his eccentricities and mixing his artistic sensibilities. It’s how we get the zombie apocalypse comedy The Dead Don’t Die (2019), the melancholic vampiric love story Only Lovers Left Alive (2013),… Read More ›
The year was 2005, the summer was sweltering with sequels (Pirates of the Caribbean 3, X-Men 3, Mission: Impossible 3, Fast and Furious: Tokyo Drift), new superhero movies (Superman Returns), family fair (Over the Hedge, The Devil Wears Prada, Monster… Read More ›
The only feeling better for a cinephile in learning that a film you dig or never got the chance to see is getting a physical release is learning that said film that’s out of print or region locked is getting… Read More ›
When the name “Steven Seagal” is spoken in Tinseltown nowadays, it’s probably met with a few grunts and eyerolls. When the name is said among B-movie action fans, it’s probably met with a few chuckles and recanting of obscure lines… Read More ›
Back in early 2025, I saw a 35 mm print of Minority Report and it was my first time revisiting the film in probably a decade. To say it is forgotten how absolutely sublime the movie is, how wrong it… Read More ›
Boom, baby. WRONG LEVER! The poison. The poison. The poison for Kuzco, the poison chosen especially to kill Kuzco, Kuzco’s poison. Llama face! Why do we even *have* that lever? Beware the Groove…Squeaker, squeak, squeak, squeakin’. These are just a… Read More ›
The video transfer of Boogie Nights doesn’t exactly scream top-tier 4K. In fact, at times it looks closer to an upscaled DVD than a true high-end restoration, which is more than a little disappointing for one of Paul Thomas Anderson’s… Read More ›
“I think all of us tend to act a lot, David. That we perform more than we think we do.” – Female Cashier (Phoebe Waller-Bridge) in A Big Bold Beautiful Journey In all three of filmmaker Kogonada’s feature films, a… Read More ›
At the end of Wes Craven’s legendary 1996 horror film Scream, after Stu Macher and Billy Loomis are revealed to be the killers, Stu tells Sidney Prescott, “Everybody dies, but us, we get to carry on and plan the sequel!… Read More ›
One can never really know the impact something can have until well after a moment in time has passed. Considering the stories shared by the creative team behind Tim Burton’s feature film debut, Pee-wee’s Big Adventure, in the featurette “I… Read More ›
In the beginning of Alex Braverman’s documentary Thank You Very Much, there is a clip of performance artist/comedian Andy Kaufman stating how we would make a film: he would start with the climax, show the title “The End,” show a… Read More ›
There is a ton of history behind Nosferatu and Dracula, from the 100-year-old classic and Bram Stoker to Robert Eggers, Robin Bextor’s new documentary focuses on everything from the legacy Nosferatu has created to the challenges the movie faced at… Read More ›
Mira Nair’s first narrative feature, the Indian Hindi-language drama Salaam Bombay!, is as much a documentary as it is a narrative of Bombay’s (now Mumbai’s) loud and chaotic street life. Even though its story and characters are crafted by Nair… Read More ›