1996’s Twister, starring Bill Paxton (Near Dark; Weird Science) and Helen Hunt (As Good As It Gets), holds a place of nostalgia for many. That film has resonated with viewers, making it something they have continuously returned to years later…. Read More ›
thriller
Dramatic thriller “Captain Phillips” gets a limited edition 4K UHD steelbook release from Sony Pictures.
Films based on true events often have a way of dramatizing or exaggerating things for the sake of cinema. It’s a different stage, cinema, with different rules from real life, so storytellers will often utilize this fact for audiences to… Read More ›
“Crumb Catcher” is an excellent honeymoon thriller.
Chris Skotchdopole’s very impressive directorial debut, Crumb Catcher, is a slow descent into absurdist thrills. The rare new entry in the honeymoon horror sub-genre of romantic thriller, home of RedBox classics like A Perfect Getaway (2009), Crumb Catcher trades the… Read More ›
Get into the down and dirty of filmmaking on your own budget with the bounty of bonus features within “The Last Stop in Yuma County” on home video.
It’s no small feat and an incredible gamble to make a film. It requires a team of creatives working tirelessly toward the same goal, forced to confront their limitations and turn them into opportunities at every step. In the case… Read More ›
A redefinition of “cool” comes home with Criterion’s 4K restoration of Jean‑Pierre Melville’s influential classic “Le samouraï.”
Jean-Pierre Melville’s 1967 French classic Le samouraï (The Samurai) is a testament to why people love cinema. And if it’s not considered as such, then it damn well should be. Its mere existence is a miracle of the hybrid hitman/samurai… Read More ›
All you need is “Kill.”
By the nature of social norms, each country includes a specific view in their art. When it comes to movies, this is very noticeable within the subgenre of action. Whereas American films almost always feature a stalwart protagonist who survives… Read More ›
A Conversation with producers Michael Mendelsohn and Natalie Perrotta.
EoM Senior Interviewer Thomas Manning recently sat down again for a conversation with film producer and Patriot Pictures CEO Michael Mendelsohn, as well as his producing partner Natalie Perrotta. They discuss a wide range of upcoming projects, including the psychological… Read More ›
Criterion adds the Lana and Lilly Wachowski erotic noir “Bound” to its 4K collection.
Having never seen Lana and Lilly Wachowski’s second feature, I was immediately intrigued when I saw it was being added to the Criterion Collection. Knowing quite literally nothing about the movie other than the fact that it was a Wachowski… Read More ›
Strong performances never give the game away in dramatic thriller “The Weekend.” [Tribeca Film Festival]
We’ve seen nearly every iteration of meeting one’s parents that could possibly exist from Meet the Parents (2000) to Ready or Not (2019) and Get Out (2017), so when audiences get another family-gathering thriller, they typically know what they’re getting… Read More ›
Calvin Lee Reeder’s “The A-Frame” is a twisty, goopy sci-fi ride that aims higher than it delivers. [Tribeca Film Festival]
According to a March 2024 report, the leading cause of death for Americans in 2022 (the most recent year with full data) was all types of heart disease with cancers in second place. Advancements in early detection and treatment of… Read More ›
A Conversation with “Things Will Be Different” writer/director Michael Felker and actors Riley Dandy and Adam David Thompson. [Chattanooga Film Festival]
EoM Senior Interviewer Thomas Manning recently sat down with writer and director Michael Felker and actors Riley Dandy and Adam David Thompson to talk about their sci-fi drama Things Will Be Different, an official selection of the 2024 Chattanooga Film… Read More ›
“The Devil’s Bath” is drawn with great performances but too much time between horrors. [Tribeca Film Festival]
There are movies that are slow-paced terrifying watches, and then there are terrifying slow-paced watches that just miss the mark and create a world of unease that just doesn’t deliver upon the promise until its too late. Unfortunately for Severin… Read More ›
Writer/Director Ran Huang asks “What Remains” in the darker grey areas of ethics and morality.
What Remains is a film that presents itself as a detective procedural with a possible serial killer being interviewed by his psychiatrist and a detective trying to piece together the killer’s muddled and confused confessions of murder and rape. What… Read More ›
Paramount Pictures releases “Chinatown” in 4K UHD for its 50th anniversary.
Even though I’d had every plot point of Chinatown (1974) spoiled for me by film school staples like Robert McKee’s STORY, by the end of my first watch through of the new 4K edition from Paramount Presents, I still wanted… Read More ›
“Restless” does not let the characters or audience know a moment of peace. [Tribeca Film Festival]
If you’ve ever lived somewhere that wasn’t remote farmland in the midst of nowhere, you’ve most likely hated a neighbor. I adamantly refuse to believe at some point in one’s life there hasn’t been a neighbor that hasn’t driven you… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
Two juxtaposed performances deliver the terror and dread in Roxy Shih’s “Beacon.” [Tribeca Film Festival]
If anything is apparent after watching Roxy Shih’s (List of a Lifetime) newest feature, it must be that she is a fan of Robert Eggers’s The Lighthouse as Beacon feels like an eerily possible sequel/prequel to said movie. There’s a… Read More ›
“Blind War” Blu-ray Giveaway
The latest action thriller from The Sniper director Huo Suiqiang, Blind War, starring Andy On (100 Yards; Undercover Punch and Gun), initially released in 2022 before landing on Well Go USA’s martial arts streaming service Hi-YAH!. Now, Well Go USA is set… Read More ›
Satirical slasher “#AMFAD: All My Friends Are Dead” takes on the shallow nature in U.S. culture. [Tribeca Film Festival]
Every story is designed to convey something. Doesn’t matter if it’s a comedy, drama, mystery, or horror tale, from the surreal to the pointed, stories possess something that they want to pass along to the audience. Some grow richer through… Read More ›
Filmmaker Sabrina Van Tassel’s “Missing from Fire Trail Road” is an evocative condemnation of the culpability of North America against its Indigenous peoples. [Tribeca Film Festival]
The version of American History that most students learn is that the American Revolution took place largely due to the concept of “taxation without representation.” That the colonists found it frustrating and unfair to have to send taxes to a… Read More ›