No one knows the name BT Meza, but after his feature debut, which he wrote and directed, everyone is going to have some Affection for him. The film is an unsettling nightmare that no one ever wants to experience. Whenever… Read More ›
thriller
Sam Raimi’s survival horror comedy battle of the sexes “Send Help” is now available to watch at home.
A recent report by the Economic Policy Institute shows that the gender wage gap has increased in the past year. On average, women are paid 18.6% less than men. In addition, protections meant to enforce equal employment and prevent discrimination… Read More ›
“Flush” is an entertaining comedy thriller for those who can stomach it. [The Overlook Film Festival]
There is something about potty humor and potty horror that, if done right, works, and if it misses it by the slightest of margins, it becomes something irredeemable. Somehow, director Grégory Morin (Ultimate Zombie Feast) and screenwriter David Neiss (Noir… Read More ›
Just a “Normal” nefariously good time. [The Overlook Film Festival]
“Yea, and if some god shall wreck me in the wine-dark deep, even so I will endure… For already have I suffered full much, and much have I toiled in perils of waves and war. Let this be added to… Read More ›
“We Bury the Dead” home release offers little incentive to purchase as it lacks special features.
We Bury the Dead features a strong central performance from Daisy Ridley (Ophelia), but, unfortunately, that standout performance is not enough to elevate a film weighed down by familiar genre problems and uneven storytelling. While Ridley brings emotional commitment and… Read More ›
“The Good Shepherd” Blu-ray release is better left to pasture.
The Good Shepherd follows a young, dedicated, and occasionally merciless fictional CIA agent named Edward Wilson (Matt Damon). Tracking his early years at Yale in the secret Skull and Bones society to the failed Bay of Pigs invasion, the film… Read More ›
Head back to 1987 with Paul Michael Glaser’s “The Running Man” on Blu-ray.
Most folks know a dystopia when they see one. It’s not all Escape from New York (1991), Mad Max: Fury Road (2015), or The Hunger Games (2012); sometimes it looks exactly like your regular life does just with more distinct… Read More ›
“The Yeti” brings perfect creature feature excitement and personality for an entertaining venture.
The Yeti feels like a lost midnight movie discovered in a vault and somehow rebuilt for modern audiences without losing any of the raw, unpredictable energy that made grindhouse creature features so memorable in the first place. It plays like… Read More ›
Caleb Phillips’s sci-fi thriller “Imposters” demonstrates the cost of living an inauthentic life. [SXSW]
“Victims; aren’t we all?” – Eric Draven (Brandon Lee) in The Crow (1990) The beauty and horror of life is that there’re many different ways to look at a situation. Because of this, whether it’s a massive life event or… Read More ›
A Conversation with “The Yeti” filmmakers Gene Gallerano and William Pisciotta.
Co-directors/co-writers Gene Gallerano and William Pisciotta join EoM Contributor Joel Winstead for a brand-new episode of EoM Presents to discuss their creature feature The Yeti, a film the filmmakers refer to as “The Revenant in a box.” In this brief… Read More ›
Takashi Miike’s sports drama “Blazing Fists” is ready to enter the ring at home.
Everything you have in this life is because of where you started. Some people have a leg up by being born into a wealthy family (and can afford to get bailed out time and again), while others struggle to afford… Read More ›
“Mallory’s Ghost” fails to take full form past the trope of a haunting past. [SXSW]
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
“Forbidden Fruits” tempts and delivers on thrills, comedy, and horror.
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
Meta thriller “And Her Body Was Never Found” is not #relationshipgoals, but it is a dynamic and cruel feature film directorial debut. [SXSW]
“L’enfer, c’est les autres.” – Jean-Paul Sartre in No Exit. Making movies is a large endeavor. Outside of the requirement for a creative idea, you also need the time to cultivate it, the financing to fund it, and the team… Read More ›
“DRAGN” Digital Code Giveaway
Since the age of machines, horror stories have found various ways to incorporate them into our nightmares. Did the toaster become sentient? Is our relaxing trip to the local galleria about to turn into a chopping mall? Is that Furby… Read More ›
Horror comedy adaptation “Over Your Dead Body” has legs thanks to a very game cast and is elevated by devastating stunt work. [SXSW]
“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›
Maya Annik Bedward’s “Black Zombie” is a strong piece in the restoration of dignity to Black and Vodou cultures criminalized by media representation. [SXSW]
Zombies are everywhere. They’re on your television set, in your movie theaters, in your comics, in your novels, in your video games, and, yes, even in Minecraft nerdcore tunes. Why? What’s the obsession with zombies and where did they come… Read More ›
Depression lies and Peter Warren’s directorial debut “Kill Me” might, too. [SXSW]
Trigger Warning: Kill Me features explorations of mental health and suicidal ideation, as well as depictions of attempted suicide that may be difficult for sensitive viewers. If you or someone you know is struggling with suicidal ideation (active or passive),… Read More ›
Comedic horror thriller “Ugly Cry” explores the drive to obtain the unobtainable. [SXSW]
Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›
It’s showtime anytime with “Five Nights at Freddy’s 2” on home video.
Since Scott Cawthorn’s horror survival game Five Nights at Freddy’s (FNaF) released in 2011, a fan base has arisen around the murderous animatronics and the new security guards whom try to make it through their shifts. Including the initial outing,… Read More ›