Ignored upon initial release and later championed by supporters like director Martin Scorsese (Cape Fear) and rock artist Nick Cave, Ted Kotcheff’s 1971 Australian horror film Wake in Fright arrives on Blu-ray courtesy of Arrow Video. Before he gifted the… Read More ›
The year is 2006, and audiences have noticed Adam Sandler is trying to do more than just his usual brand of comedy, branching into projects like Punch-Drunk Love (2002), Spanglish (2004), and, to an extent, Big Daddy (1999). So when… Read More ›
Writer/director Kirill Sokolov made the leap from shorts to features with the 2018 darkly comic actioner Why Don’t You Just Die! in which an idiot is convinced by his girlfriend to kill her police detective father. A spin on several… Read More ›
The Blu-ray release of White Palace from Mill Creek Entertainment’s Retro VHS/Rewind Collection offers us a hidden gem within a fascinating point in the filmographies of James Spader (Secretary) and Susan Sarandon (Bull Durham). Spader was coming off a string of memorable performances… Read More ›
Lav Diaz (Venice 70: Future Reloaded), a director proclaimed as a strong practitioner of slow cinema, decided that, for his next film, he would bring his visual, hypnotic talents to the life of a legendary explorer. Part of The Criterion… Read More ›
It begins as it always does: someone alone receives a menacing phone call, has their life threatened, and then ends up on the wrong end of a blade held by a killer wearing a Ghostface mask. By the third entry… Read More ›
It’s not unusual for an actor to write and direct, a director to write and act, or some other configuration of the three (and sometimes all at once on the same project). Being versatile not only permits someone to find… Read More ›
Putting together a masterwork of Spielberg’s biggest hits and career-defining moments, and boiling it down to eight films, feels ripe for interpretation and taste. The Spielberg Collection, in particular, was produced in partnership with Paramount Home Entertainment and Sony Pictures… Read More ›
One of the earliest Criterion films, spine #57, Stanley Donen’s Charade (1963), is finally is getting a 4K upgrade and has never looked better. While we will go in depth on how this new 4K restoration looks, special features, and… Read More ›
Eleanor Coppola, Polly Platt (The Last Picture Show; Targets), and Marsha Lucas (Taxi Driver; Star Wars), the Producer Wives of New Hollywood, were members of a generation of artists whose levels of talent we have not seen repeated until recently… Read More ›
I like Saturday Night Live, but I wouldn’t say I’m a die-hard fan by any stretch. However, it is an enjoyable program and I do try to watch it as much as I can when the host and/or musical guest… Read More ›
“There’s a beguiling and magnetic mood. There’s so much darkness, and there’s so much room to dream. They’re mysteries”, and there are people in trouble, and uneasiness”. This fitting quote from David Lynch is printed in bold green lettering on… Read More ›
“Funny thing is, you’re about 10 times more likely to get killed by a falling airplane-part than by a shark.” -Gi in Captain Planet and the Planeteers Things could be simpler if we wanted them to be. Folks could have… Read More ›
Since its release at the 2025 Sundance Film Festival, Dylan O’Brien’s film Twinless has been a topic of conversation. That conversation involves a celebration of the performances and of the narrative’s numerous twists and turns. With a film this surprising,… Read More ›
Ready or Not 2: Here I Come is an exceptional exercise in crafting a worthy horror sequel, something that has become increasingly difficult in a genre oversaturated with reboots and lifeless follow-ups. Much like the original film, this sequel understands exactly… Read More ›
When the early word out of SXSW 2025 was that the movie was one of the most insane things Matt has ever done, I never expected to be this infatuated with a piece of IP. I’ve been a fan of… Read More ›
Photosensitivity Warning: There are three instances of powerful strobing/flashing lights that may trigger a painful response in audiences: two shortly after the title card appears and one in the climatic sequence of the film. A sadistic sorcerer. An existential hitman…. Read More ›
There are some films which come together and seem like a slam dunk yet fail to connect with audiences, while others are this mysterious combination of magic that, against all odds, finds its way both into audience’s hearts but also… Read More ›
In Islamic scripture, the word “Sirāt” means a bridge or pathway that connects paradise and hell that only the righteous can cross. In the opening credits of director Oliver Laxe’s (Mimosas; Fire Will Come) film Sirāt, he tells us that… Read More ›
There are those among us who proudly describe themselves as “Amblin kids.” Sure, it’s a descriptor I’ve just made up, but if you grew up in the era of E.T. the Extra-Terrestrial (1982), Gremlins (1984), The Goonies (1985), Back to… Read More ›