There is something that is truly horrifying about exorcisms and it usually is the horrors behind them. Something about being possessed by an entity is just something that makes my skin personally crawl, and seeing the more modern versions and… Read More ›
For some reason, despite its longevity in the realm of storytelling (not just cinema), horror is often pushed to the sidelines in the hallowed halls of critical praise in favor of dramas, comedies, thrillers, or traditional action-oriented narratives. Even though… Read More ›
If you could clone yourself, would you? For some, the answer is “yes” because their mind goes to all the things that they dislike doing which they could put off on their clone — your errands, your job, maybe the… Read More ›
When you get together with old friends, one of two things can happen: you realize that you’ve grown apart or you click together like no time passed. Both are beautiful and tragic in their own way, but it seems safer… Read More ›
**Trigger Warning: Next Exit explores concepts of life and death, which involves discussion/examination of self-harm, suicidal ideation, and euthanasia.** “On this bridge,” Lorca warns, “life is not a dream. Beware. And beware. And beware.” And so many think because Then… Read More ›
Addison Heimann deals with the ghosts in his past by bringing them to light, inviting scrutiny from whoever chooses to open the Pandora’s box that is Hypochondriac. While few directors probably choose to enter the game with an exposé into… Read More ›
We’ve all had our experiences with bullies. Some more than others, certainly, but looking back on the pitfalls of adolescence in the light of adulthood, there’s always that nagging voice in the back of your head telling you “If you… Read More ›
EoM contributor Lindsey Dunn speaks with Addison Heimann and Zach Villa, the director/writer and star of Hypochondriac. Heimann speaks frankly about the events in his life that inspired the movie and why he decided to detour from comedy for his… Read More ›
I love me a good period horror film, and I particularly love those set on the American frontier, and while Ghosts of the Ozarks isn’t *technically* frontier territory, there was a down-home charm the trailer gave off that made me… Read More ›
Last at Sundance with his short The Cub (2013), writer/director Riley Stearns is back and brought his new feature film Dual which is, at a glance, a science fiction film in which a woman faced with losing her life must… Read More ›
If I’ve said it once, I’ve said it countless times: revisiting a film is always bound to reveal something new. We have to be willing — correction — open to that newness because, whether a film is a longtime favorite… Read More ›
There are some films that are so wild that once seen, cannot be forgotten. Such is the case with Sion Sono’s first English-language film, Prisoners of the Ghostland, which premiered at the 2021 Sundance Film Festival. It’s a wild mix of… Read More ›
Tell me if you’ve heard this one before: a group of outcasts finds themselves at the center of a prophecy that holds the fate of the world in its hands. In brief, that’s the summary for Eric McEver’s (A Utopia)… Read More ›
Between 1978 – 1990, a series of brutal murders were committed by Russian serial killer Andrei Chikatilo, totaling more than 50 women and children before he was captured, convicted, and executed via firing-squad. This absolute horror serves as the narrative… Read More ›
The list of Yakuza-centric films runs the gamut from dramas like Lost Girls & Love Hotels (2020) to martial arts films like Chocolate (2008) to science-fiction horror like Versus (2000) to straight up thrillers like Black Rain (1989). What the… Read More ›
You don’t necessarily need complex characters or ingenious plot twists to write an engaging story. With strong imagery and a clear, palpable tone that physically affects your audience, you can transform the most overdone plot into a memorable tale. Writer/director… Read More ›
Martial arts films hold a special place in cinema. Whether it’s the swirling wonder of wuxia or a straight-forward bare-knuckle brawler, the Asian import captured the imagination in the 1970s – 1980s and has yet to loosen its hold on… Read More ›
A nameless stranger. A damsel in distress. A suicide mission that no one but the best can handle. These three requirements appear in countless stories, from gunslinger westerns of the East to the samurai tales of the West, each possessing… Read More ›
The theatrical release of creative team Aaron Moorhead and Justin Benson’s Synchronic did not go exactly as either had hoped. Though it did receive a rollout via traditional and drive-in theaters, Moorhead, Benson, and producer David Lawson implored audiences to… Read More ›
If you’ve seen The Endless, Spring, or Resolution, then you understand exactly what creative team Aaron Moorhead and Justin Benson are capable of. Due to the pandemic, you may have missed their latest project, Synchronic, when it hit select theaters in Fall 2020,… Read More ›