Co-directors/co-writers Gene Gallerano and William Pisciotta join EoM Contributor Joel Winstead for a brand-new episode of EoM Presents to discuss their creature feature The Yeti, a film the filmmakers refer to as “The Revenant in a box.” In this brief… Read More ›
Everything you have in this life is because of where you started. Some people have a leg up by being born into a wealthy family (and can afford to get bailed out time and again), while others struggle to afford… Read More ›
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
“L’enfer, c’est les autres.” – Jean-Paul Sartre in No Exit. Making movies is a large endeavor. Outside of the requirement for a creative idea, you also need the time to cultivate it, the financing to fund it, and the team… Read More ›
Since the age of machines, horror stories have found various ways to incorporate them into our nightmares. Did the toaster become sentient? Is our relaxing trip to the local galleria about to turn into a chopping mall? Is that Furby… Read More ›
“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›
Zombies are everywhere. They’re on your television set, in your movie theaters, in your comics, in your novels, in your video games, and, yes, even in Minecraft nerdcore tunes. Why? What’s the obsession with zombies and where did they come… Read More ›
Trigger Warning: Kill Me features explorations of mental health and suicidal ideation, as well as depictions of attempted suicide that may be difficult for sensitive viewers. If you or someone you know is struggling with suicidal ideation (active or passive),… Read More ›
Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›
Since Scott Cawthorn’s horror survival game Five Nights at Freddy’s (FNaF) released in 2011, a fan base has arisen around the murderous animatronics and the new security guards whom try to make it through their shifts. Including the initial outing,… Read More ›
Back in October of 2024 (what feels like a century ago now), audiences had their first look at a 4K of Friday the 13th Part 2 in the Paramount Scares Vol. 2 box set, so we will dive deeper into… Read More ›
Suspect is definitely a product of the 1980s and, in some ways, that’s part of its charm. The film boasts an impressive cast led by Cher (Moonstruck), Dennis Quaid (The Substance), and a very committed Liam Neeson (The Naked Gun),… Read More ›
There are some filmmakers for whom audiences will show up simply by their name being attached to a project. Universal Pictures has turned the latest Christopher Nolan film, The Odyssey, into an event by selling tickets a year in advance… Read More ›
In this Meet me at the Movies/Screen Scene spotlight interview, Noel T. Manning II talks with Oscar nominee Wagner Moura about his acclaimed performance as Marcelo/Armando in The Secret Agent. Moura discusses the atmospheric impact of this 1970’s infused international… Read More ›
Crime and comedy often go hand-in-hand due to the ridiculousness of a given situation. Watching two high-octane cars pull a massive safe through the streets of Rio? Hilarious. Betting as to whether Yen (Qin Shaobo) shorts it? Gold. Declaring that… Read More ›
Prior to 2024, Oz Perkins was a somewhat niche indie filmmaker who had already built a nice little fanbase thanks to his early films The Blackcoat’s Daughter (2015), which follows a young girl who may or may not be possessed… Read More ›
While it’s safe to presume that political ideologies have often led to disagreements and hard lines between classmates, colleagues, and family members to the point that countless stories will feature “black sheep” liberal relatives in conservative families or conservative characters… Read More ›
It feels safe to say that capitalism had a solid run, but needs to step down. At this point, there’s nothing in this world that doesn’t feel commodified to the point that ethical consumption, let alone ethical existence, is an… Read More ›
We’re only slightly over a month into 2026 and it has already been a *rough* year for video game adaptations. First we had Return to Silent Hill, which our very own EoM Senior Critic Hunter Heilman, fan of the franchise,… Read More ›