According to the 2021 TIFF Q&A with Silent Night writer/director Camille Griffin and cast members Keira Knightly (Atonement), Matthew Goode (The King’s Man), and Roman Griffin Davis (Jojo Rabbit), their film was one of the last to wrap production in… Read More ›
If you dig the cast chemistry of “The 355,” the home release bonus features will only make you appreciate it more.
January has a bad wrap when it comes to movie releases, considered by most to be a dumping ground for films that studios or distributors don’t think have a chance. January gave us BELLE (2022), PG: Psycho Goreman (2021), Derek… Read More ›
If you’re going to walk the “The Green Mile,” the 4K UHD remaster makes the bittersweet prison drama a visual treat.
Prison movies come in a variety of flavors. There’re comedies like the various incarnations of The Longest Yard, science fiction horror like 1992’s Alien³, action like 2013’s Escape Plan, and dramas like 2001’s The Last Castle. If I had to… Read More ›
Matthew Vaughn’s lengthy spy drama “The King’s Man” brings with it equally lengthy bonus features on its home release.
Writer/director Matthew Vaughn is a name synonymous with hyper-violence and comedy thanks to projects like Kick-Ass (2010) and The Kingsman series, but he’s also responsible for writing/directing Stardust (2007) and X-Men: First Class (2011), as well as the script for… Read More ›
If you’ve been itching to “Escape from L.A.,” wait a little longer before jumping on this 4K release.
How we come to something often defines how we receive it. It’s why a piece of art may hit you differently at alternate points in your life, whether due to your emotional mindset, a shift in perspective, or even the… Read More ›
A house divided: As various viewpoints fight for dominance in “House of Gucci,” Lady Gaga’s immersive performance is lost in the shuffle.
Money. Family. Power. Betrayal. Scandal. Murder. When the trailer for House of Gucci dropped in the summer of 2021, it promised all this and more. The ambitious film was set to bring one of the most infamous scandals in the… Read More ›
With the fall of the United Socialist Soviet Republic (U.S.S.R.) in 1990, there was a surge of Jewish immigrants fleeing for other countries. My hometown of Roanoke, Virginia, was one such place where my temple welcomed many new families and… Read More ›
10 years ago, writer/director Rian Johnson wasn’t known as the divisive director of Star Wars: The Last Jedi (2017), he was a still new entity with only two features under his belt: Brick (2005) and The Brothers Bloom (2008). Then… Read More ›
Biopics can occasionally be divisive in their presentation of their subjects. If one leans too hard into realism but fudges details, the whole story can be treated as a pariah. On the same token, if you set up your rules… Read More ›
Embark on a journey of the past and present via Questlove’s award-winning doc “Summer of Soul,” now available on home video.
Ahmir “Questlove” Thompson is one of the premier music-makers of his generation. Before he and the other members of The Roots were the in-house band for The Tonight Show with Jimmy Fallon, he’d developed a career with and without The… Read More ›
Some movies are like perfect time capsules of a moment. It could be their fashion, their music, their cast, anything which exemplifies the time in which it was made. For children of the ‘70s and ‘80s, that film is Penelope… Read More ›
Explore the technical marvels that brought “Last Night in Soho” to life via copious home video bonus features.
2021 was a pretty good year for writer/director Edgar Wright. After taking a three-year break between projects, the Baby Driver (2017) creator brought the award-winning documentary The Sparks Brothers (2021) and supernatural thriller Last Night in Soho (2021) to theaters…. Read More ›
Tour the home release of “Resident Evil: Welcome to Raccoon City” through the lens of a franchise fan.
Listen, I was there in the era between Resident Evil 5 and Resident Evil 7: Biohazard. We were truly out here in the trenches as fans. You think you can hurt me? I bought Resident Evil: The Mercenaries 3D on… Read More ›
“Ghostbusters: Afterlife” closes loops and sets up the next generation who are ready to believe you.
Each of us has a window of time in our mind that tells us how long is appropriate between films, sequels specifically. Release one too soon and you run the risk of the new film being too heavily compared to… Read More ›
Altered Innocence’s 4K restoration of Spanish horror “Arrebato (Rapture)” highlights how its DNA is strewn across all genres, all nations, to a multitude of filmmakers.
Inspiration is found everywhere. Even the best filmmakers have inspirations that they imbue into their own work, using the work that made them into the filmmakers they are today in smart, reverential ways. Sure, occasionally things can get heavy-handed and… Read More ›
After 10 years of blockbusters which all led to the box office-shattering Avengers: Endgame (2019), Marvel Studios had two major choices: go bigger or rebuild. In that rebuilding is an opportunity to start fresh and, for the most part, they… Read More ›
Arrow Video restores Yasuzô Masumura’s anti-war film “赤い天使 (Red Angel)” into a nice updated package for the world to enjoy.
With its opening shots of war-torn landscapes, skulls absent flesh and sinew, and other indicators of lifelessness, Yasuzô Masumura’s 赤い天使 (Red Angel) is quickly determined to be anti-war, the bleakness on display never softening from the beginning to the ending…. Read More ›
Director/co-writer Ryoo Seung-wan’s 16th film and South Korea’s submission for the 94th Academy Awards, Escape from Mogadishu, is a reconstruction of events during the Somali Civil War (currently still on-going). It’s a film which didn’t make the shortlist of nominees… Read More ›
Evil dies tonight! Evil dies tonight! This is the chant started by Tommy Doyle (Anthony Michael Hall) as he rallies together the scared townspeople of Haddonfield to take the fight to serial killer Michael Myers (Airon Armstrong/Nick Castle/James Jude Courtney)…. Read More ›
The bonus features accompanying Denis Villeneuve’s “Dune: Part One” delight longtime fans while enriching the experience of the novice.
There are some works of science fiction that never seem to let go once they get their grasp on society. William Gibson’s Neuromancer was published in 1984, but it still felt just as vital and prescient when I read it… Read More ›