Have you heard of writer/director Nacho Vigalondo? If you haven’t, you’re truly missing out. While he’s certainly not new to the scene, he has cemented himself as a force to be reckoned with when it comes to weird, insane, crazy… Read More ›
XYZ Films
Get into the down and dirty of filmmaking on your own budget with the bounty of bonus features within “The Last Stop in Yuma County” on home video.
It’s no small feat and an incredible gamble to make a film. It requires a team of creatives working tirelessly toward the same goal, forced to confront their limitations and turn them into opportunities at every step. In the case… Read More ›
A Conversation with “Things Will Be Different” writer/director Michael Felker and actors Riley Dandy and Adam David Thompson. [Chattanooga Film Festival]
EoM Senior Interviewer Thomas Manning recently sat down with writer and director Michael Felker and actors Riley Dandy and Adam David Thompson to talk about their sci-fi drama Things Will Be Different, an official selection of the 2024 Chattanooga Film… Read More ›
A Conversation with “New Life” actors Hayley Erin and Sonya Walger.
In this edition of EoM Presents, Senior Interviewer Thomas Manning sits down with Hayley Erin and Sonya Walger, the stars of the thriller film New Life, directed by John Rosman. Erin and Walger speak about the directorial vision of Rosman,… Read More ›
Caitlin Cronenberg’s “Humane” mixes the battle royale genre with a reverse whodunnit, creating an uncomfortably real-feeling fictional future.
The word on everyone’s lips in the entertainment industry these days is “nepotism,” and in turn, the term “nepo baby,” used to describe those with immense parental connections within the industry which give them a springboard into their own careers,… Read More ›
Filmmaker Michael Felker’s sci-fi thriller “Things Will Be Different” shakes up the time travel genre for the better. [SXSW]
There’s the world we know — the one we can see, hear, smell, and touch — and there is the world in between. It exists around us, within the spaces within spaces. Overlapping and overlapping, like a Venn diagram wherein… Read More ›
Gareth Evans’s crime actioner “The Raid: Redemption” receives a 4K UHD remaster inside a limited edition steelbook.
Before Expend4bles (2023) set him up to take on aged action stars, before Warrior (2019-2023) made him a villain, before audiences worldwide connected with the violent thrill of Indonesian martial arts in cinema, actors Iko Uwasis and Joe Taslim starred… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
A Conversation with “The Last Stop in Yuma County” writer/director Francis Galluppi. [Fantastic Fest]
EoM Senior Interviewer Thomas Manning recently spoke with writer and director Francis Galluppi about his directorial debut, The Last Stop in Yuma County. A selection for Fantastic Fest 2023, this western flick stars the likes of Jim Cummings, Jocelin Donahue,… Read More ›
Writer/director Francis Galluppi’s feature-length directorial debut “The Last Stop in Yuma County” is like a poker hand where everything remains uncertain even after the river. [Fantastic Fest]
Some days it doesn’t matter what you do, your fate is sealed before you’ve even woken up. On those days, you ride it out to the best of your ability, holding on tight to the proverbial wheel is one option… Read More ›
“Megalomaniac” tells an over-played story in the most violent way possible.
Content warning: I’m not even going to list the triggers that Megalomaniac touches upon so extremely. Basically, if you have a content trigger of any kind, Megalomaniac probably exploits it for you. I can’t say I actually have any, but… Read More ›
EoM Presents: A Conversation with “God is a Bullet” producer Michael Mendelsohn.
EoM Senior Interviewer Thomas Manning recently sat down with God is a Bullet producer Michael Mendelsohn to talk about his work on the Nick Cassavetes-directed film, including the adaptation process for this project based on the novel by Boston Teran. Mendelsohn… Read More ›
John Rosman’s directorial debut “New Life” explores all the angles of the phrase in his engaging thriller. [Fantasia International Film Festival]
It is entirely human to draw fear from the unknown. How does one plan for it? Prepare for it? Is it the loss of control or autonomy that one fears? Or is it something else entirely? When we look into… Read More ›
Can we still live with ourselves when “Vincent Must Die (Vincent doit mourir).” [Fantasia International Film Festival]
Despite all my rage, I am still just a rat in a cage… “Butter with Butterfly Wings,” The Smashing Pumpkins There are terms and conditions within a society that we all agree to, whether consciously or not. This social contract… Read More ›
“Restore Point” offers a thrilling ride even along a predictable path. [Fantasia International Film Festival]
One of the great things about science fiction stories is the way audiences can jump past an infraction point in society — all the failures, all the arguing, all the attempts at restoration — and explore a world that’s seemingly… Read More ›
Teresa Sutherland’s directorial debut, “Lovely, Dark, and Deep,” speaks to humanity’s quest for answers as they rage against the unknown. [Fantasia International Film Festival]
“The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.” – The final stanza of Robert Frost’s Stopping by Woods on a Snowy… Read More ›
“Stay Online” pulls the audience into a personal battle set during a current war and pins you down. [Fantasia International Film Festival]
Trigger Warning: A newsreel montage near the beginning includes footage of wartime incidents, including the dead and wounded. We are a world on the brink of a third global war all because of pride and greed. For nearly 10 years,… Read More ›
Director Philip Barantini’s latest social-cultural dramatic thriller leaves us all “Accused.” [The Overlook Film Festival]
It used to be that when something horrible happened, citizenry had to wait for official word before they knew what was going on. This meant that their imaginations could run wild with speculation, their worst fears, their most depraved visualization,… Read More ›
“Godless: The Eastfield Exorcism” will swallow your soul. [The Overlook Film Festival]
There is something that is truly horrifying about exorcisms and it usually is the horrors behind them. Something about being possessed by an entity is just something that makes my skin personally crawl, and seeing the more modern versions and… Read More ›
Director Jacqueline Castel explores the torment that comes without self-love in horror-romance “My Animal.” [Sundance Film Festival]
For some reason, despite its longevity in the realm of storytelling (not just cinema), horror is often pushed to the sidelines in the hallowed halls of critical praise in favor of dramas, comedies, thrillers, or traditional action-oriented narratives. Even though… Read More ›